MD -- Takoma Park -- Public Art: Spring for Poetry:
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TAKOPO_210517_04.JPG: Spring for Poetry in Takoma Park
Daffodils
I wandered lonely as a Cloud
That floats on high o'er Vales and Hills,
When all at once I saw a crowd
A host of dancing Daffodils;
Along the Lake, beneath the trees,
Ten thousand dancing in the breeze.
The waves beside them danced, but the
Outdid the sparkling waves in glee:-
A Poet could not but be gay
In such a laughing company:
I gazed – and gazed – but little thought
What wealth the shew to me had brought:
For oft when on my couch I lie
In vacant or in pensive mood.
They flash upon that inward eye
Which is the bliss of solitude,
And then my heart with pleasure fills,
And dances with the Daffodils.
William Wordsworth
TAKOPO_210517_12.JPG: Spring for Poetry in Takoma Park
My Mother Reads Poetry
2 packs thin ready-rolled pastry sheets
2 coffee cups butter melted
a kilogram of apples
1 cup biscuit crumbs
1 cup ground walnuts
2 coffee cups sugar
1 packet cinnamon powder
Wash the apples, peel
and remove the seeds, grate
in large strips, mix
with the sugar, the ground walnuts
and the cinnamon.
Take a pastry sheet,
grease it
and cover it with another sheet.
Spread some of the apple mix
over them and roll
them together. Repeat
with the other pastry sheets.
Grease them and bake
over medium heat, until
the top crust is red,
and the bottom pink.
When you bake it, it's a strudel,
but for now it's still a poem.
Georgi Gospodinov
Translated by Maria Vassileva
TAKOPO_210517_19.JPG: Spring for Poetry in Takoma Park
Portrait of a Girl With Comic Book
Thirteen's no age at all. Thirteen is nothing.
It is not wit, or powder on the face,
Or Wednesday matinees, or misses' clothing,
Or intellect, or grace,
Twelve has its tribal customs. But thirteen
Is neither boys in battered cars nor dolls,
Not Sara Crewe or movie magazine,
Or pennants on the walls.
Thirteen keeps diaries and tropical fish
(A month, at most); scorns jump-ropes in the spring;
Could not, would fortune grant it, name its wish;
Wants nothing, everything;
Has secrets from itself, friends it despises;
Admits none of the terrors it feels;
Owns half a hundred masks but no disguises;
And walks upon its heels.
Thirteen's anomalous – not that, not this:
Not folded bud, or wave that laps a shore,
Or moth proverbial from the chrysalis.
Is the one age defeats the metaphor.
Is not a town, like childhood, strongly walled
But easily surrounded; is no city.
Nor, quitted once, can it be quite recalled –
Not even with pity.
- Phyllis McGinley
TAKOPO_210517_29.JPG: Spring for Poetry in Takoma Park
Brother, I've Seen Some
Brother, I've seen some
Astonishing sights:
A lion keeping watch
Over pasturing cows;
A mother delivered
After her son was;
A guru prostrated
Before his disciple;
Fish spawning
On treetops;
A cat carrying away
A dog;
A gunny-sack
Driving a bullock-cart;
A buffalo going out to graze,
Sitting on a horse;
A tree with its branches in the earth,
Its roots in the sky;
A tree with flowering roots.
This verse, says Kabir,
Is your key to the universe.
If you can figure it out.
-- Kabir
Translated from the Hindi by Arvind Krishna Mehrotra
TAKOPO_210517_41.JPG: Spring for Poetry in Takoma Park
All Souls - May Sarton
Did someone say that there would be an end,
An end, Oh, an end, to love and mourning?
Such voices speak when sleep and waking blend,
The cold bleak voices of the early morning
When all the birds are dumb in dark November --
Remember and forget, forget, remember.
After the false night, warm true voices, wake!
Voice of the dead that touches the cold living,
Through the pale sunlight once more gravely speak.
Tell me again, while the last leaves are falling:
"Dear child, what has been once so interwoven
Cannot be raveled, nor the gift ungiven."
Now the dead move through all of us still glowing,
Mother and child, lover and lover mated,
Are wound and bound together and enflowing.
What has been plaited cannot be unplaited --
Only the strands grow richer with each loss
And memory makes kings and queens of us.
Dark into light, light into darkness, spin.
When all the birds have flown to some real haven,
We who find shelter in the warmth within,
Listen, and feel new-cherished, new-forgiven,
As the lost human voices speak through us and blend
Our complex love, our mourning without end.
-- May Sarton
TAKOPO_210517_45.JPG: Spring for Poetry in Takoma Park
The Ladies of Sherman Avenue
-- Beth Baker
TAKOPO_210517_53.JPG: Spring for Poetry in Takoma Park
A serene evening.
We spend it drinking wine.
The sun, going down,
lays its cheek against the earth
to rest.
The breeze lifts
the coattails of the hills.
The skin of the sky
is as smooth as the pelt
of the river.
How lucky we are to find
this spot for our sojourn
with doves cooing
for our greater delight.
Birds sing,
branches sigh
and darkness drinks up
the red wine of sunset.
-- Muhammad ibn Ghalib al-Rusafi (12th century, Ruzafa, Valencia)
TAKOPO_210517_60.JPG: Spring for Poetry in Takoma Park
The Night Plums
Years afterward
in the dark, in the middle of winter
I saw them again,
the wild sloes on the terraces,
flowering in the small hours of the night
after the turning of the night, and of the year, and of years
when almost all whom I had known there in other years had gone
and the stones of the barnyard lay buried in sleep
and the animals were no more,
I watched the white flowers open
in their own hour
naked and luminous
greeting the darkness in silence
with their ancient fragrance.
-- W.S. Merwin
Wild Plums In Blossom
In a light, cold rain, at the edge of the woods,
a line of brides is waiting, hand in hand.
Their perfume carries far across the fields.
They have been brought here from the east
to marry farmers, and were left on the platform.
The dark old depot of the woods is locked
and no one has come for them but me.
-- Ted Kooser
TAKOPO_210517_70.JPG: Spring for Poetry in Takoma Park
Those Winter Sundays
Sundays too my father got up early
And put his clothes on in the blueblack cold
Then with cracked hands that ached
From labor in the weekday weather made
Banked fires blaze. No one ever thanked him.
I'd wake and hear the cold splintering, breaking
When the rooms were warm, he'd call
And slowly I would rise and dress
Fearing the chronic angers of that house
Speaking indifferently to him
Who had driven out the cold
And polished my good shoes as well
What did I know, what did I know
Of love's austere and lonely offices?
-- Robert Hayden
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