DC -- NMAAHC -- Exhibit: (C) A Century in the Making:
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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
AACENT_161011_001.JPG: A Century in the Making
Building the National Museum of African American History and Culture
AACENT_161011_012.JPG: A Need for a Museum
AACENT_161011_023.JPG: The Museum Site
AACENT_161011_026.JPG: African Americans in Washington, DC
AACENT_161011_028.JPG: Slavery in Washington, DC, 1836
AACENT_161011_031.JPG: African Americans at the Smithsonian
AACENT_161011_035.JPG: Alley between Sixth and Seventh Streets and Maryland Avenue, SW, 1941
AACENT_161011_039.JPG: Marian Anderson
AACENT_161011_042.JPG: Marches on the Mall
AACENT_161011_044.JPG: Accountability Measures
AACENT_161011_047.JPG: Consulting Parties
AACENT_161011_053.JPG: Area of Impact
AACENT_161011_055.JPG: A Symbolic Site
At the Crossroads
On the Nation's "Front Yard"
AACENT_161011_061.JPG: Porch and Reflecting Pool:
Below the Porch is the Reflecting Pool. Together these two features create a cooling "microclimate" for visitors at the southern entrance.
AACENT_161011_062.JPG: Cutaways and Lenses:
Openings in the building's Corona were designed to provide strategic views out onto the landscape. The east-facing cutaways frame views of the National Mall.
AACENT_161011_063.JPG: Oculus:
Described as a beacon on the landscape, the circular-shaped Oculus channels light and a cascade of water down into the Contemplative Court, located on this level.
AACENT_161011_065.JPG: Landscape:
Gently curving pathways, trees native to the Southeast, and a field of bluish crocuses that resemble a rush of water are part of the landscape design.
AACENT_161011_067.JPG: Reading Grove:
Beyond the Oculus, the Hope and Optimism Reading Grove has sating areas designed to look like two hands clasping each other.
AACENT_161011_076.JPG: Design in Harmony
A New Element
Protecting Historic Resources
AACENT_161011_080.JPG: Evidence Unearthed:
Most of the items uncovered during the archaeological excavations of the NMAAHC site were 19th-century household refuse, or discarded items, such as this 1840s ironstone pitcher base.
AAA "Gem": AAA considers this location to be a "must see" point of interest. To see pictures of other areas that AAA considers to be Gems, click here.
Description of Subject Matter: A Century in the Making: Building the National Museum of African American History and Culture
September 24, 2016 – Ongoing
The Smithsonian’s National Museum of African American History and Culture will open on the National Mall Sept. 24, but the effort to build the museum began more than 100 years ago. This exhibit explores the journey toward fulfillment of this long-held dream, providing an overview of the century-long struggle that began in 1915 and its culminating achievements. Opening the museum has involved the efforts of presidents and members of Congress, curators and architects, art collectors and army veterans, celebrities and ordinary citizens. Visitors will learn the inspiration behind the museum’s architectural building design and the significance of the museum’s unique location on the National Mall, at the center of Washington’s historic core.
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2016 photos: Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000.
Seven relatively short trips this year:
two Civil War Trust conference (Gettysburg, PA and West Point, NY, with a side-trip to New York City),
my 11th consecutive San Diego Comic-Con trip (including sites in Utah, Nevada, and California),
a quick trip to Michigan for Uncle Wayne's funeral,
two additional trips to New York City, and
a Civil Rights site trip to Alabama during the November elections. Being in places where people died to preserve the rights of minority voters made the Trumputin election even more depressing.
Number of photos taken this year: just over 610,000.
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