NY -- NYC -- High Line -- Art: Brick House (by Simone Leigh):
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Description of Pictures: Plinth
June 2019 – September 2020
For the inaugural High Line Plinth commission, Simone Leigh presents Brick House, a sixteen-foot-tall bronze bust of a Black woman. The torso is a combination of the forms of a skirt and a clay house. The figure will stand tall and monumental atop the Plinth, gazing resolutely down 10th Avenue. Brick House‘s head is crowned with an afro framed by cornrow braids along the hairline that extend into four braids, each ending with a cowrie shell. The domed shape of the shoulders and bust are adorned with a pattern of elongated ridges. Brick House is the first monumental work in Anatomy of Architecture, Leigh’s continuing series of sculptures that combine architectural forms from regions as varied as West Africa and the American South with the human body. The sculpture references numerous architectural forms: Batammaliba architecture from Benin and Togo; the teleuk of the Mousgoum people of Cameroon and Chad; and the restaurant Mammy’s Cupboard in the southern U.S. All three references inform both the formal elements of the work—the conflated image of woman and architecture—and its conceptual framework.
Leigh’s Brick House will be centered on the Spur, standing in sharp contrast to the disparate elements of the immediate architectural landscape. The Plinth is the focal point of the Spur, a site whose architectural and human scales are in constant vertiginous negotiation, surrounded by a competitive landscape of glass-and-steel towers shooting up from among older industrial-era brick buildings. In this space, Leigh’s magnificent Black female figure challenges visitors to think more immediately about the architecture around them, and how it reflects customs, values, priorities, and society as a whole.
Simone Leigh works across sculpture, video, installation, and social practice, stitching together references from different historical periods and distant geographical locations. In her densely researched p ...More...
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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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Signage: You'll see a lot of signs in this group. Eventually, I'll type the text of the signs into the subject description and get rid of the signs themselves. This is pretty slow and tedious work though.
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2019 photos: Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000.
Trips this year:
(May/June) a two-day jaunt to New York City for my 62nd birthday,
(July) two-weeks out west for San Diego Comic-Con and sites in Utah,
(August) a four-day jaunt to Massachusetts to experience rain in another state,
(August) a three-day trip to Asheville, NC to visit Dad and his wife Dixie,
(August) another two-day jaunt to New York City (United Nations, Flushing).
That's it so far!
Partially Reviewed: Rough draft. I've gone through these pictures once, removing the worst ones, some duplication, etc. I usually take sequences of 4 or 5 pictures at a time and there are lots of near duplicates. I'll be doing a final review later which will cull the pictures down some. To be honest though, I'm way behind on doing final reviews.