DC -- Renwick Gallery -- Exhibit: Janet Echelman's 1.8 Renwick:
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- Description of Pictures: Janet Echelman's 1.8 Renwick
September 18, 2020 – 2022
Janet Echelman’s colorful fiber and lighting installation examines the complex interconnections between human beings and our physical world, and reveals the artist's fascination with the measurement of time. The volumetric form suspended from the ceiling of the Renwick Gallery's Grand Salon is inspired by the data recorded March 11, 2011, following the Tohoku earthquake and tsunami that rippled across the Pacific Ocean toward Japan. The geologic event was so powerful it shifted the earth on its axis and shortened the day by 1.8 millionths of a second, lending this work its title. Echelman's knotted meditation contrasts the forces we can understand and control with those we cannot, and the concerns of our daily existence with larger cycles of time. Dynamically-changing lighting casts projected shadow drawings in vivid colors that move from wall to wall, enticing viewers to lie down on the carpet and contemplate the work.
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- Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
- JAN18_200918_17.JPG: Janet Echelman's 1.8 Renwick
Janet Echelman's 1.8 Renwick uses fiber and colored light to examine the complex interconnections between humankind and our physical world and reveals the artist's fascination with the measurement of time. The volumetric form suspended from the vaulted ceiling of this historic Grand Salon is inspired by the data recorded March 11, 2011, following the Tohoku earthquake and tsunami that rippled across the Pacific Ocean toward Japan. The geologic event was so powerful it shifted the earth on its axis and shortened the day by 1.8 millionths of a second, lending this work its title. The lines on the carpet below trace the topographic patterns of the three-dimensional form above. Viewers can immerse themselves in the installation and find a contemplative moment, watching the dynamically changing shadows gradually unfold in vivid colors from wall to wall. The color permutations take as long to unfold as it takes to watch a sunset. Echelman's knotted meditation explores the contrast between the forces we can understand and control and those we cannot, and the concerns of our daily existence with the larger cycles of time.
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- Description of Subject Matter: Janet Echelman's 1.8 Renwick
September 18, 2020 – 2022
Janet Echelman’s colorful fiber and lighting installation examines the complex interconnections between human beings and our physical world, and reveals the artist's fascination with the measurement of time. The volumetric form suspended from the ceiling of the Renwick Gallery's Grand Salon is inspired by the data recorded March 11, 2011, following the Tohoku earthquake and tsunami that rippled across the Pacific Ocean toward Japan. The geologic event was so powerful it shifted the earth on its axis and shortened the day by 1.8 millionths of a second, lending this work its title. Echelman's knotted meditation contrasts the forces we can understand and control with those we cannot, and the concerns of our daily existence with larger cycles of time. Dynamically-changing lighting casts projected shadow drawings in vivid colors that move from wall to wall, enticing viewers to lie down on the carpet and contemplate the work.
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