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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
MURGBA_190525_070.JPG: "Without culture there can be no growth;
without exertion, no acquisition;
without friction, no polish;
without labor, no knowledge;
without action, no progress; and
without conflict, no victory. [Note that the closing quote had been left off]
-- Frederick Douglass
[The rest of the quote is "The man who lies down a fool at night, hoping that he will waken wise in the morning, will rise up in the morning as he laid down in the evening."]
MURGBA_190525_091.JPG: "28 Blocks"
Designed and hand painted by Garin Baker, 2017
Installation Crew:
Bryan Guglielmi
Julia Lenihan
New Windsor, NY
www.garinbaker.com
MURGBA_190525_098.JPG: "Without culture there can be no growth;
without exertion, no acquisition;
without friction, no polish;
without labor, no knowledge;
without action, no progress; and
without conflict, no victory. [Note that the closing quote had been left off]
-- Frederick Douglass
[The rest of the quote is "The man who lies down a fool at night, hoping that he will waken wise in the morning, will rise up in the morning as he laid down in the evening."]
"28 Blocks"
Designed and hand painted by Garin Baker, 2017
Installation Crew:
Bryan Guglielmi
Julia Lenihan
New Windsor, NY
www.garinbaker.com
MURGBA_190707_02.JPG: The view of the mural from the Metro train. It's about the only place on the line where you have to endure a wiremesh fence.
MURGBA_191226_04.JPG: Some graffiti vandalism.
Black People > U
Description of Subject Matter: Massive new mural in D.C. pays tribute to the men who built the Lincoln Memorial statue
By Perry Stein
September 1, 2017
It might have been the simple gray tones of the hulking monument under construction. Or maybe it was the contours of muscular men hard at work on what would become one of the most venerated statues in the nation. Or possibly it was the words beneath it:
"Without culture there can be no growth. . . . Without action, no progress. And without conflict, no victory." — Frederick Douglass.
Whatever it was, joggers stopped, cyclists dismounted and Metro riders peered out their windows during evening commuting hours this week to glimpse the newly installed mural that pays homage to the workers who built the statue in the Lincoln Memorial.
"It's beautiful," said Prameeka Patura, 27, who passed by the mural on an evening walk. "It's very creative. Now I'm thinking I need to go back and look up all this history."
"28 Blocks" by New York artist Garin Baker sits along the Metropolitan Branch Trail — a popular pedestrian and cyclist commuter trail in Northeast Washington that is surrounded by train tracks to the east and industrial buildings on the west. It is a tribute to the men — many of whom were the first and second generation of black men born free — who built the 120-ton marble statue. Italian immigrants also helped build the statue, which was designed by sculptor Daniel Chester French to sit in the memorial, planned by architect Henry Bacon.
The name comes from the 28 blocks of marble used to erect the statue between 1914 and 1922. The marble was carved from mountains in northwestern Georgia by the sons of African slaves, according to the D.C. Department of General Services. The marble was then sent to New York, where the statue was carved block by block. The blocks were later transported from New York to Washington through Union Station, upon which they were assembled for the first time.
The Department of General Services put o ...More...
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and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
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2019 photos: Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000.
Overnight trips this year:
(May, August, October, December) Four trips to New York City (including the United Nations, Flushing, and the New York Comic-Con),
(July) My 14th consecutive San Diego Comic-Con (including sites in Utah).
(August) Massachusetts (Boston, Stockbridge, and Springfield) to experie/nce rain in another state, and
(August) Asheville, NC to visit Dad and his wife Dixie.
Number of photos taken this year: about 582,000.
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