"I'll be dropping a few names," Ed Zwick confesses in the introduction to his book. "Over the years I have worked with self-proclaimed masters-of-the-universe, unheralded geniuses, hacks, sociopaths, savants, and saints."
He has encountered these Hollywood types during four decades of directing, producing, and writing projects that have collectively received eighteen Academy Award nominations (seven wins) and sixty-seven Emmy nominations (twenty-two wins). Though there are many factors behind such success, including luck and the contributions of his creative partner Marshall Herskovitz, he's known to have a special talent for bringing out the best in the people he's worked with, especially the actors. In those intense collaborations, he's sought to discover the small pieces of connective tissue, vulnerability, and fellowship that can help an actor realize their character in full.
Talents whom he spotted early include Brad Pitt, Matt Damon, Denzel Washington, Claire Danes, and Jared Leto. Established stars he worked closely with include Leonardo DiCaprio, Anthony Hopkins, Tom Cruise, Julia Roberts, Anne Hathaway, Daniel Craig, Jake Gyllenhaal, Bruce Willis, Demi Moore, and Jennifer Connelly. He also sued Harvey Weinstein over the production of Shakespeare in Love--and won. He shares personal stories about all these people, and more.
Written mostly with love, sometimes with rue, this memoir is also a meditation on working, sprinkled throughout with tips for anyone who has ever imagined writing, directing, or producing for the screen. Fans with an appreciation for the beautiful mysteries--as well as the unsightly, often comic truths--of crafting film and television won't want to miss it.
Ed Zwick is an Academy Award and Emmy Award-winning director, writer, and producer of film and television. A graduate of Harvard and the AFI Conservatory, he lives in Los Angeles with his wife, Liberty Godshall.
Zwick will be in conversation with Ann Hornaday. Hornaday worked at Ms. Magazine as a researcher and editorial assistant before becoming a freelance writer in New York City, where she eventually began to write about movies for the New York Times Arts & Leisure section and other publications. In 1995 she became the movie critic at the Austin American-Statesman in Texas, where she stayed for two years before moving to Baltimore to be the movie critic at the Baltimore Sun. She left the Sun in 2000 and began working at The Washington Post in 2002. She was a finalist for the Pulitzer Prize in criticism in 2008. Hornaday is the author of “Talking Pictures: How to Watch Movies."
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