IL -- Chicago -- Chicago Cultural Center -- Exhibit: Keith Haring: The Chicago Mural:
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Description of Pictures: Keith Haring: The Chicago Mural
March 3 - September 23, 2018
The FREE admission exhibition will feature 36 original panels of the monumental mural created in 1989 by internationally-acclaimed artist Keith Haring with the assistance of 500 Chicago Public School students in Chicago's Grant Park. The mural is a reflection of Haring’s incisive draftsmanship and symbolic characters (e.g. radiant baby, barking dog). Presented by the Chicago Department of Cultural Affairs and Special Events in partnership with the Chicago Public Schools, the exhibition will also feature a collection of photographs, correspondence, designs, plans, t-shirt drawings and much more.
Over five days, May 15–19, 1989, which the City of Chicago declared “Keith Haring Week,” the renowned artist worked with approximately 500 Chicago Public School students from 63 area high schools to paint a monumental mural in his familiar energetic style. The 488-foot long mural, made up of 122 4x8-foot Masonite panels, stretched along the edge of Grant Park at Michigan Ave. between Randolph St. and Madison St. Without any sort of sketch or plan, Haring first painted his signature black outline drawings of figures and symbols. The students were then given five colors – red, orange, sky blue, light green and yellow – and minimal instructions to paint each section in a solid color and adjoining sections in different colors. Many students took creative license and included personal messages, from their own initials to support for their schools, to social messages.
The project was planned and managed with great dedication by Irving Zucker, a teacher at William H. Wells Community Academy, after meeting Haring at a dinner party in New York. The artist expressed interest in a project with kids in Chicago, and the planning began in 1987 for an innovative arts-in-education program to be developed by the Chicago Public Schools Bureau of Art and the Museum of Contemporary Art of Chicago (MCA).
For a number of years, these 36 panels resided at Chicago’s Midway Airport. Following the exhibition at the Chicago Cultural Center, the panels will be returned to the Chicago Public Schools for conservation and distribution to select schools. Other panels have already been placed at various schools and other locations throughout the city.
As one of the most significant artists of his generation, Keith Haring developed a love for drawing at a very early age. As an art student in New York City, Haring experimented with performance, video, installation and collage, but he found a highly effective medium on the unused advertising panels covered with matte black paper in subway stations. In the early 80s, commuters soon became familiar with his prolific chalk “subway drawings,” as he could create as many as forty in a day. Haring achieved international recognition and participated in numerous group and solo exhibitions, including an acclaimed one-man exhibition at the Tony Shafrazi Gallery in 1982. During this period, he also participated in renowned survey exhibitions such as Documenta 7 in Kassel, the São Paulo Biennial and the Whitney Biennial.
Throughout his career, Haring devoted much of his time to public works, which often carried social messages. He produced more than 50 public artworks between 1982 and 1989, including the Chicago mural. Other projects included: the now famous Crack is Wack mural along New York’s FDR Drive; a mural created for the 100th anniversary of the Statue of Liberty, on which Haring worked with 900 children, and a mural painted on the western side of the Berlin Wall three years before its fall.
Haring was diagnosed with AIDS in 1988. In 1989, he established the Keith Haring Foundation to provide funding and imagery to AIDS organizations and children’s programs and to expand the audience for Haring’s work through exhibitions, publications and the licensing of his images. Nine months after completing the mural in Chicago, Haring died of AIDS-related complications at the age of 31 on February 16, 1990. Since his death, his work has been the subject of numerous international retrospectives and can be seen in the collections of major museums around the world. Using universal concepts of birth, death, love, sex and war, featuring a primacy of line and directness of message, Haring was able to attract a wide audience and assure the accessibility and staying power of his imagery, which has become a universally recognized visual language of the 20th century.
For more information on Keith Haring, visit www.haring.com
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CCCHAR_180920_03.JPG: Keith Haring: The Chicago Mural
Wikipedia Description: Chicago Cultural Center
From Wikipedia, the free encyclopedia
The Chicago Cultural Center, opened in 1897, is a Chicago Landmark building that houses the city's official reception venue where the Mayor of Chicago has welcomed Presidents and royalty, diplomats and community leaders. It is located in the Loop, across Michigan Avenue from Millennium Park. Originally the central library building, it was converted in 1977 to an arts and culture center at the instigation of Commissioner of Cultural Affairs Lois Weisberg. The city's central library is now housed across the Loop in the spacious, post-modernist Harold Washington Library Center opened in 1991.
As the nation's first free municipal cultural center, the Chicago Cultural Center is one of the city's most popular attractions and is considered one of the most comprehensive arts showcases in the United States. Each year, the Chicago Cultural Center features more than 1,000 programs and exhibitions covering a wide range of the performing, visual and literary arts. It also serves as headquarters for the Chicago Children's Choir.
The building was designed by Boston architectural firm Shepley, Rutan and Coolidge for the city's central library, and Grand Army of the Republic (GAR) meeting hall and memorial in 1892. The land was donated by the GAR and the building was completed in 1897 at a cost of nearly $2 million (equivalent to $58.93 million in 2017). It is organized as a 4-story north wing (77 East Randolph entrance) and a 5-story south wing (78 East Washington entrance), 104 feet tall, with 3-foot-thick (0.91 m) masonry walls faced with Bedford Blue Limestone on a granite base, and designed in a generally neoclassical style with Italian Renaissance elements. It is capped with two stained-glass domes, set symmetrically atop the two wings. Key points of architectural interest are as follows:
* Randolph Street entrance and stairway - Entrance with doric columns, mahogany doors, and entry hall with coffered ceiling and walls of green-veined Vermont marble. The curving stairway is faced with Knoxville pink marble, and features mosaics and ornate bronze balusters.
* Washington Street entrance, lobby, and grand staircase - Arched portal, bronze-framed doors, and a 3-story, vaulted lobby with walls of white Carrara marble and mosaics. The staircase is also of white Carrara marble, set with medallions of green marble from Connemara, Ireland, and intricate mosaics of Favrile glass, stone, and mother of pearl. The stairway to the 5th floor was inspired by Venice's Bridge of Sighs.
* Grand Army of the Republic Memorial - A large hall and rotunda in the north wing. The hall is faced with deep green Vermont marble, broken by a series of arches for windows and mahogany doors. The rotunda features 30-foot walls of Knoxville pink marble, mosaic floor, and a fine, stained-glass dome in Renaissance pattern by the firm of Healy and Millet.
* Sidney R. Yates Gallery - replica of an assembly hall in the Doge's Palace, Venice, with heavily ornamented pilasters and coffered ceiling.
* Preston Bradley Hall - A large, ornately patterned room of curving white Carrara marble, capped with an austere 38-foot Tiffany glass dome designed by artist J. A. Holzer. The Cultural Center states this to be the largest Tiffany dome in the world.
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