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Ornette Coleman, 1930- :
For both his musical virtuosity on alto saxophone and his compositions, Ornette Coleman is one of the major forces in American music in the late twentieth century. Like painter Jackson Pollock and writer Walt Whitman, who rejected traditional forms as too constrictive for human expression, Coleman broke with existing jazz diction, creating a raw sound that seemed to deliberately avoid the musical scale in favor of "playing in the cracks." In 1959, Coleman's quartet produced "The Shape of Jazz to Come," a musical manifesto that was the aural equivalent of Pollock's abstract expressionism. Coleman disavowed the idea that "free jazz," as his music was called, was pure improvisation, maintaining that careful planning went into each composition. In the 1970s, Coleman moved into jazz funk, using electrified instruments. He is still a prolific musician, and his album "Sound Grammar" won the Pulitzer Prize for music in 2007.
Frederick J. Brown, 1992 |