Existing comment:
Gaston Lachaise
Elevation (Standing Woman), modeled 1912-15, cast 1930
This striking celebration of the female form -- what one contemporary critic called "a priestess from another planet" -- is considered Gaston Lachaise's first major sculpture and one of his most enduring. Like all of his idealized modern goddesses, Elevation was inspired by the sculptor's wife, model, and muse, Isabel Nagle. It reveals Lachaise's training with French art nouveau master Rene Lalique (whose work can be seen in the museum's Sydney and Frances Lewis Decorative Arts Galleries), as well as his later apprenticeship with Paul Manship, the foremost representative of the Art Deco style in the United States (his sculpture is on view in an adjoining gallery).
Lachaise's "standing woman" is an embodiment of strength and monumentality as well as serenity and grace -- all contained in a beautiful figure gesture that may have derived from fames modern dancer Ruth St. Denis. The sculptor further emphasized these qualities by placing the bronze on a 20-inch high base. Lachaise wanted the figure, already larger than life, to be "exalted, raised up, presented at a respectful distance, given a circle of solitude."
First conceived by the artist in plaster about 1912 and altered over a period of years, VMFA's version was cast under the artist's supervision from the original mold in 1930 (just three years after the first casting by the renowned Roman Bronze Works). It is believed to be the sixth in an edition of twelve. |