BGuthrie Photos: DC -- Anacostia -- Public Art: The Big Chair

DC -- Anacostia -- Public Art: The Big Chair:

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[1] CHAIR_170115_02.JPG Medium (Email) (Bigger?)	[2] CHAIR_170115_05.JPG Medium (Email) (Bigger?)	[3] CHAIR_170115_08.JPG Medium (Email) (Bigger?)
[4] CHAIR_170115_11.JPG Medium (Email) (Bigger?)	[5] CHAIR_170115_17.JPG Medium (Email) (Bigger?)

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. CHAIR_170115_02.JPG: The Big Chair
2. CHAIR_170115_05.JPG: The Big Chair Re-dedication April 25, 2006. This community landmark represents the Curtis Companies long standing allegiance to the neighborhood and steadfast commitment to unity, prosperity and good will to all Washingtonians and friends of Anacostia. Designers: John Kidwell & A Lomax Project Fabricators: Cinnabar & Nelson's Welding
3. CHAIR_170115_08.JPG: The World's Largest Chair Presented to Curtis Bros. for their outstanding leadership and service to the public by the Bassett Furniture Industries. The chair made of solid Honduras mahogany is 19-1/2 feet tall and weighs 4600 pounds. Dedicated July 11, 1959 Designer: Leo M. Jiranek Builder: J.E. Bassett, Jr.
Wikipedia Description: Chair (sculpture)
From Wikipedia, the free encyclopedia

Chair is a public artwork designed as an advertisement by Bassett Furniture, located at the intersection of Martin Luther King Ave. and V. Street S.E., in the Anacostia neighborhood of Washington, D.C., United States of America. Chair was originally surveyed as part of the Smithsonian's Save Outdoor Sculpture! survey in 1994. It was once considered the world's largest chair, but has been overtaken by works like Broken Chair in Geneva and the temporary The Writer on Hampstead Heath in London.

Description

The chair, which stands 19 1/2 feet high, is a detail-to-detail replica of a Duncan Phyfe style chair. Painted brown with a white and brown striped "cushion", the chair is entirely made of aluminum. Weighing between 4,000 and 4,600 pounds, the chair sits on a concrete base.

Acquisition

The chair was built in 1959 by Virginia-based furniture maker Bassett Furniture. The concept for the chair came from Charles Curtis, of the Curtis Brothers Furniture company, as a clever way to bring customers to their family showroom which was located on the grounds where the chair is currently placed.

The piece was dedicated on July 11, 1959, and a plaque was placed with it, stating:

THE WORLD'S LARGEST CHAIR
PRESENTED TO
CURTIS BROS.
FOR THEIR OUTSTANDING LEADERSHIP
AND SERVICE TO THE PUBLIC/BY THE
BASSETT FURNITURE INDUSTRIES.
THE CHAIR MADE OF SOUND HONDURAS MAHOGANY
IS 19 1/2 FEET TALL AND WEIGHS 4000 POUNDS
DEDICATED JULY 11, 1959
DESIGNED
LEO M. HIRAMETT
BUILT BY J. E. BASSETT, JR.

Re-dedication

John Kidwell, the caretaker of the Chair, frequently patched holes that would form after heavy rains with cement. During the days of August 23–24, 2005, the original Chair was disassembled by a backhoe and taken away for restoration. Made entirely of Honduras Mahogany, the legs had begun to rot. On April 25, 2006, the chair was returned by Curtis Properties (was Curtis Brothers), however, this was a new chair, made entirely of brown aluminum. Over 250 people attended the re-dedication including Mayor Anthony A. Williams.

With the dedication of a new chair, a new plaque was placed, reading:

THE BIG CHAIR
RE-DEDICATION APRIL 25, 2006
THIS COMMUNITY LANDMARK REPRESENTS THE CURTIS COMPANIES
LONG-STANDING ALLEGIANCE TO THE NEIGHBORHOOD AND
STEADFAST COMMITMENT TO UNITY, PROSPERITY, AND GOOD WILL
TO ALL WASHINGTONIANS AND FRIENDS OF ANACOSTIA.

This new chair was designed by Devery Lomax managed by John Kidwell. It was fabricated by Cinnbar, an Orlando-based business known for their oversized objects, and Nelson's Welding. The new chair cost over $40,000 to build. Upon its delivery, by flatbed truck, overpasses had to be avoided due to the size of the chair.

Looking Glass House

On August 13, 1960, Rebecca Kirby (aka Lynn Arnold) moved "onto" the chair. A 10-by-10-foot cubicle was built and placed on the seat, furnished with a shower, bed, toilet, heater, air conditioner and balcony. Placed upon the chair by way of forklift, Kirby lived in the chair for 42 days. In the cubicle, she would watch TV, read books, and talk on the telephone, as well as dine, as her meals were delivered every day.

Kirby would step outside onto the balcony every few hours to greet visitors who learned about her living situation due to newspapers advertising her as "Alice in the Looking Glass House". Visitors would be encouraged to guess how long she'd maintain her residency. Her then 14-month-old son, Richard, visited often, being placed in a dumb waiter and sent up to see her.

After 42 days, Kirby "decided to return to earth," earning $1,500 for her stay.

Community reception

The Chair has been received as a part of neighborhood life since its original installation. Anacostia, a neighborhood that has seen economic and cultural ups and downs prides itself on a landmark that withstands the community's evolution.

The Chair is often used as a geographic marker for direction giving and holiday celebration; Santa Claus sits upon the chair during Christmas. When the Chair was reinstalled in 2006, community members surrounded the giant, clapping, yelling and photographing the new chair.

During the 1968 Washington, D.C. riots the Chair was one of the few landmarks to go unscathed in a neighborhood heavily affected by Martin Luther King, Jr.'s death.
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2017 photos: Overnight trips this year: Civil War Trust conferences in Pensacola, FL, Chattanooga, TN (via sites in Alabama, Louisiana, Mississippi, and Tennessee) and Fredericksburg, VA, a family reunion in The Dells, Wisconsin (via sites in Ohio, Indiana, and Wisconsin), New York City, and my 12th consecutive San Diego Comic Con trip (including sites in Arizona). Ego strokes: For some reason, several of my photos have been published in physical books this year which is pretty cool. Ones that I know about: "Tarzan, Jungle King of Popular Culture" (David Lemmo), "The Great Crusade: A Guide to World War I American Expeditionary Forces Battlefields and Sites" (Stephen T. Powers and Kevin Dennehy), "The American Spirit" (David McCullough), "Civil War Battlefields: Walking the Trails of History" (David T. Gilbert), "The Year I Was Peter the Great: 1956 — Khrushchev, Stalin's Ghost, and a Young American in Russia" (Marvin Kalb), and "The Judge: 26 Machiavellian Lessons" (Ron Collins and David Skover). Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000. Number of photos taken this year: just below 560,000.
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