BGuthrie Photos: DC -- Downtown -- Farragut Square and David G. Farragut Statue

DC -- Downtown -- Farragut Square and David G. Farragut Statue:

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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. FARRAG_160329_153.JPG: "Damn the Torpedoes, Full Speed Ahead!" With these legendary words, naval officer David G. Farragut led the Union fleet past Confederate mines (then called torpedoes) and to victory at the Battle of Mobile Bay on August 5, 1864. From the rigging of his flagship, USS Hartford, Farragut directed the clash with the ironclad CSS Tennessee, as shown in this painting of the battle. Earlier in the Civil War, Farragut gained national prominence by capturing New Orleans after a fierce battle with Confederate forts and ships. President Lincoln had assigned him command of the West Gulf Blockading Squadron. Lincoln believed Farragut was one of the best appointments he made during the entire war. Congress created three new naval ranks, including Full Admiral, especially for David G. Farragut. Admiral Farragut was the son of Jorge Farragut, a Spanish-born mariner and hero of the American Revolution. Vinnie Ream Hoxie, a young female sculptor, carefully researched the life of Farragut and produced Washington DC's first statue of a Civil War hero. The statue was dedicated on April 25, 1881, the nineteenth anniversary of Farragut's capture of New Orleans. The ten-foot figure and the four mortars were cast form the propeller of the Admiral's flagship, USS Hartford.
2. FARRAG_160329_165.JPG: Vinnie Ream Hoxie, a young female sculptor, carefully researched the life of Farragut and produced Washington DC's first statue of a Civil War hero. The statue was dedicated on April 25, 1881, the nineteenth anniversary of Farragut's capture of New Orleans. The ten-foot figure and the four mortars were cast form the propeller of the Admiral's flagship, USS Hartford.
3. FARRAG_160329_178.JPG: Vinnie Ream Sculptor Lavinia Ellen "Vinnie" Ream Hoxie (September 25, 1847 – November 20, 1914) was an American sculptor. Her most famous work is the statue of Abraham Lincoln in the U.S. Capitol rotunda.[1] Early life[edit] Ream was born September 25, 1847, in a log cabin in Madison, Wisconsin, as Lavinia Ellen Ream. She was the youngest daughter of Lavinia and Robert Ream. Robert Ream was a surveyor and a Wisconsin Territory civil servant. Her mother was a McDonald of Scottish ancestry. The Reams also operated a stage coach stop, one of the first hotels in Madison, from their home. Guests slept on the floor. Her brother Robert Ream enlisted in the Confederate army, in Arkansas, serving in Woodruff's battery.[2] Vinnie Ream attended Christian College in Columbia, Missouri, now known as Columbia College. A portrait of Martha Washington by Ream hangs in St. Clair Hall.[3][4] Career[edit] In 1861, her family moved to Washington, D.C. After her father's health began to fail, she began working outside the home to support her family.[5] Vinnie Ream was one of the first women to be employed by the federal government, as a clerk in the dead letter office of the United States Post Office from 1862 to 1866 during the American Civil War. She sang at the E Street Baptist Church, and for the wounded at Washington, D.C. hospitals.[6] She collected materials for the Grand Sanitary Commission.[7] In 1863, James S. Rollins introduced Ream to sculptor Clark Mills.[8] She became an apprentice in Mills's sculpting studio the next year, at the age of seventeen.[5] In 1864, President Lincoln agreed to model for her in the morning for five months, and she created a bust of his figure.[3] During this time, Ream also began intense public relations efforts, selling photographs of herself and soliciting newspaper attention as a marketing strategy.[5] Vinnie Ream was the youngest artist and first woman to receive a commission as an artist from the United States government for a statue. She was awarded the commission for the full-size Carrara marble statue of Lincoln by a vote of Congress on July 28, 1866, when she was 18 years old.[9] She had used her previous bust of Lincoln as her entry into the selection contest for the full-size sculpture. There was significant debate over her selection as the sculptor, however, because of concern over her inexperience and the slanderous accusations that she was a "lobbyist", or a public woman of questionable reputation. She was notorious for her beauty and her conversational skills, which likely contributed to these accusations.[5] She worked in a studio in Room A of the basement of the Capitol.[10] Senator Edmund G. Ross boarded with Ream's family during the impeachment of Andrew Johnson.[11] Ross cast the decisive vote against the removal of President Johnson from office, and Ream was accused of influencing his vote. She was almost thrown out of the Capitol with her unfinished Lincoln statue, but the intervention of powerful New York sculptors prevented it.[5] Once the U.S. government had approved the plaster model, Ream traveled to Paris, Munich, Florence, then Rome, to produce a finished marble figure.[3][5] She studied with L�on Bonnat in Paris, also producing busts of Gustave Dor�, P�re Hyacynthe, Franz Liszt, and Giacomo Antonelli.[12] Her studio in Rome was at 45 Via de San Basile.[13] She met Georg Brandes at that time.[14][15] While in Rome, she faced controversial rumors that claimed that it was the Italian workmen and not Ream who were responsible for her successful sculpture of Lincoln.[5] When the statue was complete, Ream returned to Washington. On January 25, 1871, her white marble statue of President Abraham Lincoln was unveiled in the United States Capitol rotunda, when Ream was only 23 years old.[16][17] She later opened a studio at 704 Broadway, New York.[18] In 1871, she exhibited at the American Institution Fair.[19][20] She returned to Washington and opened a studio and salon at 235 Pennsylvania Avenue.[21] She was unsuccessful in her entry in the Thomas statue competition.[22] In 1875, George Armstrong Custer sat for a portrait bust.[23] In 1876, she exhibited at the Centennial Exposition.[24] In November 1877, she produced a model for a Lee statue in Richmond.[25] After lobbying William Tecumseh Sherman and Mrs. Farragut, she won a competition to sculpt Admiral David G. Farragut (Ream statue). Her sculpture, located at Farragut Square, Washington, D.C., was unveiled on May 28, 1878.[26] It was cast in the Washington Navy Yard.[27] Ream married Richard L. Hoxie, of the U.S. Army Corps of Engineers, on May 28, 1878.[28][29] They had one son. Her husband was reassigned to Montgomery, Alabama, and Saint Paul, Minnesota. Finally, the Hoxies lived at 1632 K Street near Farragut Square,[30] and had a summer home at 310 South Lucas Street, Iowa City, Iowa.[31][32] Vinnie played the harp for entertainment.[26] Her marbles, America, The West, and Miriam, were exhibited at the 1893 World's Columbian Exposition.[33] Ream designed the first free-standing statue of a Native American, Sequoyah, to be placed in Statuary Hall at the Capitol. She died on November 20, 1914.[17] Vinnie Ream Hoxie and her husband are buried in section three of Arlington National Cemetery, marked by her statue Sappho.[34] Works[edit] Sappho 1865–1870 Thaddeus Stevens 1865 America 1870 The West 1870? Miriam 1870? Abraham Lincoln 1871 Abraham Lincoln ca. 1870–1874 Admiral David G. Farragut (Ream statue) 1881 Edwin B. Hay 1902–06 Samuel Jordan Kirkwood 1906 Sequoyah 1912–1914
4. FARRAG_160329_192.JPG: The letter "A" font looks similar to the Masonic logo. David Farragut was, in fact, a mason.
5. FARRAG_160330_40.JPG: Springtime at Farragut Square
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Wikipedia Description: Farragut Square
From Wikipedia, the free encyclopedia

Farragut Square is a city square in Washington, D.C.'s Ward 2. It is bordered by K Street NW on the north, I Street NW to the south, and on the east and west by segments of 17th Street NW, and it interrupts Connecticut Avenue NW. It is serviced by two stops on the Washington Metro rail system, Farragut North on the Red Line and Farragut West on the Blue and Orange lines.

Farragut Square is a hub of downtown DC, at the center of a bustling daytime commercial and business district. The neighborhood includes major hotels, legal and professional offices, news media offices, travel agencies, and countless restaurants including two underground food courts. Sometimes events are scheduled for the lunchtime crowds which gather in and around the square, such as the free "Farragut Sounds in the Square" jazz concert series, held every Thursday from noon to 2 p.m. from July 3 to August 19. With its heavy pedestrian traffic, it also serves as a popular site for leafletting, TV camera opinion polls, and for commercial promotions and political activity such as canvassing and demonstrations.

The most prominent institution on the square is the Army Navy Club, on the southeast. Since the commercial building boom of the 1960s, there is little residential property in the area, and the square is mostly quiet after business hours. Many of the sandwich shops and coffeehouses that cater to neighborhood workers close before the dinner hour, as do the many street vendors. In recent years, however, especially since the 2003 rehabilitation of the park, movie screenings and similar evening activities have become more common, as have nightclubs in adjacent downtown areas.

The square is a known hangout for bicycle messengers and for pigeons, sparrows, and a few starlings.

On Fridays, several food carts congregate in an activity known as "Farragut Friday".

Statue

In the center of the square is a statue of David G. Farragut, ...More...
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2016 photos: Equipment this year: I continued to use my Fuji XS-1 cameras but, depending on the event, I also used a Nikon D7000. Seven relatively short trips this year: two Civil War Trust conference (Gettysburg, PA and West Point, NY, with a side-trip to New York City), my 11th consecutive San Diego Comic-Con trip (including sites in Utah, Nevada, and California), a quick trip to Michigan for Uncle Wayne's funeral, two additional trips to New York City, and a Civil Rights site trip to Alabama during the November elections. Being in places where people died to preserve the rights of minority voters made the Trumputin election even more depressing. Number of photos taken this year: just over 610,000.
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