NY -- NYC -- Cooper-Hewitt National Design Museum -- Exhibit: Ilonka Karasz:
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Description of Pictures: Ilonka Karasz
On View Now through Monday, May 28 2018
Ilonka Karasz (American, b. Hungary, 1896–1981) is an important yet overlooked figure in 20th-century design. During her long and prolific career, she worked in a wide variety of media, producing designs for wallcoverings, textiles, carpets, lighting, ceramics, metalwork, toys, and furniture. She is perhaps most well known for her popular cover illustrations for the New Yorker magazine. Through her ambitious creative output, Karasz helped popularize a modern aesthetic in the United States. In addition to highlighting the depth and breadth of Karasz’s creativity, this exhibition presents the museum’s recent acquisition of exquisite Karasz drawings and related wallpapers from the 1940s.
Karasz studied at the Royal School of Arts and Crafts in Budapest before arriving in New York in 1913 and immersing herself in the city’s avant-garde artistic community. Her prize-winning textile designs for the “Designed in America” campaign, sponsored by Women’s Wear Daily, propelled her career forward in the early 1920s. Turning to industrial design, Karasz created furnishings and metalwork for the high-profile exhibitions of American Designers’ Gallery in 1928 and 1929. She collaborated with notable designers such as Donald Deskey (American, 1894–1989), who frequently employed her textiles in his designs for interiors. From the 1940s–1960s, her wallpaper designs for the firm Katzenbach and Warren brought her national exposure, as she produced contemporary designs that deliberately called attention to the two-dimensional aspects of wallcoverings and referenced Asian art and Islamic architecture. Her scenic papers and graphic murals were printed using novel techniques that preserved the expressivity of her drawings. Into the early 1970s, she continued illustrating covers for books and magazines, many of which portrayed city scenes and life around her home in suburban Brewster, New York.
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CHILON_171222_01.JPG: Ilonka Karasz
Ilonka Karasz (American, b. Hungary, 1896–1981) is an important yet overlooked figure in 20th-century design. During her long and prolific career, she worked in a wide variety of media, producing designs for wallcoverings, textiles, carpets, lighting, ceramics, metalwork, toys, and furniture. She is perhaps most well known for her popular cover illustrations for the New Yorker magazine. Through her ambitious creative output, Karasz helped popularize a modern aesthetic in the United States. In addition to highlighting the depth and breadth of Karasz's creativity, this exhibition presents the museum's recent acquisition of exquisite Karasz drawings and related wallpapers from the 1940s.
A native of Hungary, Karasz studied at the Royal School of Arts and Crafts in Budapest before arriving in New York in 1913 and immersing herself in the city's avant-garde artistic community. Her prize-winning textile designs for the "Designed in America" campaign, sponsored by Women's Wear Daily, propelled her career forward in the early 1920s. Turning to industrial design, Karasz created furnishings and metalwork for the high-profile exhibitions of American Designers' Gallery in 1928 and 1929. She collaborated with notable designers such as Donald Deskey (American, 1894–1989), who frequently employed her textiles in his designs for interiors. From the 1940s–1960s, her wallpaper designs for the firm Katzenbach and Warren brought her national exposure, as she produced contemporary designs that deliberately called attention to the two-dimensional aspects of wallcoverings and referenced Asian art and Islamic architecture. Her scenic papers and graphic murals were printed using novel techniques that preserved the expressivity of her drawings. Into the early 1970s, she continued illustrating covers for books and magazines, many of which portrayed city scenes and life around her home in suburban Brewster, New York.
CHILON_171222_04.JPG: Print, Cover of The New Yorker, The New York World's Fair, September 2, 1939, 1939
Ilonka Karasz designed 186 covers for the New Yorker, many of which are distinguished by elevated, angled views of New York street scenes. This playful illustration depicts the Avenue of Patriots at the 1939 New York World's Fair and highlights the fair's special transportation system and bustling crowds. Karasz's designs for the magazine showed New York subjects in a modern European style, creating a visual art that was distinctly American.
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[Museums (Art)]
2017 photos: Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000.
Overnight trips this year:
Civil War Trust conferences in Pensacola, FL, Chattanooga, TN (via sites in Alabama, Louisiana, Mississippi, and Tennessee) and Fredericksburg, VA,
a family reunion in The Dells, Wisconsin (via sites in Ohio, Indiana, and Wisconsin),
New York City, and
my 12th consecutive San Diego Comic Con trip (including sites in Arizona).
For some reason, several of my photos have been published in physical books this year which is pretty cool. Ones that I know about:
"Tarzan, Jungle King of Popular Culture" (David Lemmo),
"The Great Crusade: A Guide to World War I American Expeditionary Forces Battlefields and Sites" (Stephen T. Powers and Kevin Dennehy),
"The American Spirit" (David McCullough),
"Civil War Battlefields: Walking the Trails of History" (David T. Gilbert),
"The Year I Was Peter the Great: 1956 — Khrushchev, Stalin's Ghost, and a Young American in Russia" (Marvin Kalb), and
"The Judge: 26 Machiavellian Lessons" (Ron Collins and David Skover).
Number of photos taken this year: just below 560,000.
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