BGuthrie Photos: DC -- Freer Gallery of Art -- Exhibit: Peacock Room

DC -- Freer Gallery of Art -- Exhibit: Peacock Room:

Bruce Guthrie Photos Home Page: [Click here] to go to Bruce Guthrie Photos home page.

Recognize anyone? If you recognize specific people (or other things) in the pictures which I haven't labeled, please identify them for the world. Or fill in any other descriptions you can. Click the little pencil icon

underneath the file name (just above the picture). Spammers need not apply.

Slide Show: Want to see the pictures as a slide show? [Slideshow]

Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

Connection Not Secure messages? Those warnings you get from your browser about this site not having secure connections worry some people. This means this site does not have SSL installed (the link is http:, not https:). That's bad if you're entering credit card numbers, passwords, or other personal information. But this site doesn't collect any personal information so SSL is not necessary. Life's good!

Help? The Medium (Email) links are for screen viewing and emailing. You'll want bigger sizes for printing. [Click here for additional help]

Share: Facebook Twitter Digg
[1] SIFGPE_130217_04.JPG Medium (Email) (Bigger?)	[2] SIFGPE_130217_10.JPG Medium (Email) (Bigger?)	[3] SIFGPE_130217_15.JPG Medium (Email) (Bigger?)	[4] SIFGPE_130217_19.JPG Medium (Email) (Bigger?)	[5] SIFGPE_130217_24.JPG Medium (Email) (Bigger?)	[6] SIFGPE_130217_30.JPG Medium (Email) (Bigger?)
[7] SIFGPE_130217_37.JPG Medium (Email) (Bigger?)

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. SIFGPE_130217_04.JPG: The Peacock Room
Limiting Text: You can turn off all of this text by clicking this link: [Thumbnails Only]
Multi Column: Number of columns of thumbnails to appear per page (normally defaults to 3): [1 col] [2] [3] [4] [5] [6] [7] [8] [9] [10]
AAA "Gem": AAA considers this location to be a "must see" point of interest. To see pictures of other areas that AAA considers to be Gems, click here.
Description of Subject Matter: The Peacock Room Comes to America
April 9, 2011 – January 3, 2016
For the first time, the Freer Gallery's renowned Peacock Room has been restored to its appearance in 1908, when museum founder Charles Lang Freer used it to organize and display more than 250 ceramics from all over Asia. The first special exhibition in this room since its conservation in 1993, The Peacock Room Comes to America highlights Freer's belief in "points of contact" between American and Asian art and underscores the relationship among the museum's diverse collections.
Originally designed by architect Thomas Jeckyll, the Peacock Room was once the dining room for British shipping magnate Frederick Leyland, who wanted a place to showcase his blue-and-white Chinese porcelain collection in his London home. When American artist James McNeill Whistler redecorated the room in 1876 as a "harmony in blue and gold," he too was inspired by the delicate patterns and vivid colors of the pots. Their slick surfaces did not appeal to Freer, however, who favored complex surface texture and subtly toned glazes. When Freer purchased the Peacock Room in 1904 and moved it from London to Detroit, he filled the shelves with pots he had collected from countries as diverse as Egypt, Iran, Japan, China, and Korea. Freer's ceramics are absorbing individually and as part of the full installation, which he thoughtfully designed to form a harmonized whole. After Freer's death (1854-1919), the Peacock Room was installed in the Freer Gallery of Art and is on permanent display.
Wikipedia Description: The Peacock Room
From Wikipedia, the free encyclopedia

Harmony in Blue and Gold: The Peacock Room (better known as The Peacock Room) is James McNeill Whistler's masterpiece of interior decorative mural art. He painted the panelled room in a rich and unified palette of brilliant blue-greens with over-glazing and metallic gold leaf. Painted between 1876–77, it now is considered one of the greatest surviving aesthetic interiors, and best examples of the Anglo-Japanese style.

History

The Peacock Room was originally designed as a dining room in the townhouse located at 49 Prince's Gate in the neighbourhood of Kensington in London, and owned by the British shipping magnate Frederick Richards Leyland. Leyland engaged the British architect Richard Norman Shaw to remodel and redecorate his home. Shaw entrusted the remodelling of the dining room to Thomas Jeckyll, another British architect experienced in the Anglo-Japanese style. Jeckyll conceived the dining room as a Porsellanzimmer (porcelain room).

He covered the walls with 6th-century wall hangings of Cuir de Cordoue that had been originally brought to England as part of the dowry of Catherine of Aragon. They were painted with her heraldic device, the open pomegranate, and a series of red roses, Tudor roses, to symbolise her union with Henry VIII. They had hung on the walls of a Tudor style house in Norfolk for centuries, before they were bought by Leyland for �1,000. Against these walls, Jekyll constructed an intricate lattice framework of engraved spindled walnut shelves that held Leyland’s collection of Chinese blue and white porcelain, mostly from the Kangxi era of the Qing dynasty.

To the south of the room, a walnut welsh dresser was placed in the centre, just below the large empty leather panel, and flanked on both sides by the framework shelves. On the east side, three tall windows parted the room overlooking a private park, and covered by full-length walnut shutters. To the north a fireplace, over ...More...
Bigger photos? To save server space, the full-sized versions of these images have either not been loaded to the server or have been removed from the server. (Only some pages are loaded with full-sized images and those usually get removed after three months.) I still have them though. If you want me to email them to you, please send an email to guthrie.bruce@gmail.com and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
Directly Related Pages: Other pages here that have content directly related to this one: [Display ALL photos on one page]
- 2021_DC_SIFG_Peacock: DC -- Freer Gallery of Art -- Exhibit: Peacock Room (19 photos from 2021)
- 2019_DC_SIFG_Peacock: DC -- Freer Gallery of Art -- Exhibit: The Peacock Room (Two versions) (48 photos from 2019)
- 2017_DC_SIFG_Peacock: DC -- Freer Gallery of Art -- Exhibit: Peacock Room (35 photos from 2017)
- 2011_DC_SIFG_Peacock: DC -- Freer Gallery of Art -- Exhibit: Peacock Room (20 photos from 2011)
- 2008_DC_SIFG_Peacock: DC -- Freer Gallery of Art -- Exhibit: Peacock Room (8 photos from 2008)
- 2004_DC_SIFG_Peacock: DC -- Freer Gallery of Art -- Exhibit: Peacock Room (8 photos from 2004)
Same Subject: Click on this link to see coverage of items having the same subject: [(Smithsonian) Freer Gallery of Art] [Display ALL (Smithsonian) Freer Gallery of Art photos] [Museums (Art)]
2013 photos: Equipment this year: I mostly used my Fuji XS-1 camera but, depending on the event, I also used a Nikon D7000 and Nikon D600. Trips this year: three Civil War Trust conferences (Memphis, TN, Jackson, MS [to which I added a week to to visit sites in Mississippi, Louisiana, and Tennessee], and Richmond, VA), and my 8th consecutive San Diego Comic-Con trip (including sites in Nevada and California). Ego Strokes: Aviva Kempner used my photo of her as her author photo in Larry Ruttman's "American Jews & America's Game: Voices of a Growing Legacy in Baseball" book. Number of photos taken this year: just over 570,000.
Photo Contact: [Email Bruce Guthrie].