NY -- NYC -- High Line -- Art: I Lift My Lamp Beside the Golden Door (by Dorothy Iannone):
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Description of Pictures: Dorothy Iannone
I Lift My Lamp Beside the Golden Door
March 2018 – Fall 2019
Dorothy Iannone is a Berlin-based artist whose works focus on eroticism and the female sexual experience. Inspired by Egyptian frescoes, Byzantine mosaics, and ancient fertility statues, Iannone depicts the act of lovemaking not as an act of taboo, but rather as an act of spiritual union and transcendence. While now commonly lauded as transgressive and radical, her work, which often portrays her love affair with the late artist Dieter Roth, has been subject to frequent censorship since the 1960s. Iannone and Roth began creating work side-by-side after Iannone moved to Europe in 1967, and the two artists influenced each other’s works greatly for almost a decade. Overlooked for much of her career, Iannone’s magnetic and highly influential work finally began to receive widespread recognition in the late 2000s.
For the High Line, Iannone creates a new, large-scale mural installation at 22nd St. Iannone’s mural features three colorful Statues of Liberty. Between them runs the words, “I Lift My Lamp Beside the Golden Door,” which is the final line from Emma Lazarus’s poem “The New Colossus,” the ode to the freedom promised by immigration to America engraved on a bronze plaque mounted inside the statue at Liberty Island. Iannone’s piece was conceived before the recent months of upheaval in the United States around immigration, an already contested topic; these recent debates have raised the Statue of Liberty anew as a symbol of the openness of New York City and the United States to those seeking asylum, freedom, or simply a better life. Iannone’s vibrant Liberties bring a bit of joy to an often exhausting and demoralizing political debate.
Organized by Cecilia Alemani, Donald R. Mullen, Jr. Director & Chief Curator.
Dorothy Iannone (b. 1933, Boston, Massachusetts) lives and works in Berlin, Germany. Recent solo exhibitions have been presented at venues including the Cen ...More...
Partially Reviewed: Rough draft. I've gone through these pictures once, removing the worst ones, some duplication, etc. I usually take sequences of 4 or 5 pictures at a time and there are lots of near duplicates. I'll be doing a final review later which will cull the pictures down some. To be honest though, I'm way behind on doing final reviews.
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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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Signage: You'll see a lot of signs in this group. Eventually, I'll type the text of the signs into the subject description and get rid of the signs themselves. This is pretty slow and tedious work though.
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2019 photos: Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000.
Trips this year:
(May/June) a two-day jaunt to New York City for my 62nd birthday.
That's it so far!