March 24 – July 7, 2019
In celebration of the 500th anniversary of the birth of Jacopo Tintoretto (1518/1519–1594), the National Gallery of Art, Washington and the Fondazione Musei Civici di Venezia with the special cooperation of the Gallerie dell’Accademia, have organized a major exhibition on the Venetian master. As the first retrospective of the artist in North America, the exhibition includes many significant international loans traveling to the U.S. for the first time. The exhibition features nearly 50 paintings and more than a dozen works on paper spanning the artist’s entire career and ranging from regal portraits of Venetian aristocracy to religious and mythological narrative scenes.
The exhibition curators are Tintoretto experts Robert Echols, independent scholar, and Frederick Ilchman, chair of the Art of Europe department and Mrs. Russell W. Baker Curator of Paintings at the Museum of Fine Arts, Boston. While Tintoretto was considered one of the “Big Three” 16th-century Venetian painters alongside Titian and Paolo Veronese during his lifetime and in the succeeding centuries, works by Tintoretto’s assistants and followers have frequently been misattributed to the master. Echols and Ilchman are widely responsible for a new and more accurate understanding of Tintoretto’s oeuvre and chronology, first explored in the Museo del Prado’s Tintoretto exhibition in 2007. A fully illustrated catalog accompanying the exhibition, published in English and Italian, includes a range of essays by the curators and other leading scholars as well as new research and scientific studies of Tintoretto’s work.
Organization: Organized by the National Gallery of Art, Washington, and the Fondazione Musei Civici di Venezia with the special collaboration of the Gallerie dell’Accademia, Venice.
Sponsors: The exhibition is made possible in part by The Exhibition Circle of the National Gallery of Art.
Save Venice provided significant fundi ...More...
underneath the file name (just above the picture). Spammers need not apply.
") are described as follows: