NY -- NYC -- High Line -- Art: Agora: The Dig of No Body (by Mariechen Danz):
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Description of Pictures: Mariechen Danz (b. 1980, Dublin, Ireland) is a Berlin-based artist who researches representations of the body, investigating the way it has been given meaning in various cultures, epochs, and fields of knowledge. In her installations, performances and music, often in collaboration with other artists and musicians, the human body emerges as a contradictory structure and a scene of conflict—an utterly contaminated zone, both politically and historically. For the High Line, Danz presents a new iteration of The Dig of No Body, a sculpture that references anatomical learning models segregated into individual parts, like a life-sized soil sample in movable layers.The work evokes our changing relationship to the earth, as well as the popular contemporary name “Anthropocene,” which suggests humans’ creation of a new geological era.
Various Artists
Agora
April 19, 2018–March 2019
Agora is a group exhibition that looks at the role of art in defining, creating, and using public space. The exhibition takes its name from the ancient Greek word referring to the square—the public gathering area that was the core of commercial, artistic, political, and spiritual life in old city-states like Athens. For centuries, artists have used public locations—and the public in general—as the heart of for their work. By transforming public places into theaters and arenas for performances and collective actions, artists mobilize a kind of collective voice of the people. By manipulating our expectations of what does and does not belong in these ostensibly collectively owned spaces, artists challenge what public spaces are, how they’re made, and who they’re made for. The forms of artists’ works in public space vary widely in scale, volume, and form, from single speaker’s corners to sprawling protests; from grand parades and processions to secret, intimate performances; from bronze historical equestrian statues to initials etched in pavement; and from WPA murals to graffiti tags. However, acr ...More...
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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
HIGHGI_180815_14.JPG: Mariechen Danz
The Dig of No Body (soil sample), 2011/2018
Mariechen Danz (b. 1980, Dublin, Ireland) is a Berlin-based artist who researches representations of the body, investigating the way it has been given meaning in various cultures, epochs, and fields of knowledge. In her installations, performances and music, often in collaboration with other artists and musicians, the human body emerges as a contradictory structure and a scene of conflict -- an utterly contaminated zone, both politically and historically. For the High Line, Danz presents a new iteration of The Dig of No Body, a sculpture that references anatomical learning models segregated into individual parts, like a life-sized soil sample in movable layers.The work evokes our changing relationship to the earth, as well as the popular contemporary name "Anthropocene," which suggests humans' creation of a new geological era.
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[Park (Local)][Public Art]
2018 photos: Overnight trips this year:
(February) Greenville, NC for a Civil War Trust conference,,
(May/June) Newport News, VA for another CWT conference,
(July) my 13th consecutive trip to San Diego Comic-Con (including sites in Reno, Sacramento, San Francisco, and Los Angeles),
(August twice, October) three trips to New York City (including New York Comic-Con), and
(September) Chicago, IL for my CWT swansong event.
Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000.
Number of photos taken this year: about 535,000.
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