NJ -- Hamilton -- Grounds For Sculpture -- Exhibit: Interference Fringe | TALLUR L.N.:
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Description of Pictures: Interference Fringe | TALLUR L.N.
May 5, 2019 — January 5, 2020
On view through January 5, 2020, Grounds For Sculpture (GFS) in Hamilton NJ presents the work of multinational conceptual artist, Tallur L.N., in his first survey exhibition in the United States. Filling two multi-level galleries, Interference Fringe | Tallur L.N. brings together a survey of over 25 sculptures created during the past 13 years in a range of media including found objects, appropriated industrial machines, carved stone and wood, cast bronze, and works embedded in concrete and studded with coins.
With pointed humor and incisive visual commentary, Tallur confronts our belief systems, questioning the value we assign to money, icons, and artifacts. Building on the rich sculptural traditions of India, he references ancient iconography, religious and patriotic symbology, and mythology. There are several interactive works in the exhibition. In Enlightenment Machine (beta version 3.0) (2019), the artist invites viewers to pump the pedal of a grinding wheel while holding a Statue of Liberty souvenir to its gritted surface. However innocent or oblivious, our participation makes us collectively complicit in the erosion of an American symbol which has come to represent freedom, opportunity, and emancipation.
His conceptual metaphors can be provocative. In Chromatophobia (Buddha) (2012), a large granite installation of the Budai with a giant log atop its head prompts visitors to make a wish and hammer a coin into the crevices of the wood that crushes it. The artist insists that if money is “the root of all evil,” this awkwardly therapeutic ritual will cure of us of our “abnormal and persistent fear” of it.
His massive installation, Scaffold (2019), is stacked with the sculptures for which Tallur is most recognized. Several of these works incorporate or reference iconography which is almost inseparable from the idea of India (or stereotypes of India) in the popular imagination. The three-story indu ...More...
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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
GFSTAL_191219_002.JPG: Artist / Maker Unknown
Lower Portion of a Stele with Deity in Samapada Sthanika Flanked by Female and Male Attendants, 9th - 10th century
GFSTAL_191219_008.JPG: Artist / Maker Unknown
Terrifying Attendant Spirits, ca 10th century
GFSTAL_191219_111.JPG: Threshold
It is Faith which teaches renunciation and is responsible for the elevation and well-being of human beings. Whenever in the passage of time, Faith is weakened or under attack. Whenever wickedness spreads out of control, it is then that I reincarnate myself with all my powers to restore Faith.
-- Bhagavad Gita, Chapter IV, Verse 7
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Wikipedia Description: Grounds For Sculpture
From Wikipedia, the free encyclopedia
Grounds For Sculpture (GFS) is a 42-acre (170,000 m2) sculpture park and museum located in Hamilton, NJ, United States, on the former site of the New Jersey State Fairgrounds. Founded in 1992 by John Seward Johnson II, the venue is dedicated to promoting an understanding of and appreciation for contemporary sculpture by organizing exhibitions, publishing catalogues, and offering a variety of educational programs and special community events.
In July 2000, GFS became a nonprofit organization open to the public. Operation revenues come from visitors, art patrons, donations, and grants. GFS maintains an ever changing collection of sculptures, with works by Seward Johnson and other artists.
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2019 photos: Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000.
Trips this year:
a four-day jaunt to Massachusetts (Boston, Stockbridge, and Springfield) to experience rain in another state,
Asheville, NC to visit Dad and his wife Dixie,
four trips to New York City (including the United Nations, Flushing, and the New York Comic-Con), and
my 14th consecutive San Diego Comic-Con (including sites in Utah).
Number of photos taken this year: about 582,000.
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