BGuthrie Photos: DC -- Donald W. Reynolds Center (NPG) -- Exhibit: In Mid-Sentence

DC -- Donald W. Reynolds Center (NPG) -- Exhibit: In Mid-Sentence:

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Description of Pictures: In Mid-Sentence
May 3, 2019 – March 29, 2020
Photographs are often replete with words that remain unheard. In Mid-Sentence presents a selection of photographs from the Smithsonian National Portrait Gallery’s collection that depict moments of communication: intimate confessions, public speeches, exchanged jokes, political confrontations, lectures and more. Photographs featured in this exhibition encapsulate pivotal moments, such as John F. Kennedy’s televised speech for the 1960 Democratic National Convention or Walter Cronkite’s clandestine 1971 meeting with Daniel Ellsberg at the time of the publication of the “Pentagon Papers.” The exhibition provides the missing script for these otherwise silent voices, granting another means for understanding these interactions by placing them within their socio-historical contexts. An illustrated brochure accompanies the exhibition, and several of the represented speeches are included in an interactive kiosk. The exhibition is curated by Leslie Ureña, associate curator of photographs, National Portrait Gallery.

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. SIPGMS_190507_013.JPG: In Mid-Sentence
2. SIPGMS_190507_026.JPG: John F. Kennedy, 1917-1963 Garry Winogrand's double portrait of John F. Kennedy accepting the Democratic presidential nomination at Los Angeles's Memorial Coliseum calls attention to one of the most historic developments associated with the 1960 election: the introduction of television as a medium of mass communication. The handsome forty-three-year-old senator from Massachusetts adapted quickly to the demands of the new medium. His success in four televised debates against his visibly awkward opponent, Richard Nixon, proved a decisive factor in his electoral victory in November. The Democratic convention was also memorable for Kennedy's speech. Mindful of the rhetoric of his Democratic predecessors Franklin D. Roosevelt and Harry Truman, Kennedy spoke of America "on the edge of a New Frontier...a frontier of unknown opportunities and perils, a frontier of unfulfilled hopes and threats." Garry Winogrand, 1960 (printed 1983)
3. SIPGMS_190507_033.JPG: George H.W. Bush, 1924-2018 When President Ronald Reagan neared the end of his second term, the Republican Party looked to select his potential successor. Although George H. W. Bush had served as Reagan's "model vice president," some perceived him as a "wimp" who lacked a strong identity, despite his past high-profile positions. Bush, however, transformed himself on the campaign trail. As the photographer Arthur Grace noted, Bush, who had been awkward and cumbersome, now "stood a little straighter, moved with a bit more grace." This photograph, from April 16, 1987, was taken while Bush was stumping in Keene, a small city in New Hampshire. He and his wife, Barbara, regularly visited the state prior to the 1988 primaries. They held rallies, mingled with locals in coffee shops, and stopped by schools in an effort to sway votes in Bush's favor. The strategy worked. Bush went on to win the Republican nomination, defeating Senator Bob Dole. Arthur Grace, 1987 (printed 2010)
4. SIPGMS_190507_043.JPG: Hans Hofmann, 1880-1966 In 1935, the painter Hans Hofmann, who had recently immigrated to the United States from Germany, established a summer art school in Provincetown, Massachusetts. It was there that the photographer Bill Witt took this photograph during a "Friday Critique." As an essential part of the curriculum, Hofmann would bring together students to discuss their works in detail. The school empha- sized studio practice, and students spent much of their time working from models and still lifes. For Hofmann, an artist excelled only when she or he had a complete sense of her or his chosen craft, including the history of its medium. Bill Witt, 1948
5. SIPGMS_190507_055.JPG: in the public eye
6. SIPGMS_190507_066.JPG: Huey Newton, 1942-1989 Born Monroe, Louisiana Born in Louisiana, Huey Newton was named after the populist firebrand governor of the state, Huey Long, and he did his best during a tempestuous -- and sometimes violent -- political career to live up to his namesake's reputation. The Newton family moved to the San Francisco Bay area in 1945, and Oakland would always be Huey Newton's home and the center for his political activities. As a college student, Newton co-founded the Black Panther Party with Bobby Seale in 1966; Newton was the party's minister of defense. The Panthers represented the split in the civil rights movement that was emerging as a younger, more militant generation became politically conscious and active. The Panthers preached community organization and self-defense, and expressed contempt for older civil rights groups like the NAACP. Violence stalked Newton from his days as a street criminal to his ultimate killing by a rival political group. James E. Hinton Jr., 1970 (printed 2001)
7. SIPGMS_190507_075.JPG: Joseph R. McCarthy, 1908-1957 Roy Cohn, 1927-1986 On February 9, 1950, a little known junior senator from Wisconsin, Joseph McCarthy, proclaimed that he had a list of 205 Communist Party members who worked in the State Department with the full knowledge of the secretary of state. McCarthy's speech came shortly after the Communist takeover in China, the U.S.S.R.'s successful detonation of an atomic bomb, and suspected spy Alger Hiss's conviction for perjury. For many, McCarthy's charges explained why the West was experiencing setbacks, and made him a formidable political force. It marked the beginning of demagogic red baiting and made the term "McCarthyism" synonymous with hysterical anti-Communism. McCarthy had no evidence for his accusations and was censured by the Senate in 1954; "McCarthyism" would be remembered for its corrosive effect on America's ability to deal effectively with real Communists abroad and at home. Sitting to McCarthy's left is Roy Cohn, lead investigator for McCarthy's Senate subcommittee. George Tames, 1954
8. SIPGMS_190507_080.JPG: Muhammad Ali, 1942-2016 In 1969, the photographer Garry Winogrand received a Guggenheim Fellowship to record the "effect of the media on events." The boxer Muhammad Ali, born Cassius Clay, proved a perfect subject for Winogrand's project. Ali's catchy lines did not disappoint, as seen from the smiling faces of the journalists and photographers surrounding him at a press conference for his December 7, 1970, bout with the Argentine pugilist Oscar Bonavena. A master of public relations, Ali had pushed staff at Madison Square Garden in New York City to make the fight accessible "so that all the policemen, firemen, postmen, stevedores, taxi drivers, truck drivers and winos, all the people who can't afford more than $10 can see the beauty fight the beast." Several live broadcasts across New York City and Long Island made it possible for countless individuals to join the arena's crowd in watching Ali defeat Bonavena in the fifteenth round. Garry Winogrand, 1970 (printed 1983)
9. SIPGMS_190507_087.JPG: Angela Davis, born 1944 The scholar, educator, and political activist Angela Davis was the nation's most iconic revolutionary for a generation. Davis taught philosophy at UCLA as the Black Power movement intensified. She owned the guns used in an infamous courtroom shoot-out meant to liberate the Black Panther George Jackson. This 1970 incident left four people dead, and Davis became a fugitive, appearing on the FBI's Ten Most Wanted List. Her two-year incarceration led to a "Free Angela" campaign, and her eventual trial and acquittal made international headlines. In 1972 John Lennon recorded "Angela" -- referring to Davis as a political prisoner and "people teacher" -- while the Rolling Stones dedicated "Sweet Black Angel" to her. In Blues Legacies and Black Feminism (1999), she located the origins of black feminist empowerment in the songs of Bessie Smith and Billie Holiday. Her Afro has always been a symbol of black pride and, as shown here, an example of cultural politics through style. Stephen Shames, 1969
10. SIPGMS_190507_094.JPG: Martin Luther King Jr., 1929-1968 Martin Luther King Jr. at the March on Washington for Jobs and Freedom On August 28, 1963, more than 250,000 people gathered in the nation's capital for the March on Washington for Jobs and Freedom. The brainchild of longtime civil rights activist and labor leader A. Philip Randolph, the march drew support from all factions of the civil rights movement. Originally conceived as a mass demonstration to spotlight economic inequalities and press for a new federal jobs program and a higher minimum wage, the goals of the march expanded to include calls for congressional passage of the Civil Rights Act, full integration of public schools, and enactment of a bill prohibiting job discrimination. The program at the Lincoln Memorial featured an impressive roster of speakers and closed with King. Midway through his address, King abandoned his prepared text and launched into the soaring expression of his vision for the future, declaring, "I have a dream today." Robert Adelman, 1963
11. SIPGMS_190507_104.JPG: Julian Bond, 1940-2015 Leroy Johnson, born 1928 In 1960, Tennessee-born Julian Bond (right) became the communications director for the Atlanta-based Student Nonviolent Coordinating Committee (SNCC), an organization that focused on civil rights. He was elected to the Georgia State Legislature in 1965 but was not allowed to take his seat because of his anti-war stance. After the U.S. Supreme Court decreed that Georgia's legislature had acted unconstitutionally, Bond finally joined the chamber in January 1967. George Tames photographed Bond with one of his supporters, Leroy Johnson (left), in front of the Georgia State Capitol's main entrance. Elected to the Georgia State Senate in 1962, Johnson was the first African American since 1907 to serve in the state's legislature. George Tames, c 1968
12. SIPGMS_190507_113.JPG: Nelson Rockefeller, 1908-1979 Ronald Reagan, 1911-2004 Nelson Rockefeller (left), the four-term governor of New York, and Ronald Reagan (right), the two-term governor of California, had been serious contenders for the 1968 Republican presidential nomination. Richard Nixon, however, went on to win the Republican Party's nomination. This photograph was taken at the Republican National Convention held in Miami, Florida, in August 1972, when Nixon again secured the nomination. Rockefeller, who at the time represented the liberal wing of the party, and Reagan, who embodied the conservative wing, appeared on ABC's weekly news program Issues and Answers. George Tames photographed them on the set of the show, where, despite their previous acrimony, Rockefeller and Reagan appeared as a unified front, backing Nixon's nomination. George Tames, 1972
13. SIPGMS_190507_120.JPG: Lyndon B. Johnson, 1908-1973 Theodore Green, 1867-1966 In 1955, with only seven years of seniority, Johnson was elected Senate majority leader. Through his successful courting of the "old bulls" of the "southern caucus," particularly Richard Russell of Georgia-Johnson controlled the agenda of the Senate as no majority leader has before or since. Another element of his mastery was the "Johnson treatment," as displayed here with Senator Theodore Green of Rhode Island. Newspaper columnist Mary McGrory described it as "an incredible, potent mixture of persuasion, badgering, flattery, threats, reminders of past favors and future advantages"; Washington Post editor Ben Bradlee recalled feeling that "a St. Bernard had licked your face for an hour, [and] had pawed you all over"; and Hubert Humphrey described it as a "tidal wave." Johnson's most notable victory as majority leader was the passage of the 1957 Civil Rights Act, the first such legislation since Reconstruction. George Tames, 1957
14. SIPGMS_190507_128.JPG: Daniel Ellsberg born 1931 Born Chicago, Illinois Walter Cronkite 1916–2009 Born Saint Joseph, Missouri Mild-mannered political scientist Daniel Ellsberg was at the heart of the contentious Pentagon Papers incident during the Vietnam War. Ellsberg worked for the Rand Corporation, a defense "think tank," and for the Defense Department -- service that included two years in Vietnam. In 1967 he began working on a Pentagon project compiling a secret history of the Vietnam War using classified documents. As he studied the war, Ellsberg became increasingly disillusioned with American foreign policy, and in an act of conscience he released the secret report to the New York Times in 1971. The government sought to suppress publication and the issue quickly became one of press freedom. It also sought to prosecute Ellsberg on charges of espionage; these were dismissed in a 1973 trial. David Marlin's photograph shows Ellsberg with the iconic American newsman Walter Cronkite, probably the most trusted public figure of his time. It was taken when Ellsberg was eluding capture by federal authorities while leaking the Pentagon Papers. David Marlin, 1971
15. SIPGMS_190507_135.JPG: Adam Clayton Powell Jr., 1908-1972 Stokely Carmichael, 1941-1998 George Tames's photograph evokes the echoes of Congressperson Adam Clayton Powell Jr. and Stokely Carmichael's laughter in the corridors of the Rayburn House Office Building. Powell and Carmichael had held a press conference on July 27, 1966, to call for a Black Power conference during the upcoming Labor Day weekend. The men represented two different generations in the campaign for civil rights. Powell (left) was elected to office in 1944 as New York City's first African American congressperson. He became famous for fighting segregation in the military, in schools, and in the workplace. During the 1960s, he helped develop and pass a number of important civil rights bills. Carmichael (right) grew up in New York City and shared Powell's commitment to civil rights. In 1966, when this photo was taken, Carmichael had begun serving as the chairperson of the Student Nonviolent Coordinating Committee. George Tames, 1966
16. SIPGMS_190507_143.JPG: S.I. Hayakawa, 1906-1992 Unidentified photographer, 1968
17. SIPGMS_190507_152.JPG: Jackie Robinson, 1919-1972 In 1947 Jackie Robinson transformed professional sports by breaking baseball's color barrier to become the first African American player in the major leagues. A trailblazer for equal opportunity, Robinson endured torrents of abuse in his first season with the Brooklyn Dodgers. Some of his own teammates mounted an abortive effort to have him dropped from the roster, while bigoted opponents and spectators alike taunted, heckled, and harassed him. Robinson steeled himself and responded with electrifying play that carried the Dodgers to a National League championship and earned him honors as Rookie of the Year. One of the top draws in baseball during ten memorable seasons with the Dodgers, Robinson paved the way for black major leaguers such as Willie Mays and Hank Aaron. After retiring from the game, he remained a staunch advocate for civil rights while building a successful business career. Garry Winogrand, 1961 (printed 1983)
18. SIPGMS_190507_156.JPG: Morris Carnovsky, 1897-1992 Lee Strasberg, 1901-1982 Ralph Steiner, whose evocative photographs often present an unusual vantage point, photographed the director Lee Strasberg (right) and the actor Morris Carnovsky (left) from above, following one of their rehearsals at the Ethel Barrymore Theater in New York City. In March 1936, Strasberg, of the Group Theatre, directed the play The Case of Clyde Griffiths, by Erwin Piscator. In this adaptation of Theodore Dreiser's novel An American Tragedy (1925), Carnovsky played the important and complex role of the Speaker. The exact words exchanged during this semi-private interaction are unknown to us. However, during rehearsals, Strasberg explained the role of the Speaker as "the soul of the people -- he feels everything the people feel but with full consciousness." These brief lines provide a window into the conversations between director and actor while underscoring Strasberg's immersive "method acting," in which he asked his actors to embody their roles. Ralph Steiner, 1936
19. SIPGMS_190507_166.JPG: John F. Kennedy, 1917-1963 Dwight D. Eisenhower, 1890-1969 Soon after assuming the presidency, President Kennedy approved a CIA plan originating with his predecessor, Dwight Eisenhower, for toppling Cuban leader Fidel Castro with an army of Cuban refugees covertly trained in the United States. Within hours after the start of the Bay of Pigs invasion on April 17, 1961, Castro's army overwhelmed the refugees on the beach. The fiasco exposed Kennedy to harsh criticism, many lambasting him for not providing sufficient air cover. Kennedy, disappointed by the advice he received from the Joint Chiefs of Staff and holdovers from the Eisenhower administration, moved rapidly to obtain Eisenhower's support. In this photograph, taken in late April, JFK and Ike walk the grounds of Camp David. Eisenhower always supported the president publicly, but privately, Ike, who in World War II commanded the largest amphibious invasion in history, bitterly criticized Kennedy's rejection of additional air cover. George Tames, 1961
20. SIPGMS_190507_171.JPG: Lotte Jacobi, 1896-1990 Barbara Morgan, 1900-1992 The photographers Lotte Jacobi (left) and Barbara Morgan (right) had not seen one another for some time when they set foot on the campus of Northwestern University in 1982. Both in their eighties, they had traveled to Evanston, Illinois, to take part in a seminar related to the exhibition and publication Recollections: Ten Women of Photography, by Margaretta K. Mitchell, which featured Morgan and Jacobi. As the photographer Catharine Reeve, who was there on assignment for a local newspaper, explained, "Lotte was quite feisty." Jacobi had been bothered by Reeve's attempts at photographing them and taking "so many pictures" but eventually restarted her lively conversation with Morgan. Reeve sent Jacobi and Morgan this photograph of their meeting, and Morgan responded with great enthusiasm. Catherine Reeve, 1982
21. SIPGMS_190507_178.JPG: Margaret Mead, 1901-1978 The photographers Lotte Jacobi (left) and Barbara Morgan (right) had not seen one another for some time when they set foot on the campus of Northwestern University in 1982. Both in their eighties, they had traveled to Evanston, Illinois, to take part in a seminar related to the exhibition and publication Recollections: Ten Women of Photography, by Margaretta K. Mitchell, which featured Morgan and Jacobi. As the photographer Catharine Reeve, who was there on assignment for a local newspaper, explained, "Lotte was quite feisty." Jacobi had been bothered by Reeve's attempts at photographing them and taking "so many pictures" but eventually restarted her lively conversation with Morgan. Reeve sent Jacobi and Morgan this photograph of their meeting, and Morgan responded with great enthusiasm. Ken Heyman, 1957-58 (printed later)
22. SIPGMS_190507_191.JPG: Frank O'Hara, 1926-1966 Elaine de Kooning, 1918-1989 Franz Kline, 1910-1962 During the 1950s, when New York City became the center of the art world, the Cedar Tavern in Greenwich Village was the preferred meeting spot for the city's avant-garde artists, writers, and musicians. The artist Elaine de Kooning was at the very heart of it; although, later in life, she noted that she "didn't know then that I had somehow made my way to the red-hot center." New York was indeed a cultural capital. This photograph depicts de Kooning at a café table with two good friends, the poet Frank O'Hara (left) and the painter Franz Kline (right). O'Hara appears to react to something de Kooning has said, as he lifts his right hand up against his cheek. Arthur Swoger, 1957
23. SIPGMS_190507_195.JPG: Mercedes Matter, 1913-2001 Philip Guston, 1913-1980 The photographer John Cohen frequented the Cedar Tavern on a regular basis, finding the "concentration of good painters" to be "intense." Photographing the who's who of the 1950s American art world, he trained his camera on the painters Mercedes Matter and Philip Guston, seen here at one of the bar's booths. Guston had come to national prominence in the 1930s as a muralist for the New Deal's Works Progress Administration (WPA) Federal Art Project. In the 1950s, while living in New York City, he began to embrace Abstract Expressionism and moved in circles with the painters Willem de Kooning and Mark Rothko. Matter, also a regular at the bar, was a close friend of Guston's. When this photograph was taken, she had already forged a career as a painter and later founded the New York Studio School, in 1964. John Cohen, c 1955
24. SIPGMS_190507_205.JPG: just between us
25. SIPGMS_190507_207.JPG: Diane Arbus, 1923-1971 "That's just a kid with a hand grenade," photographer Diane Arbus quipped, as she faced a group of magazine editors at a 1970 presentation in New York City. Arbus, who during her short life created incisive and evocative artworks, may have uttered similar words at the Rhode Island School of Design (RISD) that same year. Stephen Frank took this photograph of Arbus when she was at RISD, delivering a lecture for students of Harry Callahan, another influential photographer. As Frank remembers, Arbus "talked fast, breathlessly, as if there was not enough time to get it all out." Her intensity comes through in this image, which has become one of the most widely circulated portraits of the artist. Stephen A. Frank, 1970
26. SIPGMS_190507_215.JPG: Althea Gibson, 1927-2003 Althea Gibson almost retired from tennis in 1955, but instead, she went on to win the 1956 singles title at the French Open. The following season, she won the singles titles at both Wimbledon and Forest Hills, New York (the precursor to the U.S. Open). Look magazine featured Gibson in an article for its November 12, 1957 issue, for which Genevieve Naylor, the photographer assigned to the story, posed Gibson in Harlem, on the very street where she had grown up (143rd Street between Lenox and Seventh Avenues). While the young Gibson could often be seen playing paddle tennis in front of her building, tennis was not a popular sport in African American communities. After Gibson reached the top ranks, however, that began to change. As one of her fans later recalled, "everyone went out and bought a new racquet." Genevieve Naylor, 1957 (printed c 1970)
27. SIPGMS_190507_223.JPG: Mercury Seven Astronauts When NASA opened its doors on October 1, 1958, one of its first tasks was to develop selection criteria for the first U.S. astronauts. Though the organization was ready to consider civilians, President Dwight D. Eisenhower declared that astronauts were to be chosen only from the nation's active-duty test pilots. In 1959, NASA introduced the seven Project Mercury astronauts. Known as the Mercury Seven, they included (standing, from left to right): Alan Shepard (1923–1998), Walter Schirra (1923–2007), Virgil "Gus" Grissom (1926–1967), Scott Carpenter (1925–2013), John Glenn (1921–2016), Donald "Deke" Slayton (1924–1993), and Gordon Cooper (1927–2004). Flip Schulke photographed the group in 1961, as they gathered around a monitor displaying a gantry at Cape Canaveral, Florida. In May of that same year, Shepard became the first American in space, and several months later, Glenn became the first American to orbit the earth. Flip Schulke, 1961
28. SIPGMS_190507_231.JPG: Murray Gell-Mann, born 1929 Murray Gell-Mann's concept of the "eightfold way," regarding particle coherence and predictability, has been a vital tool in expanding knowledge of nuclear particles. He received the Nobel Prize in Physics in 1969 for his work on the theory of elementary particles. What is more, his book The Quark and the Jaguar (1994) made these theories accessible to the general reader. Francis Bello photographed Gell-Mann discussing subatomic particles called mesons at the California Institute of Technology (CalTech) in 1956, and the picture appeared in the January 1957 issue of Fortune magazine. At the time, Gell-Mann had recently started teaching at CalTech, following posts at the University of Chicago's Institute of Nuclear Studies and the Institute for Advanced Study in Princeton, New Jersey. Francis Bello, 1956
29. SIPGMS_190507_241.JPG: Juan Gonzalez, born 1947 Frank Espada, 1982 (printed later)
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