BGuthrie Photos: DC -- Renwick Gallery -- Exhibit: Janet Echelman's 1.8 Renwick

DC -- Renwick Gallery -- Exhibit: Janet Echelman's 1.8 Renwick:

Bruce Guthrie Photos Home Page: [Click here] to go to Bruce Guthrie Photos home page.

Description of Pictures: Janet Echelman's 1.8 Renwick
September 18, 2020 – 2022
Janet Echelman’s colorful fiber and lighting installation examines the complex interconnections between human beings and our physical world, and reveals the artist's fascination with the measurement of time. The volumetric form suspended from the ceiling of the Renwick Gallery's Grand Salon is inspired by the data recorded March 11, 2011, following the Tohoku earthquake and tsunami that rippled across the Pacific Ocean toward Japan. The geologic event was so powerful it shifted the earth on its axis and shortened the day by 1.8 millionths of a second, lending this work its title. Echelman's knotted meditation contrasts the forces we can understand and control with those we cannot, and the concerns of our daily existence with larger cycles of time. Dynamically-changing lighting casts projected shadow drawings in vivid colors that move from wall to wall, enticing viewers to lie down on the carpet and contemplate the work.

Recognize anyone? If you recognize specific folks (or other stuff) and I haven't labeled them, please identify them for the world. Click the little pencil icon

underneath the file name (just above the picture). Spammers need not apply.

Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

Accessing as Spider: The system has identified your IP as being a spider.
IP Address: 3.141.8.247 -- Domain: Amazon Technologies
I love well-behaved spiders! They are, in fact, how most people find my site. Unfortunately, my network has a limited bandwidth and pictures take up bandwidth. Spiders ask for lots and lots of pages and chew up lots and lots of bandwidth which slows things down considerably for regular folk. To counter this, you'll see all the text on the page but the images are being suppressed. Also, some system options like merges are being blocked for you.
Note: Permission is NOT granted for spiders, robots, etc to use the site for AI-generation purposes. I'm sure you're thrilled by your ability to make revenue from my work but there's nothing in that for my human users or for me.
If you are in fact human, please email me at guthrie.bruce@gmail.com and I can check if your designation was made in error. Given your number of hits, that's unlikely but what the hell.

Help? The Medium (Email) links are for screen viewing and emailing. You'll want bigger sizes for printing. [Click here for additional help]

[1] JAN18_210618_001_STITCH.JPG

[2] JAN18_210618_004_STITCH.JPG

[3] JAN18_210618_005_STITCH.JPG

[4] JAN18_210618_006_STITCH.JPG

[5] JAN18_210618_007_STITCH.JPG

[6] JAN18_210618_012.JPG	[7] JAN18_210618_017.JPG	[8] JAN18_210618_024.JPG
[9] JAN18_210618_049.JPG	[10] JAN18_210618_056.JPG	[11] JAN18_210618_059.JPG
[12] JAN18_210618_066.JPG	[13] JAN18_210618_082.JPG	[14] JAN18_210618_089.JPG
[15] JAN18_210618_094.JPG	[16] JAN18_210618_103.JPG	[17] JAN18_210618_104.JPG

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. JAN18_210618_024.JPG: Janet Echelman's 1.8 Renwick Janet Echelman's 1.8 Renwick uses fiber and colored light to examine the complex interconnections between humankind and our physical world and reveals the artist's fascination with the measurement of time. The volumetric form suspended from the vaulted ceiling of this historic Grand Salon is inspired by the data recorded March 11, 2011, following the Tohoku earthquake and tsunami that rippled across the Pacific Ocean toward Japan. The geologic event was so powerful it shifted the earth on its axis and shortened the day by 1.8 millionths of a second, lending this work its title. The lines on the carpet below trace the topographic patterns of the three-dimensional form above. Viewers can immerse themselves in the installation and find a contemplative moment, watching the dynamically changing shadows gradually unfold in vivid colors from wall to wall. The color permutations take as long to unfold as it takes to watch a sunset. Echelman's knotted meditation explores the contrast between the forces we can understand and control and those we cannot, and the concerns of our daily existence with the larger cycles of time.
AAA "Gem": AAA considers this location to be a "must see" point of interest. To see pictures of other areas that AAA considers to be Gems, click here.
Description of Subject Matter: Janet Echelman's 1.8 Renwick
September 18, 2020 – 2022
Janet Echelman’s colorful fiber and lighting installation examines the complex interconnections between human beings and our physical world, and reveals the artist's fascination with the measurement of time. The volumetric form suspended from the ceiling of the Renwick Gallery's Grand Salon is inspired by the data recorded March 11, 2011, following the Tohoku earthquake and tsunami that rippled across the Pacific Ocean toward Japan. The geologic event was so powerful it shifted the earth on its axis and shortened the day by 1.8 millionths of a second, lending this work its title. Echelman's knotted meditation contrasts the forces we can understand and control with those we cannot, and the concerns of our daily existence with larger cycles of time. Dynamically-changing lighting casts projected shadow drawings in vivid colors that move from wall to wall, enticing viewers to lie down on the carpet and contemplate the work.
Bigger photos? To save server space, the full-sized versions of these images have either not been loaded to the server or have been removed from the server. (Only some pages are loaded with full-sized images and those usually get removed after three months.) I still have them though. If you want me to email them to you, please send an email to guthrie.bruce@gmail.com and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
Connection Not Secure messages? Those warnings you get from your browser about this site not having secure connections worry some people. This means this site does not have SSL installed (the link is http:, not https:). That's bad if you're entering credit card numbers, passwords, or other personal information. But this site doesn't collect any personal information so SSL is not necessary. Life's good!
Photo Contact: [Email Bruce Guthrie].