BGuthrie Photos: DC -- Donald W. Reynolds Center -- Building

DC -- Donald W. Reynolds Center -- Building:

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Description of Pictures: Including the trees in the courtyard being replaced and the Jonathan Borofky sculpture installed outside the building.

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. SIPGBU_160121_038.JPG: The calm before the storm. Mostly full moon outside the Donald Reynolds Center on Thursday night before the snow hit DC.
2. SIPGBU_160331_01.JPG: Marion B. Dunlevy on reproduction of Great Hall medallions In 1829, Anne Newport Royall was convicted as a "common scold" in Washington, DC, after exposing government corruption in her political writing. This term refers to a gender-based misdemeanor offense historically used to silence "outspoken" women. Surprisingly, not until 1972 was the first American woman -- Marion B. Dunlevy of New Jersey -- exonerated of that same indictment. Dunlevy's case was part of a neighborhood dispute. The medallion hanging above recognizes her fight to protect free speech for all women. It was placed here as part of The Mouth of the Scold, J.J. McCracken's performance about gender and speech in the Portrait Gallery's series "IDENTIFY: Performance Art as Portraiture." J.J. McCracken Gypsum cement and paint on foam, 2016 Courtesy CONNERSMITH
3. SIPGBU_160331_05.JPG: Franklin
4. SIPGBU_160331_23.JPG: Fulton
5. SIPGBU_160331_49.JPG: Whitney
6. SIPGBU_160331_51.JPG: Jefferson
7. SIPGBU_160331_69.JPG: The Great Hall: Once the largest room in America, the Great Hall was originally conceived to display miniature models required of inventors when the building housed the United States Patent Office. The space also served as the first national museum, and it was here that the Declaration of Independence was publicly displayed between 1841 and 1871. The guests at Abraham Lincoln's second inaugural ball passed through this room to join the receiving line in what is now called the Lincoln Gallery. Following a disastrous fire in 1877, which severely damaged other portraits of the third floor of the building, this area was redone in the American Victorian Renaissance style to which it has now been restored.
8. SIPGBU_160516_54.JPG: It's better without the bird poop
9. SIPGBU_160516_65.JPG: The moon through the eye of Roy Lichtenstein's "Modern Head" piece outside of the Donald Reynolds Center. The piece was originally installed at the World Trade Center in New York and survived the 9/11 attacks with only minor damage.
10. SIPGBU_160606_19.JPG: This open lawn where a new SAAM piece would be installed in a bit
11. SIPGBU_160806_012.JPG: The trees in the courtyard are being yanked and replaced
12. SIPGBU_160806_021.JPG: Planter Renovation in Progress
13. SIPGBU_161210_072.JPG: Vaquero modeled 1980/cast 1990 Luis Jimenez Luis Jimenez began making monumental sculptures in the midst of the Latino civil rights movement. He dedicated himself to contemporary subjects that represented a racially diverse and working class America. Vaquero, which means cowboy in Spanish, is one of his most celebrated works. Jimenez's Vaquero depicts an anonymous Mexican American cowboy in colorful and glossy fiberglass, a material often associated with low riders and hot rods. Jimenez intentionally titled his sculpture Vaquero to emphasize the Spanish and Mexican roots of this classic American icon. "Spaniards brought cattle and horses [to North America]," the artist once stated, "and Mexicans developed the whole notion of being cowboys." The artist thought it was especially fitting that Vaquero came to permanently reside in the nation's capital, a city known for its abundant equestrian public sculpture.
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Directly Related Pages: Other pages here that have content directly related to this one: [Display ALL photos on one page]
- 2020_DC_SIPG_Bldg: DC -- Donald W. Reynolds Center -- Building (7 photos from 2020)
- 2020_10_15D1_SIPG_Bldg: DC -- Donald W. Reynolds Center -- Building (4 photos from 10/15/2020)
- 2020_09_18G1_SIPG_Bldg: DC -- Donald W. Reynolds Center -- Building (4 photos from 09/18/2020)
- 2020_08_26H6_SIPG_4Ward: DC -- Donald W. Reynolds Center -- Forward Into Light (15 photos from 08/26/2020)
- 2019_DC_SIPG_Bldg: DC -- Donald W. Reynolds Center -- Building (37 photos from 2019)
- 2018_DC_SIPG_Vaquero_Move: DC -- Donald W. Reynolds Center -- Building -- Vaquero statue reinstall (33 photos from 2018)
- 2018_DC_SIPG_Bldg: DC -- Donald W. Reynolds Center -- Building (26 photos from 2018)
- 2017_DC_SIPG_Bldg: DC -- Donald W. Reynolds Center -- Building (24 photos from 2017)
- 2015_DC_SIPG_Bldg: DC -- Donald W. Reynolds Center -- Building (41 photos from 2015)
- 2014_DC_SIPG_Bldg: DC -- Donald W. Reynolds Center -- Building (29 photos from 2014)
- ...More (List all 23 pages)...
Same Subject: Click on this link to see coverage of items having the same subject: [(Smithsonian) Donald Reynolds Center (Everything)] [(Smithsonian) Donald Reynolds Center (Non-Events)] [Museums (Art)]
2016 photos: Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000. Seven relatively short trips this year: two Civil War Trust conference (Gettysburg, PA and West Point, NY, with a side-trip to New York City), my 11th consecutive San Diego Comic-Con trip (including sites in Utah, Nevada, and California), a quick trip to Michigan for Uncle Wayne's funeral, two additional trips to New York City, and a Civil Rights site trip to Alabama during the November elections. Being in places where people died to preserve the rights of minority voters made the Trumputin election even more depressing. Number of photos taken this year: just over 610,000.
Photo Contact: [Email Bruce Guthrie].