Existing comment:
EMBARKATION OF THE PILGRIMS
From Southampton
(August 5, 1620)
Copyright, 1898, by Edward Moran.
EMBARKATION OF THE PILGRIMS FROM SOUTHAMPTON, AUGUST 5, 1620.[J]
A sadder journey than that of the Pilgrims, both in its inception in leaving home and kindred and fleeing from persecution, and in its ending in the inconceivable hardships which they had to endure in the new world, was probably never undertaken than when, on August 5, 1620, the "Mayflower" sailed out of the harbor of Southampton.
It must have been with heavy hearts and the gloomiest forebodings, and yet buoyed up with the hope of finding a permanent refuge beyond the ocean, for the exercise of that freedom of conscience for which they had previously found only a temporary abode at Leyden, Holland, that the hundred brave men and women, representing twenty-three different families, consigned their lives and fortunes into the hands of the crew of the little one hundred and sixty ton vessel that for almost five long months was to battle with storm and winds across the dreaded Atlantic, until on December 21, 1620, they anchored on the shores of Massachusetts, and, with that spirit of loyalty, still, to the land from which they had fled, named the spot where they first landed, Plymouth Rock, to which they had been driven in the stress and storm, instead of reaching the Virginia colony, for which they had set sail.[Pg 60]
What that departure of the Pilgrims from England meant to those left behind on the shore at Southampton can hardly be conceived by those who, in our day, at some magnificent steamship pier, amid the strains of music and a shower of flowers, now and anon wave a farewell to their friends, perhaps bound on a pleasure tour in some leviathan of the ocean, of twenty thousand or more tons burden, and fitted up in more regal splendor than the most gorgeous palaces of the age of the Pilgrims.
It is to the sadness of this departure that the artist, in this canvas, has undertaken to give expression in the mournful group of friends on the shore, waving a final farewell and wistfully gazing at the "Mayflower," lying in mid-water and evidently waiting for the last passengers to arrive before setting sail on its perilous voyage into the mysterious darkness of the approaching night. There is a mellow gray light of evening diffused throughout this painting which is almost indescribable, with the moon casting its rays across the water, so perfectly is it in harmony with the thread of the whole story which is suggested by this inimitable picture.
I can think of no more fitting words to accompany this canvas than those of Edward Everett, in his oration at Plymouth, on December 22, 1824, on "The Emigration of the Pilgrim Fathers":
"Methinks I see it now, that one solitary, adventurous vessel, the 'Mayflower' of a forlorn hope, freighted with the prospects of a future State, and bound across the unknown sea. I behold it pursuing, with a thousand misgivings, the uncertain, the tedious voyage. Suns rise and set, and weeks and months pass, and winter surprises them on the deep, but brings them not the sight of the wished-for shore. I see them now scantily supplied with provisions, crowded almost to suffocation in their ill-stored prison, delayed by calms, pursuing a cir[Pg 61]cuitous route; and now driven in fury before the raging tempest, on the high and giddy waves. The awful voice of the storm howls through the rigging. The laboring masts seem straining from their base; the dismal sound of the pumps is heard; the ship leaps, as it were, madly from billow to billow; the ocean breaks, and settles with engulfing floods over the floating deck, and beats with deadening weight against the staggered vessel. I see them, escaped from these perils, pursuing their all but desperate undertaking, and landed at last, after five months' passage, on the ice-clad rocks of Plymouth, -- weak and weary from the voyage, poorly armed, scantily provisioned, depending on the charity of their shipmaster for a draft of beer on board, drinking nothing but water on shore, without shelter, without means, surrounded by hostile tribes."
What an extraordinary coincidence it is that a Dutch slaver, laden with slaves for Virginia, should be on the ocean at the same time with the "Mayflower," in whose cabin was written the first charter of independence, the first American constitution, in the words following:
"In the name of God, Amen. We whose names are underwritten, the loyal subjects of our dread sovereign Lord, King James, by the grace of God, of Great Britain, France, and Ireland king, defender of the faith, etc., having undertaken, for the glory of God, and advancement of the Christian faith, and honor of our king and country, a voyage to plant the first colony in the northern parts of Virginia, do by these presents solemnly and mutually in the presence of God, and one of another, covenant and combine ourselves together into a civil body politic, for our better ordering and preservation and furtherance of the ends aforesaid; and by virtue hereof to enact, constitute, and frame such just and equal laws, ordinances,[Pg 62] acts, constitutions, and offices, from time to time, as shall be thought most meet and convenient for the general good of the Colony, unto which we promise all due submission and obedience."
What but a reflection of these words is the memorable preamble to the Constitution of the United States, framed by the convention of 1787:
"We, the people of the United States, in order to form a more perfect union, establish justice, insure domestic tranquillity, provide for the common defence, promote the general welfare, and secure the blessings of liberty to ourselves and our posterity, do ordain this Constitution for the United States of America."
What a debt of gratitude we owe to the leaders of that expedition, Carver, Winslow, Bradford and Standish, who thus planted this colony in the United States, practically the first after that in Virginia -- but also to the great artist who fortunately came from the shores of the same England to immortalize, through this beautiful picture, the first scene in the drama whose culmination is the establishment of the greatest republic that the world has ever seen!
"There were men with hoary hair Amidst that pilgrim-band: Why had they come to wither there, Away from their childhood's land?
"There was woman's fearless eye, Lit by her deep love's truth; There was manhood's brow serenely high, And the fiery heart of youth. [Pg 63]
"What sought they thus afar? Bright jewels of the mine? The wealth of seas, the spoils of war? -- They sought a faith's pure shrine!
"Ay, call it holy ground, The soil where first they trod; They have left unstained what there they found -- Freedom to worship God."
Felicia Hemans.
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