DC -- Woodrow Wilson Plaza (between Clinton and Reagan buildings):
- Bruce Guthrie Photos Home Page: [Click here] to go to Bruce Guthrie Photos home page.
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- Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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I love well-behaved spiders! They are, in fact, how most people find my site. Unfortunately, my network has a limited bandwidth and pictures take up bandwidth. Spiders ask for lots and lots of pages and chew up lots and lots of bandwidth which slows things down considerably for regular folk. To counter this, you'll see all the text on the page but the images are being suppressed. Also, some system options like merges are being blocked for you.
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- Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
- WPLAZA_181009_07.JPG: Federal Triangle Flowers
Stephen Robin, Sculptor, 1997
- WPLAZA_181009_17.JPG: Federal Triangle Flowers
Stephen Robin, Sculptor, 1997
- Description of Subject Matter: Abstract Sculptures of DC: Bearing Witness
The large sculpture sitting in front of the Wilson Center blends natural and manmade forms.
The Bearing Witness sculpture located outside of the Wilson Center at the Ronald Reagan Building stands out from the large federal buildings that surround it. Completed in 1997, the sculpture is composed of multiple bronze sheets that create a large bulb shape, but with one side pressed flat, as if the sculpture had at once been on its side and was reshaped during the process. Depending on which side of the sculpture the viewer stands on, the rounded and/or flat sides are visible. The artist, Martin Puryear, took inspiration from traditional and indigenous art techniques to create the design.
As the name suggests, the sculpture stands as a witness to the people that go in and out of the Wilson Center. Additionally, the viewer is a witness to the sculpture itself, adding another layer to the name’s interpretation. Puryear described the location as highly influential on the sculpture’s design because it stands outside of a federally-owned building. The minimalist design allows the sculpture to look both manmade and natural, breaking up the flow of the architecture that surrounds it.
The above was from https://historicsites.dcpreservation.org/items/show/1161?tour=61&index=8
- Bigger photos? To save server space, the full-sized versions of these images have either not been loaded to the server or have been removed from the server. (Only some pages are loaded with full-sized images and those usually get removed after three months.)
I still have them though. If you want me to email them to you, please send an email to guthrie.bruce@gmail.com
and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
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- Photo Contact: [Email Bruce Guthrie].
