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Description of Pictures: Corridor
On view March 24 - June 26, 2011
AMA / Art Museum of the Americas announces the opening of Corridor, an unusual exhibition showcasing the work of twelve established artists, six from Baltimore and six from Washington, D.C., a show that flips the conventional artist-curator relationship on its side with enticing results.
The exhibit was conceived by Baltimore-based artists Bernhard Hildebrandt, Soledad Salamé and Joyce J. Scott working jointly with AMA; the premise being to challenge the artist and curator relationship, allowing for participating artists from each city to select another artist to exhibit in an “artist choose artist” format.
Once all twelve artists were in place, one curator from each city, Irene Hofmann, Director and Chief Curator at SITE, Santa Fe, and former Executive Director of the Contemporary Museum in Baltimore; and Laura Roulet, independent DC curator and art historian, was selected to work with the artists of the opposite city.
Corridor features the work of D.C. artists Martha Jackson Jarvis, Brandon Morse, Phil Nesmith, Michael Platt, Susana Raab, and Jeff Spaulding; and Baltimore artists Oletha DeVane, Bernhard Hildebrandt, John Ruppert, Soledad Salamé, Joyce J. Scott, and Sofia Silva. The selected artists’ work represents a wide range of media and approaches, from sculpture, installation, printmaking and photography to video. The resulting exhibition showcases exceptional examples of some recent trends in art from the region.
Oletha DeVane is a mixed-media artist who has been involved in Baltimore’s arts community as an artist, curator, and educator for more than twenty-five years. Her sculpture “Saint for My City” represents her empathy for her hometown, incorporating materials ranging from a Madonna to bullet shell casings. Sculptor John Ruppert is represented by “River Jacks” a series of metal boulders, exhibited along with the original granite one used for casting; and two chain-link fence forms, exploring ...More...
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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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Directly Related Pages: Other pages with content (Art Museum of the Americas -- Exhibit: ) directly related to this one:
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2023_DC_OAS_Picasso: Art Museum of the Americas -- Exhibit: Picasso: A Dialog with the Americas (11 photos from 2023)
2023_DC_OAS_Petrona: Art Museum of the Americas -- Exhibit: Petrona Viera: Endless creation (20 photos from 2023)
2023_DC_OAS_About_Woman: Art Museum of the Americas -- Exhibit: Sobre una mujer / About a Woman (43 photos from 2023)
2022_DC_OAS_Colombia: Art Museum of the Americas -- Exhibit: Colombia: A Work of Art (50 photos from 2022)
2022_DC_OAS_Afro_Caribbean: Art Museum of the Americas -- Exhibit: Afro-Caribbean Motifs of the Art Museum of the Americas Collection (67 photos from 2022)
2019_DC_OAS_Soriano: Art Museum of the Americas -- Exhibit: Rafael Soriano: Cabezaz (Heads) (33 photos from 2019)
2019_DC_OAS_Roots: Art Museum of the Americas -- Exhibit: Roots of Peace: Carlos Páez Vilaró Works and Writings (61 photos from 2019)
2019_DC_OAS_Pink: Art Museum of the Americas -- Exhibit: PINK Ranchos and Other Ephemeral Zip Codes (33 photos from 2019)
2019_DC_OAS_Cintas: Art Museum of the Americas -- Exhibit: A Gaze through the CINTAS Fellowship Program (7 photos from 2019)
2018_DC_OAS_Transformers: Art Museum of the Americas -- Exhibit: Transformers (17 photos from 2018)
2011 photos: Equipment this year: I mostly used the Fuji S100fs camera as well as two Nikon models -- the D90 and the new D7000. Mostly a toy, I also purchased a Fuji Real 3-D W3 camera, to try out 3-D photographs. I found it interesting although I don't see any real use for 3-D stills now. Given that many of the photos from the 1860s were in 3-D (including some of the more famous Civil War shots), it's odd to see it coming back.
Trips this year:
Civil War Trust conferences (Savannah, GA, Chattanooga, TN),
New Jersey over Memorial Day for my birthday (people never seem to visit New Jersey -- it's always just a pit stop on the way to New York. I thought I might as well spend a few days there. Despite some nice places, it still ended up a pit stop for me -- New York City was infinitely more interesting),
my 6th consecutive San Diego Comic-Con trip (including Las Vegas, Los Angeles, and San Francisco).
Ego strokes: Author photos that I took were used on two book jackets this year: Jason Emerson's book "The Dark Days of Abraham Lincoln's Widow As Revealed by Her Own Letters" and Dennis L. Noble's "The U.S. Coast Guard's War on Human Smuggling." I also had a photo of Jason Stelter published in the Washington Examiner and a picture of Miss DC, Ashley Boalch, published in the Washington Post.
Number of photos taken this year: just over 390,000.
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