DC -- Natl Museum of American History -- Exhibit: The First Lady of Song: Ella Fitzgerald at 100:
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Description of Pictures: The First Lady of Song: Ella Fitzgerald at 100
March 30, 2017 – April 2, 2018
Ella Fitzgerald (1917-1996) was one of the greatest American singers. She had a warm and lovely voice, superb rhythmic sense, considerable versatility, meticulous intonation, and exceptional talent at “scat” singing, Fitzgerald also produced melodic lines that put her in the category of great instrumental improvisers.
Fitzgerald succeeded in the male-dominated field of jazz. By overcoming the odds, breaking barriers, and setting precedents, she paved the way for other women to follow her inspiring example.
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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
SIAHEF_170408_004.JPG: The First Lady of Song
Ella Fitzgerald at 100
SIAHEF_170408_015.JPG: Celebrity Icon
By the 1970s and 1980s, Fitzgerald was an icon sought by advertisers such as Continental Airlines, Jim Beam bourbon, Memorex recording tape, and American Express. Breaking through racial barriers, she was one of the first African American female celebrities to appear in advertising aimed at a general audience.
Suit, skirt, & hat
1986
Fitzgerald wore this outfit for her final commercial campaign for American Express. Don Loper designed the suit and skirt.
SIAHEF_170408_024.JPG: Photo
1986
Fitzgerald modeled for a photo shoot by Annie Leibovitz in Beverly Hills, California. This photo was used in American Express card advertising.
SIAHEF_170408_027.JPG: Ella Fitzgerald (1917–1996) was a gifted American jazz artist. She had a warm and lovely voice, with notable rhythmic sense, versatility, and intonation, as well as exceptional talent at scat singing. Inventing her vocals as she sang, she produced melodic lines that put her in the category of great instrumental improvisers.
In a career spanning seven decades, she created a legacy of acclaimed performances and a celebrated body of work.
These successes were hard-won. Fitzgerald, a young black woman rising from a childhood scarred by poverty and abuse, struggled to enter a field dominated by white men. But through her drive and talent, she paved the way for other women to follow her inspiring example.
SIAHEF_170408_029.JPG: Sheet music
1938
A-Tisket, A-Tasket, co-written by Fitzgerald, was her first hit record. This sheet-music edition was intended for amateur and professional musicians.
SIAHEF_170408_037.JPG: 78 rpm record
1938
Fitzgerald's first hit recording was A Tisket, A-Tasket.
SIAHEF_170408_043.JPG: Sheet music
1939
I Found My Yellow Basket was an "answer song" to A-Tisket, A-Tasket, whose lyrics include the line "I lost my yellow basket."
SIAHEF_170408_046.JPG: Booking cards
1946-53
The management of Harlem's famed Apollo Theater kept booking cards that detailed Fitzgerald's appearances during a seven-year period.
SIAHEF_170408_056.JPG: Transcription disc
1940
Fitzgerald starred in her own radio program. This 78-rpm transcription disc recorded a live performance from the Savoy Ballroom, in New York, on January 22, 1940.
SIAHEF_170408_059.JPG: Breaking Through
Ella Fitzgerald was discovered at an amateur night at Harlem's Apollo Theater, and invited to try out for bandleader Chick Webb. He was impressed by her technical and creative talents and hired her to sing with his orchestra. When Webb died in 1939, the 22-year-old singer took over the orchestra, becoming one of the first woman musicians to lead her own band. As her experience and skill grew, so did her fame and popularity.
SIAHEF_170408_062.JPG: Contract
1954
Fitzgerald began working with producer Norman Granz in the late 1940s. She initially performed as part of his Jazz at the Philharmonic troupe. He later became her manager.
SIAHEF_170408_067.JPG: Photo
around 1956
Norman Granz owned several record labels, including Verve, and produced many of Fitzgerald's recordings.
SIAHEF_170408_070.JPG: Work permit
1981
This work permit is one of several that allowed Fitzgerald to perform across the globe.
SIAHEF_170408_084.JPG: Letter
around 1960
Singer Pearl Bailey wrote this affectionate note to her friend Fitzgerald.
SIAHEF_170408_091.JPG: Passport
1959
Entrance and departure stamps from many countries in Fitzgerald's 1959 U.S. passport offer evidence of her active international performance schedule.
SIAHEF_170408_096.JPG: Peak of Her Powers
By the 1950s, Ella Fitzgerald was at the peak of her vocal powers. Her Songbook series came to be regarded as a cornerstone of recorded 20th-century popular song. Her takes on the standards proved that women could be more than singers of songs -- they could apply talent and creative vision to give pieces new life. Her renditions also broadened her popularity; she became a fixture on television and on international stages.
SIAHEF_170408_100.JPG: Program
1959
This program booklet details Fitzgerald's performance at the Carter Barron Amphitheatre in Washington, D.C.
SIAHEF_170408_103.JPG: Movie theater lobby card
1958
The motion picture St. Louis Blues featured Fitzgerald as a singer.
SIAHEF_170408_104.JPG: Magazine
1956
Fitzgerald appeared multiple times on the cover of Down Beat, America's leading jazz magazine.
SIAHEF_170408_108.JPG: Keys to cities
1977–1983
This boxed display holds keys to cities presented to Fitzgerald in honor of her accomplishments
SIAHEF_170408_114.JPG: Memorex trophy
late 1970s
Fitzgerald received this trophy in appreciation for her appearance in print and TV ads for Memorex recording tape.
SIAHEF_170408_121.JPG: NAACP President's Award
1975
The NAACP, one of America's oldest civil rights organizations, presented Fitzgerald with its President's Award.
SIAHEF_170408_128.JPG: Telegram
1957
Bandleader and composer Duke Ellington sent this telegram to Fitzgerald, who was performing in Chicago.
SIAHEF_170408_134.JPG: Postage stamp
1996
The U.S. Postal Service issued a commemorative postage stamp honoring Fitzgerald in 2007. Courtesy of U.S. Postal Service.
SIAHEF_170408_142.JPG: Honors and Recognition
Dubbed "The First Lady of Song," Ella Fitzgerald earned myriad awards for her work. Her musical achievements were celebrated by professional and academic organizations. She was also honored for her philanthropy on behalf of orphaned and disadvantaged children. She established the Ella Fitzgerald Charitable Foundation in 1993, which among its causes helps at-risk children and encourages literacy and musical education.
SIAHEF_170408_144.JPG: Alpha Kappa Alpha trophy
1968
Fitzgerald received this Yellow Basket trophy, alluding to her song A-Tisket, A-Tasket, from the Tau Omega chapter of the national black sorority Alpha Kappa Alpha.
SIAHEF_170408_152.JPG: Grammy Award
1958
Fitzgerald earned thirteen Grammy Awards, including this 1958 trophy.
SIAHEF_170408_157.JPG: Grammy Award
1990
Fitzgerald won this Grammy Award for Best Jazz Vocal Performance – Female.
SIAHEF_170408_164.JPG: Lifetime Achievement Award medallion
1979
Fitzgerald received this Kennedy Center Honors Lifetime Achievement Award.
SIAHEF_170408_172.JPG: Diploma
1986
Fitzgerald was awarded this honorary doctorate by Yale University.
SIAHEF_170408_177.JPG: Citation
1980
Fitzgerald received this honorary citation from Howard University.
SIAHEF_170408_181.JPG: Magazine advertisements
around 1975 and 1987
In demand as a celebrity, Fitzgerald promoted Memorex recording tape and the American Express card.
SIAHEF_170408_191.JPG: Credit card
1961
Fitzgerald, a celebrity spokesperson for the company, carried her own American Express card.
SIAHEF_170408_197.JPG: Magazine advertisements
around 1975 and 1987
In demand as a celebrity, Fitzgerald promoted Memorex recording tape and the American Express card.
SIAHEF_170408_210.JPG: LP cover
1962
From 1962, Ella Swings Brightly with Nelson features the work of Nelson Riddle, who also wrote arrangements for Nat "King" Cole and Frank Sinatra.
SIAHEF_170408_211.JPG: LP cover
1956
Also issued in 1956, Ella and Louis was the first of several collaborative albums recorded by Fitzgerald and Louis Armstrong.
SIAHEF_170408_214.JPG: LP cover
1956
In 1956, Ella Fitzgerald Sings the Cole Porter Songbook became the first in Fitzgerald's series of nine Songbook recordings.
SIAHEF_170408_216.JPG: LP cover
1955
First Lady of Song contains a selection of Fitzgerald's recordings for Decca Records from 1947-55.
SIAHEF_170408_219.JPG: Poster
1986
This poster features a portrait of Fitzgerald by Pablo Picasso, created with only a few strokes of his pen.
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2017 photos: Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000.
Trips this year:
Civil War Trust conferences in Pensacola, FL, Chattanooga, TN (via sites in Alabama, Louisiana, Mississippi, and Tennessee) and Fredericksburg, VA,
a family reunion in The Dells, Wisconsin (via sites in Ohio, Indiana, and Wisconsin),
New York City, and
my 12th consecutive San Diego Comic Con trip (including sites in Arizona).
For some reason, several of my photos have been published in physical books this year which is pretty cool. Ones that I know about:
"Tarzan, Jungle King of Popular Culture" (David Lemmo),
"The Great Crusade: A Guide to World War I American Expeditionary Forces Battlefields and Sites" (Stephen T. Powers and Kevin Dennehy),
"The American Spirit" (David McCullough),
"Civil War Battlefields: Walking the Trails of History" (David T. Gilbert),
"The Year I Was Peter the Great: 1956 — Khrushchev, Stalin's Ghost, and a Young American in Russia" (Marvin Kalb), and
"The Judge: 26 Machiavellian Lessons" (Ron Collins and David Skover).
Number of photos taken this year: just below 560,000.
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