BGuthrie Photos: DC -- Freer Gallery of Art -- Exhibit: The Power to See Beauty: Charles Lang Freer

DC -- Freer Gallery of Art -- Exhibit: The Power to See Beauty: Charles Lang Freer:

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1. POW2C_210730_001.JPG: Charles Lang Freer The Power to See Beauty Who has "the power to see beauty"? How much do you need to know to appreciate a work of art from another culture or historical era? Our museum founder Charles Lang Freer (1854–1919) asked himself these fundamental questions as he prepared to transfer his personal collection of Asian antiquities and American tonalist paintings to a new public museum on the National Mall. Even though Freer left school after the eighth grade, he became a wealthy industrialist and world traveler. He had easy access to scholars, critics, and sophisticated advisors and appreciated "expert opinions." Though he was never concerned with specific social, economic, and political circumstances affecting artistic production, he was keenly interested in how chronology, authenticity, quality, and cross-cultural interchange affected stylistic developments over the centuries. Yet, Freer never renounced his conviction that a direct, emotional response was the highest form of aesthetic pleasure -- and the most democratic, available to anyone willing to take the time to look closely. He believed quiet contemplation and intelligent (though often ahistorical and unexpected) comparisons of works of art would "induce concentration" and give all visitors "the power to see beauty."
2. POW2C_210730_005.JPG: Charles Lang Freer "All Works of Art Go Together"
3. POW2C_210730_057.JPG: Looking Like a Connoisseur
4. POW2C_210730_103.JPG: Keynote
5. POW2C_210730_106.JPG: Variations in Blue and Green, ca 1868 James McNeill Whistler
6. POW2C_210730_119.JPG: Portrait of Charles Lang Freer, 1902-1903 James McNeill Whistler
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Description of Subject Matter: The Power to See Beauty: Charles Lang Freer
October 14, 2017 – Indefinitely
Who has “the power to see beauty”? How much do you need to know to appreciate a work of art from another culture or historical era? Our museum founder Charles Lang Freer (1854–1919) asked himself these fundamental questions as he prepared to transfer his personal collection of Asian antiquities and American tonalist paintings to a new public museum on the National Mall.
Even though Freer left school after the eighth grade, he became a wealthy industrialist and world traveler. He had easy access to scholars, critics, and sophisticated advisors and appreciated “expert opinions.” Though he was never concerned with specific social, economic, and political circumstances affecting artistic production, he was keenly interested in how chronology, authenticity, quality, and cross-cultural interchange affected stylistic developments over the centuries.
Yet, Freer never renounced his conviction that a direct, emotional response was the highest form of aesthetic pleasure—and the most democratic, available to anyone willing to take the time to look closely. He believed quiet contemplation and intelligent (though often ahistorical and unexpected) comparisons of works of art would “induce concentration” and give all visitors “the power to see beauty.”
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Same Subject: Click on this link to see coverage of items having the same subject: [(Smithsonian) Freer Gallery of Art] [Display ALL (Smithsonian) Freer Gallery of Art photos] [Museums (Art)]
2021 photos: Overnight trips this year: (May, October) After getting fully vaccinated, I made two trips down to Asheville, NC to visit my dad and his wife Dixie, and (July) Stockbridge, MA to see the Norman Rockwell Museum again as well as Daniel Chester French's place @ Chesterwood. Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000. Number of photos taken this year: about 283,000, up slightly from 2020 levels but still really low.
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