MD -- Baltimore -- Maryland Historical Society -- Exhibit: In Full Glory Reflected: Maryland during the War of 1812:
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Description of Pictures: In Full Glory Reflected: Maryland during the War of 1812
Presented by Brown Advisory and Legg Mason
Through 2016
In Full Glory Reflected is Maryland’s largest display devoted to the War of 1812 and its era. The exhibition fills an entire gallery floor with a fascinating array of artifacts and documents, many donated by the Defenders of Baltimore themselves.
Visitors explore life in the early-nineteenth century as they follow Baltimore’s evolution from a small, scenic village to a bustling boomtown. Clipper ships carry them from the Chesapeake to China, and they discover the significance of maritime trade during this period. They watch as impressments, riots, and raids lead to war with Great Britain, and as war leads to battles like Bladensburg and North Point. They experience the disastrous surrender of the capital in Washington, and the heroic defense of Baltimore. Finally, they learn how the War of 1812 has been and will be commemorated. Visitors leave the exhibition considering what Americans were thinking, feeling, and doing during the early-nineteenth century. They also have a better understanding of the experience of Marylanders during the War of 1812.
The exhibition features many important objects, including: a mug known as the “Etting Cup,” circa 1814, owned by Samuel Etting and etched with images and names associated with the Battle of Baltimore; a canteen inscribed by Shipley Liester Jr. and used in the Battle of North Point on September 12, 1814; Rembrandt Peale’s portraits of Joshua Barney, George Armistead, and other Defenders of Baltimore; a photograph of the “Old Defenders of Baltimore in Druid Hill Park” by W. Ashman, circa 1876-1880; and the original manuscript of the “Star-Spangled Banner,” written by Francis Scott Key at the Battle of Baltimore in 1814.
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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
MDHSFG_150830_002.JPG: In Full Glory Reflected:
Maryland during the War of 1812
MDHSFG_150830_004.JPG: A Great and Flourishing City
MDHSFG_150830_007.JPG: Baltimore: Thriving Port, Threatened City
MDHSFG_150830_010.JPG: Bearings of Baltimore, 1815
MDHSFG_150830_017.JPG: Bearings of Baltimore, 1815
MDHSFG_150830_026.JPG: Monumental City
Diverse City
MDHSFG_150830_030.JPG: William Patterson
by Robert Edge Pine, 1784-1788
In 1827, Patterson donated five acres of land to the city for a park which today is known as Patterson Park.
MDHSFG_150830_040.JPG: Peace, Plenty and Prosperity
MDHSFG_150830_049.JPG: The Despeaux Family
The Energy and Innovation of Immigrants
MDHSFG_150830_052.JPG: John Despeaux and his son, John J. Despeaux
by James L. Wattles, c 1825
MDHSFG_150830_056.JPG: Baltimore's Vital Industry
MDHSFG_150830_067.JPG: Caulking
MDHSFG_150830_074.JPG: William Pechin
by Unidentified Artist (possibly John Pechin), 1800-1805
MDHSFG_150830_077.JPG: Documenting an Era
William Pechin
MDHSFG_150830_087.JPG: Documenting and Era
Hezekiah Niles
MDHSFG_150830_089.JPG: The Burnett Family
Tavern Owners
MDHSFG_150830_091.JPG: Charles Burnett
by Joshua Johnson, c 1812
MDHSFG_150830_100.JPG: Mary Anne Jewins Burnett
by Joshua Johnson, c 1812
MDHSFG_150830_104.JPG: Spreading the News of the World
MDHSFG_150830_110.JPG: James McCormick
From Cabinetmaker to Prominent Man of Business
MDHSFG_150830_113.JPG: Joshua Johnson
Portrait Artist and "Self-Taught Genius"
MDHSFG_150830_116.JPG: Baltimore: A Long Arm to the World
MDHSFG_150830_127.JPG: An Act for the Government and Regulation of Seamen in the Merchant's Service, Seamen's Articles for the Schooner Ethan Allen bound for Baltimore to New Orleans
MDHSFG_150830_135.JPG: Naturalization Certificate for Howel Powel
MDHSFG_150830_140.JPG: Certificate of Citizenship for Seaman, No. 121, for James Valley
MDHSFG_150830_146.JPG: No Sailor or Cargo is Safe
MDHSFG_150830_150.JPG: Inkstand
MDHSFG_150830_155.JPG: William Pinkney
by Rembrandt Peale, c 1820
MDHSFG_150830_159.JPG: Drifting into War
MDHSFG_150830_162.JPG: Edward Johnson
by Rembrandt Peale, 1817
MDHSFG_150830_167.JPG: The Conspiracy against Baltimore or the War Dance at Montgomery Court House:
Artist unknown
This engraving depicts Alexander Contee Hanson, owner and publisher of the Federal Republican newspaper, in devilish horns leaning over his legal advisor and friend, Robert Goodloe Harper, seated with a harp in the center. The Federalist war dancers to the left include General "Lighthorse Harry" Lee, General Robert E. Lee's father, who was seriously injured during the resulting riot of July 26 and 27, 1812.
MDHSFG_150830_171.JPG: Mobtown
MDHSFG_150830_174.JPG: Sacred to the memory of General James M. Lingan
MDHSFG_150830_180.JPG: General James MacCubin Lingan
attributed to Army Lieutenant House, c 1800
Revolutionary War veteran who was killed during the July riot. Many considered his murder a national disgrace. George Washington Custis eulogized Lingan saying, "Oh Maryland! Would that waters of the Chesapeake could wash this foul stain from thy character!"
MDHSFG_150830_187.JPG: An Infant Navy
MDHSFG_150830_193.JPG: Facing the British Lion
MDHSFG_150830_202.JPG: Model of U.S. Frigate Constellation
MDHSFG_150830_211.JPG: Model of Brig Hornet
MDHSFG_150830_219.JPG: Privateering on the High Seas
MDHSFG_150830_222.JPG: George Roberts
Bold Privateer and Honored Defender
MDHSFG_150830_228.JPG: A Road to Freedom
Runaway Slave Story
MDHSFG_150830_234.JPG: Presentation Sword
Given to John O'Neill as a token of respect after his single-handed attempt to defend Havre de Grace from a British raid.
MDHSFG_150830_239.JPG: John O'Neill & Matilda O'Neill
A Lonely Hero and His Fearless Daughter
MDHSFG_150830_247.JPG: Spreading Terror in the Chesapeake
MDHSFG_150830_256.JPG: Rail Gun or Naval Swivel Gun
MDHSFG_150830_261.JPG: Barney's Mosquito Fleet
MDHSFG_150830_268.JPG: Commemoration: Remembrance of him (Joshua Barney) carrying the American Flag
French
MDHSFG_150830_273.JPG: Joshua Barney's Commission to Captain in the Flotilla Service of the United States, Signed by President James Madison
April 25, 1814
MDHSFG_150830_278.JPG: Joshua Barney
by Rembrandt Peale, 1819
MDHSFG_150830_281.JPG: Swashbuckling Hero of Early America
MDHSFG_150830_284.JPG: Bill Fold or Wallet
This leather bill fold or wallet is divided into sections labeled by the month. When it arrived at the museum, letters and documents written by Barney had long been stored in this wallet. Their contents, much of which date to the period of the War of 1812, will broaden our understanding of Barney's activities between 1812 and 1814 as well as his relationship with his family.
MDHSFG_150830_288.JPG: Micromosaic Box:
In 1795, the promise of high rank and the ability to wage war against the British enticed Barney to join the French navy. When Barney accepted his commission as Commodore, America and France were allies. In 1800, Barney resigned his commission and was officially granted leave in 1802. Napoleon Bonaparte (1769-1821) reportedly gave this French snuff box, depicting allegorical images of liberty, to Barney while in the service of France.
MDHSFG_150830_295.JPG: Gunboat Fragment from Commodore Joshua Barney's Flotilla, possibly from the Scorpion
MDHSFG_150830_299.JPG: Trunk used by Joshua Barney
MDHSFG_150830_302.JPG: Spyglass, owned by Joshua Barney
MDHSFG_150830_307.JPG: Small Wood Fragment of Flotilla labeled, "piece of keel of one of the vessels belonging to [Joshua] Barney's flotilla, and sunk in Patuxent River at Hill's Landing, Prince George's County, 1812-1814 war."
MDHSFG_150830_312.JPG: Boarding Pistol with Folding Bayonet
MDHSFG_150830_321.JPG: Rigged Model of the Privateer Chasseur
MDHSFG_150830_323.JPG: Invasion!
MDHSFG_150830_326.JPG: The Bladensburg Races
MDHSFG_150830_329.JPG: Battle of Bladensburg
Richard Schlecht, 2011
MDHSFG_150830_336.JPG: George Robert Gleig
MDHSFG_150830_344.JPG: Rosalie Stier Calvert and Daughter Caroline
by Gilbert Stuart, 1805
MDHSFG_150830_347.JPG: Rosalie Calvert
Surrounded by War
MDHSFG_150830_350.JPG: Washington is Burning!
MDHSFG_150830_358.JPG: Window Bench and Side Chair
Reproductions of furniture designed by Benjamin Henry Latrobe in 1809 for use y James and Dolley Madison in the President's House.
MDHSFG_150830_369.JPG: Architect and Artist: Benjamin Henry Latrobe (1764-1820)
MDHSFG_150830_372.JPG: Baltimore Prepares
MDHSFG_150830_378.JPG: An Embarrassing Moment for a Young Defender
MDHSFG_150830_382.JPG: Standing Tall at North Point
MDHSFG_150830_386.JPG: The Death of General Ross Near Baltimore
by G.M. Brighty, 1816
Major-General Robert Ross commanded the British forces that captured Washington, DC and burned its public buildings. On September 12, 1814, Ross led the British troops at North Point when he was shot by a sniper and mortally wounded, possible by Daniel Wells and Henry McComas of Baltimore.
MDHSFG_150830_389.JPG: Thomas Coke Ruckle
MDHSFG_150830_393.JPG: Battle of North Point Near Baltimore
by Thomas Ruckle, 1814
MDHSFG_150830_413.JPG: John Stricker
by Rembrandt Peale, 1817
MDHSFG_150830_419.JPG: The Trappings of an 1812 Soldier
MDHSFG_150830_445.JPG: John Pendleton Kennedy (1795-1870)
MDHSFG_150830_449.JPG: Assembling of the Troops or the Defense of Baltimore
by Thomas Ruckle, 1814
MDHSFG_150830_468.JPG: Samuel Smith
by Rembrandt Peale, 1817
MDHSFG_150830_475.JPG: Creating an American Icon
Major George Armistead and Mary Pickersgill
MDHSFG_150830_479.JPG: The Defense of Fort McHenry
MDHSFG_150830_482.JPG: A View of the Bombardment of Fort McHenry, Near Baltimore by the British Fleet, Taken from the Observatory, Under the Command of Admirals Cochrane & Cockburn, no the Morning of the 13th of Sepr. 1814
J. Bower, c 1814
MDHSFG_150830_487.JPG: Congreve Rocket
MDHSFG_150830_493.JPG: Bombs Bursting in Air: The New British Terror Weapon
MDHSFG_150830_497.JPG: Immortalizing the Bombardment of Fort McHenry
MDHSFG_150830_500.JPG: Unexploded Bomb or Shell
MDHSFG_150830_505.JPG: George Armistead
by Rembrandt Peale, 1818
MDHSFG_150830_516.JPG: Earliest version of the poem "The Star-Spangled Banner" in Key's handwriting.
MDHSFG_150830_518.JPG: The Star-Spangled Banner
September 14, 1814
MDHSFG_150830_522.JPG: Bombardment of Fort McHenry
Baltimore-born artist Alfred Jacob Miller reputedly painted this scene of the bombardment of Fort McHenry fourteen years after the British attack. Miller's father had been a member of Captain Berry's Artillery Corps and fought during the twenty-five hour siege. He guided his son in the details of the painting which include views of Fort McHenry, Fort Babcock,a dn Fort Covington.
attribute to Alfred Jacob Miller, 1826-1830
MDHSFG_150830_584.JPG: The Star-Spangled Banner. A Patriotic Song.
On September 16, 1814, two days after the bombardment of Fort McHenry, Francis Scott Key found a printer for his lyrics. One month later, Thomas Carr, who owned a music store in Baltimore, published Key's immortal song for the first time.
MDHSFG_150830_588.JPG: Francis Scott Key
by Dewitt Clinton Peters, after Rembrandt Peale, 1902
MDHSFG_150830_595.JPG: Peace Restored
MDHSFG_150830_607.JPG: Commodore Rodgers Commemorative Service, including Platter, Tray, Entree Dishes, Sauce Boats, and Ewers
MDHSFG_150830_618.JPG: Mug known as the "Etting Cup":
The six-inch-tall blackened tin mug, etched with the names of men who defended Baltimore in 1814, was owned by Samuel Etting.
MDHSFG_150830_631.JPG: Peace, Jubilation and Memory
MDHSFG_150830_634.JPG: Mendes Cohen
by unknown artist, c 1835
MDHSFG_150830_638.JPG: From Defender to Orientalist
Mendes Cohen (1796-1879)
MDHSFG_150830_640.JPG: Mounted Officer's Sabre Owned by Mendes Cohen
MDHSFG_150830_649.JPG: Lamp in form of the Battle Monument
MDHSFG_150830_654.JPG: Maximlian Godefroy
by Rembrandt Peale, c 1815
MDHSFG_150830_660.JPG: Elijah Stansbury
by Joshua Johnson, c 1815
MDHSFG_150830_668.JPG: Elijah Stansbury
In Pursuit of Glory
AAA "Gem": AAA considers this location to be a "must see" point of interest. To see pictures of other areas that AAA considers to be Gems, click here.
Description of Subject Matter: The collections include the original copy of Francis Scott Key's writing of the Star-Spangled Banner.
Bigger photos? To save server space, the full-sized versions of these images have either not been loaded to the server or have been removed from the server. (Only some pages are loaded with full-sized images and those usually get removed after three months.)
I still have them though. If you want me to email them to you, please send an email to guthrie.bruce@gmail.com
and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
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[Museums (History)]
2015 photos: Equipment this year: I mostly used my Fuji XS-1 camera but, depending on the event, I also used a Nikon D7000.
I retired from the US Census Bureau in god-forsaken Suitland, Maryland on my 58th birthday in May. Yee ha!
Trips this year:
a quick trip to Florida.
two Civil War Trust conferences (Raleigh, NC and Richmond, VA), and
my 10th consecutive San Diego Comic-Con trip (including Los Angeles).
Ego Strokes: Carolyn Cerbin used a Kevin Costner photo in her USA Today article. Miss DC pictures were used a few times in the Washington Post.
Number of photos taken this year: just over 550,000.
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