BGuthrie Photos: NJ -- Trenton -- New Jersey State Museum -- Exhibit: Shifting Views: Artists who experienced World War I

NJ -- Trenton -- New Jersey State Museum -- Exhibit: Shifting Views: Artists who experienced World War I:

Bruce Guthrie Photos Home Page: [Click here] to go to Bruce Guthrie Photos home page.

Description of Pictures: Shifting Views: Artists who experienced World War I
On View Through August 19, 2018
Peaceful landscapes, busy city streets, linear abstractions, portraits of friends and family– these paintings, drawings, and prints were created by twenty-three artists who experienced the frontlines of World War I. The artists represented served on both sides of the conflict – German/Austrian and British/American. Many believed in their country’s cause prior to their service, but had a very different perspective after experiencing war firsthand. Seen together, their works of art convey a shared sense of humanity in contrast to the divisiveness of war.

Recognize anyone? If you recognize specific folks (or other stuff) and I haven't labeled them, please identify them for the world. Click the little pencil icon

underneath the file name (just above the picture). Spammers need not apply.

Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

Accessing as Spider: The system has identified your IP as being a spider.
IP Address: 3.145.130.31 -- Domain: Amazon Technologies
I love well-behaved spiders! They are, in fact, how most people find my site. Unfortunately, my network has a limited bandwidth and pictures take up bandwidth. Spiders ask for lots and lots of pages and chew up lots and lots of bandwidth which slows things down considerably for regular folk. To counter this, you'll see all the text on the page but the images are being suppressed. Also, some system options like merges are being blocked for you.
Note: Permission is NOT granted for spiders, robots, etc to use the site for AI-generation purposes. I'm sure you're thrilled by your ability to make revenue from my work but there's nothing in that for my human users or for me.
If you are in fact human, please email me at guthrie.bruce@gmail.com and I can check if your designation was made in error. Given your number of hits, that's unlikely but what the hell.

Help? The Medium (Email) links are for screen viewing and emailing. You'll want bigger sizes for printing. [Click here for additional help]

Share: Facebook Twitter Digg
[1] NJSW1S_171220_001.JPG Medium (Email) (Bigger?)	[2] NJSW1S_171220_004.JPG Medium (Email) (Bigger?)	[3] NJSW1S_171220_007.JPG Medium (Email) (Bigger?)
[4] NJSW1S_171220_010.JPG Medium (Email) (Bigger?)	[5] NJSW1S_171220_012.JPG Medium (Email) (Bigger?)	[6] NJSW1S_171220_015.JPG Medium (Email) (Bigger?)
[7] NJSW1S_171220_018.JPG Medium (Email) (Bigger?)	[8] NJSW1S_171220_020.JPG Medium (Email) (Bigger?)	[9] NJSW1S_171220_021.JPG Medium (Email) (Bigger?)
[10] NJSW1S_171220_024.JPG Medium (Email) (Bigger?)	[11] NJSW1S_171220_026.JPG Medium (Email) (Bigger?)	[12] NJSW1S_171220_028.JPG Medium (Email) (Bigger?)
[13] NJSW1S_171220_030.JPG Medium (Email) (Bigger?)	[14] NJSW1S_171220_033.JPG Medium (Email) (Bigger?)	[15] NJSW1S_171220_034.JPG Medium (Email) (Bigger?)
[16] NJSW1S_171220_037.JPG Medium (Email) (Bigger?)	[17] NJSW1S_171220_040.JPG Medium (Email) (Bigger?)	[18] NJSW1S_171220_041.JPG Medium (Email) (Bigger?)
[19] NJSW1S_171220_042.JPG Medium (Email) (Bigger?)	[20] NJSW1S_171220_045.JPG Medium (Email) (Bigger?)	[21] NJSW1S_171220_047.JPG Medium (Email) (Bigger?)
[22] NJSW1S_171220_048.JPG Medium (Email) (Bigger?)	[23] NJSW1S_171220_050.JPG Medium (Email) (Bigger?)	[24] NJSW1S_171220_051.JPG Medium (Email) (Bigger?)
[25] NJSW1S_171220_054.JPG Medium (Email) (Bigger?)	[26] NJSW1S_171220_055.JPG Medium (Email) (Bigger?)	[27] NJSW1S_171220_058.JPG Medium (Email) (Bigger?)
[28] NJSW1S_171220_060.JPG Medium (Email) (Bigger?)	[29] NJSW1S_171220_065.JPG Medium (Email) (Bigger?)	[30] NJSW1S_171220_066.JPG Medium (Email) (Bigger?)
[31] NJSW1S_171220_069.JPG Medium (Email) (Bigger?)	[32] NJSW1S_171220_071.JPG Medium (Email) (Bigger?)	[33] NJSW1S_171220_074.JPG Medium (Email) (Bigger?)
[34] NJSW1S_171220_075.JPG Medium (Email) (Bigger?)	[35] NJSW1S_171220_079.JPG Medium (Email) (Bigger?)	[36] NJSW1S_171220_080.JPG Medium (Email) (Bigger?)
[37] NJSW1S_171220_082.JPG Medium (Email) (Bigger?)	[38] NJSW1S_171220_083.JPG Medium (Email) (Bigger?)	[39] NJSW1S_171220_085.JPG Medium (Email) (Bigger?)
[40] NJSW1S_171220_086.JPG Medium (Email) (Bigger?)	[41] NJSW1S_171220_088.JPG Medium (Email) (Bigger?)	[42] NJSW1S_171220_089.JPG Medium (Email) (Bigger?)
[43] NJSW1S_171220_092.JPG Medium (Email) (Bigger?)	[44] NJSW1S_171220_093.JPG Medium (Email) (Bigger?)	[45] NJSW1S_171220_096.JPG Medium (Email) (Bigger?)
[46] NJSW1S_171220_098.JPG Medium (Email) (Bigger?)	[47] NJSW1S_171220_103.JPG Medium (Email) (Bigger?)	[48] NJSW1S_171220_107.JPG Medium (Email) (Bigger?)
[49] NJSW1S_171220_109.JPG Medium (Email) (Bigger?)	[50] NJSW1S_171220_110.JPG Medium (Email) (Bigger?)	[51] NJSW1S_171220_113.JPG Medium (Email) (Bigger?)
[52] NJSW1S_171220_116.JPG Medium (Email) (Bigger?)	[53] NJSW1S_171220_118.JPG Medium (Email) (Bigger?)	[54] NJSW1S_171220_121.JPG Medium (Email) (Bigger?)
[55] NJSW1S_171220_124.JPG Medium (Email) (Bigger?)	[56] NJSW1S_171220_127.JPG Medium (Email) (Bigger?)	[57] NJSW1S_171220_129.JPG Medium (Email) (Bigger?)
[58] NJSW1S_171220_130.JPG Medium (Email) (Bigger?)	[59] NJSW1S_171220_132.JPG Medium (Email) (Bigger?)	[60] NJSW1S_171220_134.JPG Medium (Email) (Bigger?)
[61] NJSW1S_171220_137.JPG Medium (Email) (Bigger?)	[62] NJSW1S_171220_138.JPG Medium (Email) (Bigger?)	[63] NJSW1S_171220_140.JPG Medium (Email) (Bigger?)
[64] NJSW1S_171220_142.JPG Medium (Email) (Bigger?)	[65] NJSW1S_171220_145.JPG Medium (Email) (Bigger?)

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. NJSW1S_171220_007.JPG: Henry Moore Elephant Skull Portfolio Plate XII, 1970
2. NJSW1S_171220_012.JPG: Jacques Villon Eve, 1952
3. NJSW1S_171220_018.JPG: Max Hermann Pechstein Untitled, nd
4. NJSW1S_171220_021.JPG: Ludwig Meidner Waldweg (Woodland Path), 1957
5. NJSW1S_171220_026.JPG: Hermann Struck New York, Statue of Liberty, 1912
6. NJSW1S_171220_030.JPG: Kerr Eby Rye Marshes, 1929
7. NJSW1S_171220_040.JPG: Max Hermann Pechstein SOuth Seas (At the Bathing Place), 1919
8. NJSW1S_171220_045.JPG: Erich Henckel Schiff and Hohem Meer (Ship no this High Seas), 1907
9. NJSW1S_171220_048.JPG: Alexander Kanoldt Klausen, 1921
10. NJSW1S_171220_051.JPG: Don Thrash Coal Breaker, c 1943
11. NJSW1S_171220_055.JPG: Oskar Kokoschka Print from the Manhattan Portfolio, 1967
12. NJSW1S_171220_060.JPG: Oskar Kokoschka Print from the Manhattan Project, 1967
13. NJSW1S_171220_066.JPG: Werner Drewes Self-Portrait, 1959
14. NJSW1S_171220_071.JPG: Werner Drewes Hilltop Sunset, 1967
15. NJSW1S_171220_075.JPG: Werner Drewes Sentinels of the West, 1957
16. NJSW1S_171220_080.JPG: Conrad Felximuller Self-Portrait, 1927
17. NJSW1S_171220_083.JPG: Ernst Ludwig Kirchner Kopf Crevel (Portrait of Rene Crevel), 1933
18. NJSW1S_171220_086.JPG: Horace Pippin The Hoe Cake, c 1946
19. NJSW1S_171220_089.JPG: Ernst Barlach Mother Kneeling at the Bedside of Sleeping Son, 1912
20. NJSW1S_171220_093.JPG: Otto Dix Two Children, 1952
21. NJSW1S_171220_103.JPG: Ivan Albright Self-Portrait - 55, Division Street, 1947
22. NJSW1S_171220_110.JPG: Max Hermann Pechstein Sleeping Man, 1908
23. NJSW1S_171220_113.JPG: Karl Schmidt-Rottluff Max Reading, 1921
24. NJSW1S_171220_118.JPG: Dox Thrash Twenty-fourth Street and Ridge Avenue (Philadelphia), c 1937-39
25. NJSW1S_171220_127.JPG: George Grosz The End of a Perfect Day, 1939
26. NJSW1S_171220_130.JPG: Otto Dix Carnival in Rubble, 1946
27. NJSW1S_171220_134.JPG: Otto Mueller Circus Pair, 1922
28. NJSW1S_171220_138.JPG: Franz Marc From the Animal Legend, 1912
29. NJSW1S_171220_142.JPG: Max Hermann Pechstein For Ever and Ever, Amen!, 1921
Wikipedia Description: New Jersey State Museum
From Wikipedia, the free encyclopedia

The New Jersey State Museum is located at 205 West State Street in Trenton, New Jersey, overlooking the Delaware River. The museum is operated as part of the New Jersey Department of State. The museum's main collection of specimens, artifacts and objects date back to items collected in the early 19th century. The museum also includes a 140-seat planetarium and a 384-seat auditorium.

The New Jersey State Museum serves a broad region between New York and Philadelphia. Because the admission fee is 'suggested', and programs are free or offered at a very low-cost, the museum is accessible to visitors with low- to moderate incomes.

History

The New Jersey State Museum was the first state museum in the country established with education as a primary focus of its mission. The New Jersey Legislature formally established the museum by law in 1895; the museum received re-accreditation from the American Alliance of Museums in August 2003.

As put forth in the mission statement: The New Jersey State Museum serves the lifelong educational needs of residents and visitors through its collections, exhibitions, programs, publications, and scholarship in science, history, archaeology, and the arts. Within a broad context, the museum explores the natural and cultural diversity of New Jersey, past and present.

In its beginning, like many museums of its era, the museum focused on natural history. The first major collections were of rocks, minerals and fossils from the New Jersey Geological Survey, which began in 1836. In 1912, the museum expanded its focus to include archaeology through an acquisition of artifacts produced by Native Americans in the region. These artifacts dated from the prehistoric and historic periods as well as from New Jersey's diverse populations during the Colonial and post-colonial eras. In 1922, the museum was one of the first on the east coast to exhibit, as art, a collection of North American Indian objects. With the acquisition of these objects, the museum started its ethnographic collections. In 1924, decorative arts were added to the museum with examples from the Trenton-area ceramics industry. And while fine art had been exhibited and acquired through the mid-20th century, the museum began a strong collecting emphasis on paintings, sculpture and works on paper in the early 1960s.

In 1964, the museum moved from the State Capitol complex into the newly created Capitol Cultural Complex. The Main Building, now a classic example of modernist architecture, consists of four floors of exhibition space, a 140-seat Planetarium and public spaces including a Gift Shop. A second building holds a 384-seat Auditorium as well as gallery spaces. Additionally, the museum's Civil War Flag Gallery, which exhibits the museum's Civil War flag collection on a rotating basis, is located at 225 West State Street.

Bureau of Archaeology/Ethnography

The Bureau of Archaeology/Ethnography collections encompass approximately 2,400,000 prehistoric and historic specimens acquired by nearly 100 years of excavation, as well as almost 4,000 ethnographic objects acquired as gifts to the museum. Scholars widely recognize the museum's archaeology specimens as the definitive systematic research collection for the study of the prehistory of New Jersey. Notably, the archaeological collection includes material excavated from the nearby Abbott Farm National Historic Landmark Site. The museum's archaeology collections are respected as one of the most important collections for the regional study of northeastern North America, and provide data on the entire span of human occupation in New Jersey from prehistoric times to the 20th century.

The ethnographic collection consists of specimens that represent the Lenape and other North American Indian groups, and also include a small number of West African specimens collected to interpret the heritage of New Jersey's African-American population. Additionally, the collection also consists of a small grouping of Asian objects collected by New Jersey donors while they were on business or pleasure trips during the late 19th century through the 1950s. In a move toward reinterpreting the African and Asian works, these objects are now being presented as examples of cultural objects from people who have moved to New Jersey from around the globe.

Bureau of Cultural History

The Bureau of Cultural History preserves and interprets historical objects that document the lives of people who have lived in New Jersey from the 17th century to the present. The collection includes over 13,000 artifacts documenting New Jersey's cultural, economic, military, political, and social history, as well as aspects of its decorative arts. Ranging from ceramics produced by Trenton potteries to decorative quilts made and used by New Jersey women to utilitarian artifacts reflecting the rich maritime and agricultural heritage of the Garden State, the Cultural History Collection is one of the largest material culture collections dealing with New Jersey history. Textiles, trade tools, furniture, and an array of artifacts documenting craft, work, play, community, and family life are also represented in the collection. The Cultural History Bureau also oversees the preservation and interpretation of the New Jersey State Capitol's collection of military flags used by New Jersey regiments in the Civil War and World War I.

Bureau of Fine Art

The State Museum has collected over 12,000 works of art including paintings, prints, drawings, sculpture and photographs, most acquired since 1965 when the museum's mission was expanded to include fine art.

The collection has an American focus that highlights the work of New Jersey artists within the context of American art history. Also included are works that depict New Jersey scenes and events. The strengths of the Fine Art collection lie in works by the American modernists associated with Alfred Stieglitz, American abstract artists of the 1930s and 1940s, a comprehensive collection of works by 19th and 20th-century African-American artists, contemporary American and New Jersey art, the complete graphic outputs of Ben Shahn and Jacob Landau and works by the New Jersey Fellows associated with the Brodsky Center for Innovative Editions/Rutgers University.

American Perspectives: The Fine Art Collection is on view on the second floor.

Bureau of Natural History

The Bureau of Natural History holds a diverse collection of about 250,000 specimens which have historic and cultural significance, in addition to their scientific value. The natural history collections are especially strong in industrial minerals and ores, paleontology specimens (fossils), osteology specimens (bones), modern shells, and a systematic study skin component. Smaller sub-collections include pinned insects, fluid-preserved fauna, taxidermy mounts and glass lantern slides. The bureau is also the repository for about 300 type (first documented) specimens of Paleozoic and Mesozoic fossils, as well as a large number of fossils documenting the Paleozoic strata within the Delaware Water Gap National Recreation Area. Minerals from the zinc-mining locality of Franklin-Sterling Hill are well represented, including the largest number of fluorescent mineral species in the world, as are mine-specific specimens from New Jersey's industrial iron mining past. Specimens from beyond New Jersey are used for comparative purposes in exhibitions and educational programming, to augment the systematic collections, and for research purposes.

Bureau of Education

The museum's Bureau of Education offers programs and events designed to offer activities that not only engage our audiences but help to instill a desire for lifelong object-based learning. School groups can attend auditorium-style performances and museum-based classes, as well as access classroom resources such as curriculum guides and object loans. Teachers' workshops offer opportunities for classroom teachers to gain additional knowledge and skills which they may employ back in their own classrooms. General audiences can participate in a variety of performances, lectures, gallery walks, demonstrations, film series, scout programs and more.

Planetarium

Since its opening in 1964, the State Museum's planetarium has been a large part of the museum's public programming, incorporating both educational programs and a variety of entertainment features, such as traditional sky shows and laser shows. The museum's planetarium is equipped with “Full Dome” video technology, and also includes a digital video hemisphere as part of the planetarium lobby exhibitions. The 140-seat planetarium also features a Minolta MS-10 instrument for sky shows and visual displays of the solar system. Exhibits include displays of constellations, solar system models and space exploration. The planetarium presents public shows on weekends, during school vacation periods (spring and winter), and during the summer. Tickets are $7 for adults and $5 for children 12 and under. During the school year, weekday planetarium programs are offered to school and community groups by reservation only.
Bigger photos? To save server space, the full-sized versions of these images have either not been loaded to the server or have been removed from the server. (Only some pages are loaded with full-sized images and those usually get removed after three months.) I still have them though. If you want me to email them to you, please send an email to guthrie.bruce@gmail.com and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
2017 photos: Overnight trips this year: Civil War Trust conferences in Pensacola, FL, Chattanooga, TN (via sites in Alabama, Louisiana, Mississippi, and Tennessee) and Fredericksburg, VA, a family reunion in The Dells, Wisconsin (via sites in Ohio, Indiana, and Wisconsin), New York City, and my 12th consecutive San Diego Comic Con trip (including sites in Arizona). Ego strokes: For some reason, several of my photos have been published in physical books this year which is pretty cool. Ones that I know about: "Tarzan, Jungle King of Popular Culture" (David Lemmo), "The Great Crusade: A Guide to World War I American Expeditionary Forces Battlefields and Sites" (Stephen T. Powers and Kevin Dennehy), "The American Spirit" (David McCullough), "Civil War Battlefields: Walking the Trails of History" (David T. Gilbert), "The Year I Was Peter the Great: 1956 — Khrushchev, Stalin's Ghost, and a Young American in Russia" (Marvin Kalb), and "The Judge: 26 Machiavellian Lessons" (Ron Collins and David Skover). Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000. Number of photos taken this year: just below 560,000.
Connection Not Secure messages? Those warnings you get from your browser about this site not having secure connections worry some people. This means this site does not have SSL installed (the link is http:, not https:). That's bad if you're entering credit card numbers, passwords, or other personal information. But this site doesn't collect any personal information so SSL is not necessary. Life's good!
Photo Contact: [Email Bruce Guthrie].