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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
SIHIRO_170629_03.JPG: The vendor Dolcezza Coffee & Gelato trailer had been installed at the time of the Infinity Mirrors exhibit, possibly to provide coffee to folks waiting in line for the tickets to the exhibit. In 2018, they would be located inside the museum, replacing the old information desk.
SIHIRO_171123_037.JPG: Last Conversation Piece
1994-95
Juan Munoz
SIHIRO_171123_068.JPG: Welcome to the Hirshhorn Museum's Plaza:
First opened in 1974, the Hirshhorn's plaza displays recent sculptures by international artists. More than 400,000 people visit the sculpture garden and plaza each year. So while we invite you to look, relax, study, stroll, sketch, and take photographs, we ask that you please do not touch the sculptures.
Sculptures are more fragile than most people realize. Steel and other metal works are made from several pieces welded together. These connections can weaken and break when weigh is applied. Bronze sculptures are actually hollow casts with thin surfaces that are easily dented or scratched. In addition, all outdoor sculptures suffer from urban air pollution, so we protect them with a delicate coating of clear wax. But this invisible protectant erodes when touched, even lightly, leaving that part of the piece exposed to the elements. Also, fingernails and jewelry may cause tiny scratches that can never be fixed. For these reasons, climbing, sitting on, or leaning against any sculpture is not permitted.
Please help preserve these remarkable artworks for future generations.
SIHIRO_171123_077.JPG: Kenneth Snelson
Needle Tower
1968
Aluminum and stainless steel
SIHIRO_171123_140.JPG: Roy Lichtenstein
Brushstroke, 1996, enlarged and fabricated 2002-03
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2017 photos: Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000.
Trips this year:
Civil War Trust conferences in Pensacola, FL, Chattanooga, TN (via sites in Alabama, Louisiana, Mississippi, and Tennessee) and Fredericksburg, VA,
a family reunion in The Dells, Wisconsin (via sites in Ohio, Indiana, and Wisconsin),
New York City, and
my 12th consecutive San Diego Comic Con trip (including sites in Arizona).
For some reason, several of my photos have been published in physical books this year which is pretty cool. Ones that I know about:
"Tarzan, Jungle King of Popular Culture" (David Lemmo),
"The Great Crusade: A Guide to World War I American Expeditionary Forces Battlefields and Sites" (Stephen T. Powers and Kevin Dennehy),
"The American Spirit" (David McCullough),
"Civil War Battlefields: Walking the Trails of History" (David T. Gilbert),
"The Year I Was Peter the Great: 1956 — Khrushchev, Stalin's Ghost, and a Young American in Russia" (Marvin Kalb), and
"The Judge: 26 Machiavellian Lessons" (Ron Collins and David Skover).
Number of photos taken this year: just below 560,000.