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Johnny Hodges, 1907-1970
"Pure artistry" is how Duke Ellington described the expressive quality and "unique tonal personality" that characterized Johnny Hodges's playing. A largely self-taught musician who took up the soprano and alto saxophones in his early teens, Hodges became a protégé of jazz saxophonist Sidney Bechet. After accepting Ellington's invitation to join his orchestra in 1928, Hodges quickly distinguished himself as a soloist. With a style deeply rooted in the blues, he produced a meltingly smooth and sensuous tone that Ellington likened to "poured honey." Among the many works in Ellington's repertoire to showcase Hodges's talent were "Jeep's Blues" (1938) and "I'm Beginning to See the Light" (1944) -- co-written by Ellington and Hodges -- and the hauntingly beautiful "Isfahan" from the Far East Suite (1966). With the exception of a brief hiatus to lead his own small ensembles (1951–55), Hodges remained with Ellington's orchestra for the rest of his life. |