BGuthrie Photos: TN -- Knoxville -- Knoxville Museum of Art -- Exhibit: Facets of Modern and Contemporary Glass

TN -- Knoxville -- Knoxville Museum of Art -- Exhibit: Facets of Modern and Contemporary Glass:

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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[1] KMAGL_170601_01.JPG	[2] KMAGL_170601_04.JPG	[3] KMAGL_170601_10.JPG
[4] KMAGL_170601_14.JPG	[5] KMAGL_170601_17.JPG	[6] KMAGL_170601_22.JPG
[7] KMAGL_170601_25.JPG	[8] KMAGL_170601_29.JPG	[9] KMAGL_170601_32.JPG
[10] KMAGL_170601_41.JPG	[11] KMAGL_170601_43.JPG	[12] KMAGL_170601_49.JPG
[13] KMAGL_170601_52.JPG	[14] KMAGL_170601_55.JPG	[15] KMAGL_170601_59.JPG
[16] KMAGL_170601_65.JPG	[17] KMAGL_170601_68.JPG	[18] KMAGL_170601_73.JPG
[19] KMAGL_170601_79.JPG	[20] KMAGL_170601_83.JPG

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. KMAGL_170601_01.JPG: Facets of Modern and Contemporary Glass
2. KMAGL_170601_04.JPG: William Morris Artifact: Pouch, 1995
3. KMAGL_170601_10.JPG: Clifford Rainey Maquette for Clear Torso, 2000
4. KMAGL_170601_17.JPG: Toots Zynsky Trillo, 2016
5. KMAGL_170601_22.JPG: Ivan Navarro Surge, 2013
6. KMAGL_170601_32.JPG: Vaclav Cigler Cross Form, c 2000
7. KMAGL_170601_41.JPG: Frantisek Vizner Bowl with Peak, 2002
8. KMAGL_170601_43.JPG: William Morris Trophy, 2000
9. KMAGL_170601_49.JPG: Curtiss Brock Coupling, 2005
10. KMAGL_170601_55.JPG: Dalibor Tichy Untitled, 1981
11. KMAGL_170601_59.JPG: Dante Marioni Red and Yellow Pair, 2001
12. KMAGL_170601_65.JPG: Harvey Littleton
13. KMAGL_170601_73.JPG: Dominick Labino Sea Kingdom Series, 1983
14. KMAGL_170601_79.JPG: Dominick Labino Emergence Series, 1981
Wikipedia Description: Knoxville Museum of Art
From Wikipedia, the free encyclopedia

The Knoxville Museum of Art (KMA), located at 1050 World's Fair Park in Knoxville, Tennessee, presents the rich visual legacy of East Tennessee and new art from the region and beyond. According to its mission statement, the museum "celebrates the art and artists of East Tennessee, presents new art and new ideas, educates and serves a diverse community, enhances Knoxville’s quality of life, and operates ethically, responsibly, and transparently as a public trust."

History

The museum opened in 1961 as the Dulin Gallery of Art, which was housed in the H.L. Dulin House on Kingston Pike. The Dulin House was designed in 1915 by prominent architect John Russell Pope in the Neoclassical Revival style. The house had limited space, however, and the lack of security and climate control prevented the museum's accreditation by the American Association of Museums. In 1984, the Board of Trustees voted to build a new state-of-the-art facility at the site of 1982 World's Fair in downtown Knoxville. The name was changed to "Knoxville Museum of Art" in 1987. The new 53,200-square-foot (4,940 m2) facility, designed by noted architect Edward Larrabee Barnes, opened on March 25, 1990.

Building

The Edward Larrabee Barnes-designed modern building is named in honor of Jim Clayton, the largest single contributor to its construction. The exterior of the four-story steel and concrete building is sheathed in locally quarried pink Tennessee marble. The museum includes five galleries and two large outdoor garden areas. In 2013 and 2014, the museum underwent a comprehensive, top-to-bottom restoration and renovation at a cost of nearly $6 million. The building’s Tennessee marble cladding was cleaned and restored, and the entry plaza and third floor terrace were rebuilt and repaved with pink and gray Vermont granite. The North Garden was also redesigned and planted with native trees and shrubs.
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