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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. " ") are described as follows:
SSDISC_171216_09.JPG: On January 9, 2018, Discovery Communications announced it was selling its Silver Spring headquarters and moving the operation to New York. The building's sale is expected to take place in the second half of 2019.
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Description of Subject Matter: Outside Mural:
One of the prominent features of this building is a porcelain enamel on steel mural which runs the length of the buidling's Colesville Road side. The work, called "A Brushstroke of Discovery", is 2200 Square feet, 180 feet wide, and 9 feet tall at one end and 18 feet at the other end. It was done by Narcissus Quagliatain 2003 with co-credits given to Esmaltados Alfher ("Porcelain enamel on steel, manufacturing and silk-screen process, Mexico City") and Pablo Torrealba ("Silk screen and digital process design, Mexico City"). According to Narcissus web site at http://www.nquagliata.com/abrushstroke3.html:
The foundation of this work is the very simple premise that the entire history of our planet is but a single brushstroke on the immense canvas of the cosmos, and that life is in perpetual transformation. The theme of discovery runs throughout the entire mural as a thread that holds the entire work compositionally together and makes it flow from one image to the next.
This very large mural is in itself an innovation, because it presents a painting that can be placed outdoors without fading and lose color intensity. Painting traditionally is a medium that cannot be exposed to the elements for it's chemical fragility.
A meeting of art and industry:
In essence the mural is a fine art image that has been realized by adapting and extending industrial methods to achieve durable surfaces for the exterior of buildings with fired glass enamels. The mural has been made possible by the close collaboration of the artist, Narcissus Quagliata, Alfonso Hernandez of Esmaltados Alfher, and Pablo Torrealba, director of the silk-screen studio at Alfher, in Mexico City.
The work merges together into one event the disciplines of painting, photography, silk-screen, computer digital work, and the final direct intervention of the artist on the surface of the work.
In the context of a life dedicated to imagin ...More...
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2017 photos: Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000.
Trips this year:
(April) a 48-hour jaunt for a Civil War Trust conference in Pensacola, FL,
(June) an 11-day trip built around the Civil War Trust annual conference in Chattanooga, TN including sites in Alabama, Louisiana, Mississippi, and Tennessee,
(July) the annual San Diego Comic Con trip with a sidetrip to sites in Arizona,
(August) a family reunion in The Dells, Wisconsin including sites in Ohio, Indiana, and Wisconsin,
(October) the Civil War Trust Grand Review in Fredericksburg, VA, and
(December) a two-day jaunt to New York City.
For some reason, several of my photos have been published in physical books this year which is pretty cool. Ones that I know about:
"Tarzan, Jungle King of Popular Culture" (David Lemmo),
"The Great Crusade: A Guide to World War I American Expeditionary Forces Battlefields and Sites" (Stephen T. Powers and Kevin Dennehy),
"The American Spirit" (David McCullough),
"Civil War Battlefields: Walking the Trails of History" (David T. Gilbert),
"The Year I Was Peter the Great: 1956 — Khrushchev, Stalin's Ghost, and a Young American in Russia" (Marvin Kalb), and
"The Judge: 26 Machiavellian Lessons" (Ron Collins and David Skover).
Number of photos taken this year: just below 560,000.