DC -- Embassy of Poland -- Fence Exhibit: Poland Regained:
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As some of you may have noticed, our historic Embassy has taken on a splash of color in recent days. A total of 21 Polish posters now adorn our Embassy fence as part of the “Poland Regained” exhibit created in cooperation with the Poster Museum at Wilanów, the oldest museum of its type in the world. This exhibit was specially prepared in advance of the 100th anniversary of Poland’s rebirth which we will be celebrating in 2018. The posters, dating from the 1890s-1930s, are a visual link to the past and include different motifs including vacation advertisement, sporting events, patriotic appeals and more. Whether you are interested in art, history, or just want to see something unique, we invite you to the intersection of 16th Street and Fuller Street NW to have a look and explore the exhibit. Informational brochure can be found on location. Let us know what you think and tag us in your tweets @PolishEmbassyUS!
Do zobaczenia / see you!
Polish Embassy, Washington, DC
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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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EMBPPR_170909_058.JPG: Poland Regained: Polish Posters from the 1890s to the 1930s
Exhibit of posters from the interwar Poland
Poland Regained is a visual link to the centennial celebrations of Poland recovering independence in 1918. The posters featured were made between 1892 and 1939: after the 123-year period of the so-called Partitions (1795-1918), when Poland was gone from the map of Europe, and during the 20 years of its existence as an independent state up until the outbreak of World War II.
These pieces - which bring us closer to long-ago Poland through its charming nooks and crannies such as the Ojców and Ciechocinek health resorts - include posters promoting domestic sports and overseas tourism, both growing by leaps and bounds at the time. The young state was shaped thanks to the dedication of Polish society, with citizens actively joining in charity fundraisers, purchasing bonds, supporting the creation the army, and celebrating free access to the sea. Another part of our national identity are the events of September 1939, when the Nazi Germans invaded Poland, setting off the Second World War. The posters in this exhibition tell us all these stories in a unique language, created thanks to collaborations between outstanding painters and graphic designers, including WBodzimierz Tetmajer, Wojciech Kossak, Bogdan Nowakowski, and Zygmunt Glinicki.
These posters are found in the collections of the Poster Museum in Warsaw's Wilanów district - the oldest museum of its type in the world, opened in 1968. The campus of the Poster Museum, incorporated into the grounds of King John III Sobieski's country palace, is an archetypal example of Polish modernism.
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[Embassies]
2017 photos: Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000.
Trips this year:
Civil War Trust conferences in Pensacola, FL, Chattanooga, TN (via sites in Alabama, Louisiana, Mississippi, and Tennessee) and Fredericksburg, VA,
a family reunion in The Dells, Wisconsin (via sites in Ohio, Indiana, and Wisconsin),
New York City, and
my 12th consecutive San Diego Comic Con trip (including sites in Arizona).
For some reason, several of my photos have been published in physical books this year which is pretty cool. Ones that I know about:
"Tarzan, Jungle King of Popular Culture" (David Lemmo),
"The Great Crusade: A Guide to World War I American Expeditionary Forces Battlefields and Sites" (Stephen T. Powers and Kevin Dennehy),
"The American Spirit" (David McCullough),
"Civil War Battlefields: Walking the Trails of History" (David T. Gilbert),
"The Year I Was Peter the Great: 1956 — Khrushchev, Stalin's Ghost, and a Young American in Russia" (Marvin Kalb), and
"The Judge: 26 Machiavellian Lessons" (Ron Collins and David Skover).
Number of photos taken this year: just below 560,000.
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