SIPGPO_090329_0558
Existing comment: Signing of the Treaty of Versailles:
The American belief in reofrm and progress at the beginning of the twentieth fcenutry received a severe blow with the outbreak of war in Europe in 1914. Many had taken it as an article of faith that nations no longer had to resort to war to solve differences, even though Germany had been received as a threat to democratic nations by President Woodrow Wilson and others for years. Wilson clung to the principle of American neutrality, but he was obligated to protect American maritime and commercial interests, which, as the war progressed, were being interfered with by both Germany and Great Britian. Germany's deicison to begin unrestrcted submarine warfare in February 1917, in retaliation for the British naval brigade, forced Wilson's hand. On April 2, 1917, he proclaimed that the "world must be made safe for democracy," and days later Congress passed a declaration of war against Germany.
After the war ended, Danish-born John C. Johansen portrayed the treaty-signing ceremonies at Versailles in 1919. The disillusion that accompanied the outbreak of World War I, supplanted by the enthusiasm and idealism accompanying America's entry into the war, retruened in the final outcome. The United Sattes and the Allies won, but it was not, as Wilson had proclaimed, the "war to end all woras." His hope for a lasting peace, protecting the sovereignty of all nations rahter than punishing the vanquished, and his vision of a League of Nations did not survive the realities of international politics. Americans turned away from idealism. Prohibition, ratified in the Eighteenth AMendment in 1919, is viewed by many historians as the last gasp of early-twentieth-century reform. Many Americans then turned their attention to the more mundane matters of making money, consuming mass-produced goods, and immersing themselves in popular culture. The Roaring Twenties had begun.
John C. Johansen, 1919
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