DC -- Donald W. Reynolds Center for Amer Art & Portraiture -- Portraits -- Notes:
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Description of Pictures: The Henry Louis Gates Jr. portrait taken during the reception.
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Copyrights: All pictures were taken by Bruce Guthrie who retains copyright on them. Free for non-commercial use with attribution. See the Creative Commons definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. If asked for permission in advance, I'll usually waive the non-commercial clause unless it's for people trying to sell the photos. A free copy of any printed publication using the photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from official signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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Various Signs: When the United States declared its independence in 1776, different peoples had lived on its lands for centuries. Christopher Columbus's arrival in America in 1492 began a new era of exploration, settlement, and exchange in what Europeans saw as a new world.
The country's origins, therefore, do not begin at a specific date, nor do they involve one particular group of people. At first, most immigrants came from Western Europe in search of new riches, new freedoms, and new beginnings. As early as 1619, the importation of slaves from Africa began. In subsequent centuries, as individuals from around the globe have settled here, the country's diversity has grown further.
In many respects, the United States is always beginning anew. Here in this exhibition, you will meet those who shaped their times, from the colonial era through the Revolution and the Civil War to the end of the nineteenth century. Each contributed in extraordinary ways to the country's continuing reinvention.
By 1763, when the long struggle for the North American continent had ended with English victory over France, the thirteen American colonies had arrived at maturity, its citizens proud of their rights as Englishmen and accustomed to making their own way in the world.
To recoup the cost of the French and Indian War, in 1765 the British Parliament imposed a direct tax on the Americans (undermining the prerogative of colonial legislatures) in the form of stamps to be used on all printed matter. Out rang the cry of "No taxation without representation!" During the decade ahead, opposition to high-handed British rule grew, leading to the convening of the First Continental Congress in September 1774. The "shot heard round the world," fired on Lexington Green on April 19, 1775, overtook events, and the Second Continental Congress, gathering in May, had a war on its hands and a decision to make about America's tie to the mother country.
Twentieth-Century: The American Search for Justice: ...More...
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Directly Related Pages: Other pages here that have content directly related to this one:
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2006_DC_SIPG_Portrait: DC -- Donald W. Reynolds Center for Amer Art & Portraiture -- Portraits (73 photos from 2006)
2007_DC_SIPG_Portrait: DC -- Donald W. Reynolds Center for Amer Art & Portraiture -- Portraits (27 photos from 2007)
2008_DC_SIPG_Portrait: DC -- Donald W. Reynolds Center for Amer Art & Portraiture -- Portraits (36 photos from 2008)
2009_DC_SIPG_Portrait: DC -- Donald W. Reynolds Center for Amer Art & Portraiture -- Portraits (543 photos from 2009)
2010_DC_SIPG_Portrait: DC -- Donald W. Reynolds Center for Amer Art & Portraiture -- Portraits (83 photos from 2010)
2011_DC_SIPG_Portrait: DC -- Donald W. Reynolds Center for Amer Art & Portraiture -- Portraits (103 photos from 2011)
2012_DC_SIPG_Portrait: DC -- Donald W. Reynolds Center for Amer Art & Portraiture -- Portraits (176 photos from 2012)
2013_02_01J_SIPG_Portrait: DC -- Donald W. Reynolds Center for Amer Art & Portraiture -- Portraits (4 photos from 02/01/2013)
2013_05_04ZJ_SIPG_Portrait: DC -- Donald W. Reynolds Center for Amer Art & Portraiture -- Portraits (5 photos from 05/04/2013)
2013_05_09H_SIPG_Portrait: DC -- Donald W. Reynolds Center for Amer Art & Portraiture -- Portraits (41 photos from 05/09/2013)
Generally-Related Subject Description: The country's original patent office building burned down in 1836. From 1839 to 1866, another was built. Designed by Robert Mills who also designed the Capitol and Treasury buildings, it was based in part on the design of the Parthenon with marble hallways and Doric columns. During the Civil War, it was used as both a troop barracks and a hospital; both Clara Barton and Walt Whitman nursed wounded soldiers here. Abraham Lincoln held his second inaugural ball in the main gallery in March 1865, one month before his assassination. When the building's construction was finished, it was the largest building in the country. The Patent Office moved to the Dept of Commerce building in 1932. The Civil Service Commission took over until they moved to their new headquarters in 1960. Saved from destruction by the Commission of Fine Arts, the building was turned over to the Smithsonian which established two galleries -- the National Portrait Gallery and the National Museum of American Art -- in the building.
The building closed in January 2000 for a $200 million renovation. It reopened on July 1, 2006. In the interim, it beefed up its virtual presence on the Web at http://www.npg.si.edu and had a number of exhibits have been touring the country. One of those is on American woman and "A Brush with History: Paintings from the National Portrait Gallery". In the spring of 2001, a generous $30 million donation from the Donald W. Reynolds Foundation of Las Vegas, Nevada allowed it to purchase the "Lansdowne" portrait of George Washington by Gilbert Stuart.
The building closed well before I purchased my first digital camera and once it reopened, I found myself taking lots and lots of pictures. For example, during the reopening day on July 1, 2006, I took over 3,500 pictures. To keep the numbers on each page smaller, I separated them out by theme, sometimes somewhat arbitrarily, so you'll see separate listings for:
-- America's Presidents (paintings, sculpture, etc ...More...
Generally-Related Subject Pages: Other pages here that have content somewhat related to this one:
2009_DC_SIPG_1934: DC -- Donald W. Reynolds Center -- Special Exhibits -- 1934: A New Deal for Artists (154 photos from 2009)
2008_DC_SIPG_Scholars: DC -- Donald W. Reynolds Center -- Special Exhibits -- 2008 Presidential Scholars in the Arts (5 photos from 2008)
2011_DC_SIPG_Scholars: DC -- Donald W. Reynolds Center -- Special Exhibits -- 2011 Presidential Scholars in the Arts (4 photos from 2011)
2013_01_29H_SIPG_Day_Museum: DC -- Donald W. Reynolds Center -- Special Exhibits -- A Day at the Museum (19 photos from 01/29/2013)
2012_DC_SIPG_Abstract: DC -- Donald W. Reynolds Center -- Special Exhibits -- Abstract Drawings (18 photos from 2012)
2012_DC_Video_Games: DC -- Donald W. Reynolds Center -- Special Exhibits -- Art of Video Games (111 photos from 2012)
2008_DC_SIPG_Bally: DC -- Donald W. Reynolds Center -- Special Exhibits -- Ballyhoo! (35 photos from 2008)
2011_DC_SIPG_Big_Lives: DC -- Donald W. Reynolds Center -- Special Exhibits -- Big Lives (46 photos from 2011)
2013_02_01H_SIPG_Bound: DC -- Donald W. Reynolds Center -- Special Exhibits -- Bound For Freedom's Light (33 photos from 02/01/2013)
2013_01_29G_SIPG_Bound: DC -- Donald W. Reynolds Center -- Special Exhibits -- Bound For Freedom's Light (2 photos from 01/29/2013)
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[Museums (Art)]
2013 photos: So far, my camera is mostly the Fuji X-S1 but, depending on the event, I'm also using a Nikon D7000 and Nikon D600.
Trips this year have been limited to a Civil War Trust conference in Memphis.