BGuthrie Photos: DC -- NMAAHC -- Exhibit: (C3) Slavery and Freedom 1400-1877

DC -- NMAAHC -- Exhibit: (C3) Slavery and Freedom 1400-1877:

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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[1] AASLAV_210514_09.JPG Medium (Email) (Bigger?)	[2] AASLAV_210514_22.JPG Medium (Email) (Bigger?)	[3] AASLAV_210514_28.JPG Medium (Email) (Bigger?)
[4] AASLAV_210514_31.JPG Medium (Email) (Bigger?)	[5] AASLAV_210514_38.JPG Medium (Email) (Bigger?)	[6] AASLAV_210514_54.JPG Medium (Email) (Bigger?)
[7] AASLAV_210514_64.JPG Medium (Email) (Bigger?)	[8] AASLAV_210926_01.JPG Medium (Email) (Bigger?)	[9] AASLAV_210926_12.JPG Medium (Email) (Bigger?)
[10] AASLAV_210926_19.JPG Medium (Email) (Bigger?)	[11] AASLAV_210926_24.JPG Medium (Email) (Bigger?)	[12] AASLAV_210926_30.JPG Medium (Email) (Bigger?)

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. AASLAV_210514_09.JPG: We are sorry. This area is closed for maintenance.
2. AASLAV_210514_22.JPG: Bucks of America Banner In the wake of the Revolutionary War, a banner was "presented by John Hancock to a colored company called 'The Bucks of America.' " The emblem features 13 stars, one for each of the 13 colonies, and a leaping buck, believed to represent pride and independence. Facsimile.
3. AASLAV_210514_28.JPG: Black Patriots
4. AASLAV_210514_31.JPG: On the Block
5. AASLAV_210514_38.JPG: The Hagerstown Auction Block Many African Americans, it is believed, were sold from this block as slaves, fugitives, and kidnapped free men, women, and children. Hagerstown, Maryland, was a hotbed of fugitive slave activity and slave trading. Because it was so close to Pennsylvania, a free state, the local sheriff made money by capturing and selling accused fugitives. Ads announced the sales of enslaved people in the courthouse and in the jail yard, common sites for slave auctions in most states.
6. AASLAV_210514_54.JPG: Harriet Tubman's Lace Handkerchief This delicate lace handkerchief was owned by "Freedom Fighter" Harriet Tubman.
7. AASLAV_210514_64.JPG: Harriet Tubman's Hymnal A fiercely religious woman, Tubman spoke of visions and dreams that helped provide a moral compass throughout her life. The wear-and-tear on this hymnal suggests that she must have loved it and used it quite frequently.
8. AASLAV_210926_01.JPG: Reflection on Nat Turner's Rebellion Nat Turner, an enslaved minister, used his intellect and mobility as a preacher to organize a slave revolt in Southampton, Virginia, in 1831. Turner's rebellion caused widespread panic among the white population. As a result, more severe restrictions were instituted limiting enslaved persons from gathering and practicing their faith. This letter written by Eleanor Weaver to her children provides some details of the event that gained nationwide attention. All the mischief done was confined to one county in the lower part of this state the County of Southampton. There was about 67 persons old & young put to death by about Eight or Ten Negroes ring leaders & some few they forced to assist them. say some 20 to thirty headed by a Negro preacher. All the murders was done in about 24 hours. They have all bin [sic] taken & put to death General Nat the preacher absconded & kept out of the way for several weeks but he was at last taken & put to death. We hope our government will take some steps to put down Negro preachi9ng. It is those large assemblies of Negroes causes the mischief. However I wish we had not one in this country they are an unhappy race & render all those that have them unhappy. However we have them & we must do the best we can with them.
9. AASLAV_210926_19.JPG: Harriet Tubman's Hymnal: A fiercely religious woman, Tubman spoke of visions and dreams that helped provide a moral compass throughout her life. The wear-and-tear on this hymnal suggests that she must have loved it and used it quite frequently.
10. AASLAV_210926_24.JPG: Reading Copy of the Emancipation Proclamation The Emancipation Proclamation freed only enslaved people living in Confederate states. Many enslaved Southerners first learned they were free from Union soldiers carrying copies of the decree. This booklet was produced so Union soldiers could read the proclamation aloud on plantations and in cities across the South.
11. AASLAV_210926_30.JPG: A Day of Jubilee On New Year's Day, 1863, African Americans in Beaufort, South Carolina, gathered to hear Col. Thomas Wentworth Higginson read the Emancipation Proclamation. He remembered the moment when "two women's voices immediately blended, 'My country 'tis of thee, Sweet land of Liberty' ... the quavering voices sang on, verse after verse; others around them joined; ... I never saw anything so electric; it made all other words cheap... the life o the whole day was in those unknown people's song."
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Description of Subject Matter: Slavery and Freedom
September 24, 2016 – Indefinitely
As the centerpiece of the museum, this exhibition explores the complex story of slavery and freedom, a story standing at the core of our national experience. Beginning in the 15th century with the transatlantic slave trade, through the Civil War and the Emancipation Proclamation, the exhibition uses personal stories to explore the economic and political legacies of slavery for all Americans.
Priceless objects featured include:
* Harriett Tubman’s shawl and hymn book (c. 1876)
* Nat Turner’s bible (1830s)
* shackles used for an enslaved child
* a slave cabin from Edisto Island, S.C.
* a pocket copy of the Emancipation Proclamation read from by soldiers bringing news of freedom to the U.S. Colored Troops
* freedom papers (c. 1852) carried by a former slave, Joseph Trammell
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Directly Related Pages: Other pages with content (DC -- NMAAHC -- Exhibit: (C3) Slavery and Freedom 1400-1877) directly related to this one: [Display ALL photos on one page]:
- 2022_DC_SINMAA_Slavery: DC -- NMAAHC -- Exhibit: (C3) Slavery and Freedom 1400-1877 (49 photos from 2022)
- 2020_DC_SINMAA_Slavery: DC -- NMAAHC -- Exhibit: (C3) Slavery and Freedom 1400-1877 (16 photos from 2020)
- 2017_DC_SINMAA_Slavery: DC -- NMAAHC -- Exhibit: (C3) Slavery and Freedom 1400-1877 (18 photos from 2017)
- 2016_DC_SINMAA_Slavery: DC -- NMAAHC -- Exhibit: (C3) Slavery and Freedom 1400-1877 (423 photos from 2016)
Same Subject: Click on this link to see coverage of items having the same subject: [(Smithsonian) National Museum of African American History and Culture] [Museums (History)]
2021 photos: This year, which started with former child president's attempted coup and the continuation of the COVID-19 pandemic, gradually got better. Trips this year: (May, October) After getting fully vaccinated, I made two trips down to Asheville, NC to visit my dad and his wife Dixie, and (mid-July) I made a quick trip up to Stockbridge, MA to see the Norman Rockwell Museum again as well as Daniel Chester French's place @ Chesterwood. Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000. Number of photos taken this year: about 283,000, up slightly from 2020 levels but still really low.
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Photo Contact: [Email Bruce Guthrie].