BGuthrie Photos: MD -- Baltimore -- Peabody Conservatory

MD -- Baltimore -- Peabody Conservatory:

Bruce Guthrie Photos Home Page: [Click here] to go to Bruce Guthrie Photos home page.

Recognize anyone? If you recognize specific folks (or other stuff) and I haven't labeled them, please identify them for the world. Click the little pencil icon

underneath the file name (just above the picture). Spammers need not apply.

Slide Show: Want to see the pictures as a slide show? [Slideshow]

Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

Help? The Medium (Email) links are for screen viewing and emailing. You'll want bigger sizes for printing. [Click here for additional help]

Share: Facebook Twitter Digg
[1] PEA_120205_008.JPG Medium (Email) (Bigger?)	[2] PEA_120205_015.JPG Medium (Email) (Bigger?)	[3] PEA_120205_019.JPG Medium (Email) (Bigger?)
[4] PEA_120205_024.JPG Medium (Email) (Bigger?)	[5] PEA_120205_029.JPG Medium (Email) (Bigger?)	[6] PEA_120205_032.JPG Medium (Email) (Bigger?)
[7] PEA_120205_037.JPG Medium (Email) (Bigger?)	[8] PEA_120205_043.JPG Medium (Email) (Bigger?)	[9] PEA_120205_052.JPG Medium (Email) (Bigger?)
[10] PEA_120205_063.JPG Medium (Email) (Bigger?)	[11] PEA_120205_064.JPG Medium (Email) (Bigger?)	[12] PEA_120205_069.JPG Medium (Email) (Bigger?)
[13] PEA_120205_074.JPG Medium (Email) (Bigger?)	[14] PEA_120205_079.JPG Medium (Email) (Bigger?)	[15] PEA_120205_083.JPG Medium (Email) (Bigger?)
[16] PEA_120205_092.JPG Medium (Email) (Bigger?)	[17] PEA_120205_098.JPG Medium (Email) (Bigger?)	[18] PEA_120205_101.JPG Medium (Email) (Bigger?)
[19] PEA_120205_105.JPG Medium (Email) (Bigger?)	[20] PEA_120205_115.JPG Medium (Email) (Bigger?)	[21] PEA_120205_121.JPG Medium (Email) (Bigger?)
[22] PEA_120205_124.JPG Medium (Email) (Bigger?)

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. PEA_120205_019.JPG: Naming the Primordial Chaos This floor image draws its inspiration from the sumptuous etching-engraving displayed in the exhibition case in front of it, presented from a pristine copy of Johannes Bayer's monumental Renaissance stellar atlas, the Uranometria. The subject is the constellation Cerus, a goddess representing the creative force of the primordial chaos at the very dawn of time, depicted here as a mighty dragoness. Rooted in ancient Nera Eastern mythology, the constellation Cerus embodies mankind's earliest attempts to rationalize the natural world by actively naming its constituent parts of embedding them in fantastical and memorable stories to be relayed from one generation to the next. It may seem odd, that the source of this image, published over 400 years ago, provides scientists to this day with the names of every star visible to the naked eye in the earth's night sky. Bayer achieved this by assigning to each star within each distinct constellation a unique Greek letter. Thus one of the brightest stars in this constellation, appearing in Cerus's head, was called alpha ceti, another beta ceti, and so on. Thus, stargazers and Star Trek fans alike owe a debt of gratitude to an early seventeenth-century amateur German astronomer, handsomely represented here in a rare first edition preserved in the Hinkes Collection.
2. PEA_120205_032.JPG: Tycho Brahe Astronomae Instauratae Progymasmata ... et Praeterea de Admiranda Noua Stella Anno 1572 (Frankfurt, 1610) The Danish astronomer Tycho Brahe must rank among the most colorful figures of the Scientific Revolution, most notably on account of his magnificent island observatory, whose campus included a large inventory of ingenuous and handsomely crafted devices for astronomical observations, and his own printing press and paper mill, which he used to control the production and circulation of his published findings. Tycho's naked-eye observations of a new star -- the result of a stellar supernova that had suddenly exploded onto the scene of the night sky within the constellation of Cassiopeia in 1572 (exhibited here) -- and his observation of the passing of a comet in 1577, were momentous, fr he had proved their occurrence, not within the mutable realm of the sublunary spheres, but in the vaulting expanse of the incorruptible heavens where nothing was supposed to change.
3. PEA_120205_037.JPG: Naming the Primordial Chaos This floor image draws its inspiration from the sumptuous etching-engraving displayed in the exhibition case in front of it, presented from a pristine copy of Johannes Bayer's monumental Renaissance stellar atlas, the Uranometria. The subject is the constellation Cerus, a goddess representing the creative force of the primordial chaos at the very dawn of time, depicted here as a mighty dragoness. Rooted in ancient Nera Eastern mythology, the constellation Cerus embodies mankind's earliest attempts to rationalize the natural world by actively naming its constituent parts of embedding them in fantastical and memorable stories to be relayed from one generation to the next. It may seem odd, that the source of this image, published over 400 years ago, provides scientists to this day with the names of every star visible to the naked eye in the earth's night sky. Bayer achieved this by assigning to each star within each distinct constellation a unique Greek letter. Thus one of the brightest stars in this constellation, appearing in Cerus's head, was called alpha ceti, another beta ceti, and so on. Thus, stargazers and Star Trek fans alike owe a debt of gratitude to an early seventeenth-century amateur German astronomer, handsomely represented here in a rare first edition preserved in the Hinkes Collection.
4. PEA_120205_043.JPG: Isaac Newton Philosophiae Naturalis Principia Mathematica (London, 1687) This first edition of what is commonly referred to as Newton's Principia constitutes one of the most momentous works in the Hinkes Collection. Written in Latin and printed in London, this particular copy is exceptionally rare, for it is one of a small number that bears the manuscript inscription of its original owner on the title page, in this case one "Jacob Burn." Here, the reader encountered for the first time in a single place Newton's three laws of motion, as well as his immensely important law of gravitation. The so-called "Scolium Generale," Newton's more general, encompassing, and philosophical conclusion to this work, which would go on to make his physical laws far more widely known and accessible that the dense 1687 Principia, did not appear in print until a quarter-century later in the second edition of this work in 1713.
Multi Column: Number of columns of thumbnails to appear per page (normally defaults to 3): [1 col] [2] [3] [4] [5] [6] [7] [8] [9] [10]
Wikipedia Description: Peabody Institute
From Wikipedia, the free encyclopedia

The Peabody Institute of the Johns Hopkins University is a conservatory and preparatory school located in the Mount Vernon neighborhood of Baltimore, Maryland at the corner of Charles and Monument Streets at Mount Vernon Place. The Peabody Conservatory of Music, one of the divisions of the Institute, is considered one of the leading music conservatories in the world, boasting a renowned faculty and students from across the globe.

History:

Founded in 1857 by philanthropist George Peabody, it was the first academy of music to be established in the United States. Completion of the Grecian-Italian building housing the Institute, designed by Edmund G. Lind, was delayed until 1866 due to the Civil War. Under the direction of well-known musicians, composers, conductors, and Peabody alumni, the Institute grew from a local academy to an internationally renowned cultural center throughout the late 19th and the 20th centuries.

Since 1977, the Institute has operated as a division of the Johns Hopkins University, which is popularly thought of as one of America’s top universities. Because of this affiliation, Peabody students are exposed to a liberal arts curriculum that is more extensive than those of other leading conservatories; likewise, Hopkins students have access to a world-class musical education and experience that they normally would not have access to at another university of such stature.

Peabody is one of 156 schools in the U.S. that offer a Doctorate of Musical Arts Degree. It houses two important libraries: the historical George Peabody Library established when the institute opened in 1866, and the Arthur Friedheim Library, a music library includes more than 100,000 books, scores, and sound recordings.

Peabody Children's Chorus:

The Peabody Children's chorus is for children ages 6-19. It is divided into 3 groups: Training Choir, Choristers, and Chamber Singers, grouped by age in ascending ...More...
Bigger photos? To save server space, the full-sized versions of these images have either not been loaded to the server or have been removed from the server. (Only some pages are loaded with full-sized images and those usually get removed after three months.) I still have them though. If you want me to email them to you, please send an email to guthrie.bruce@gmail.com and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
Directly Related Pages: Other pages with content (MD -- Baltimore -- Peabody Conservatory) directly related to this one: [Display ALL photos on one page]:
- 2009_MD_Baltimore_Peabody: MD -- Baltimore -- Peabody Conservatory (including a view inside the library) (29 photos from 2009)
- 2005_MD_Baltimore_Peabody: MD -- Baltimore -- Peabody Conservatory (and clay show) (21 photos from 2005)
Same Subject: Click on this link to see coverage of items having the same subject: [Museums (Art)]
2012 photos: Equipment this year: My mainstays were the Fuji S100fs, Nikon D7000, and the new Fuji X-S1. I also used an underwater Fuji XP50 and a Nikon D600. The first three cameras all broke this year and had to be repaired. Trips this year: three Civil War Trust conferences (Shepherdstown, WV, Richmond, VA, and Williamsburg, VA), a week-long family reunion cruise of the Caribbean, another week-long family reunion in the Wisconsin Dells (with lots of in-transit time in Ohio and Indiana), and my 7th consecutive San Diego Comic-Con trip (including side trips to Zion, Bryce, the Grand Canyon, etc). Ego strokes: I had a picture of Miss DC, Ashley Boalch, published in the Washington Post. I had a photograph of the George Segal San Francisco Holocaust memorial used as the cover of Quebec Francais (issue 165). Not being able to read French, I'm not entirely sure what the article is about but, hey! And I guess what could be considered to be a positive thing, my site is now established enough that spammers have noticed it and I had to block 17,000 file description postings for Viagra and whatever else.. Number of photos taken this year: just below 410,000.
Connection Not Secure messages? Those warnings you get from your browser about this site not having secure connections worry some people. This means this site does not have SSL installed (the link is http:, not https:). That's bad if you're entering credit card numbers, passwords, or other personal information. But this site doesn't collect any personal information so SSL is not necessary. Life's good!
Limiting Text: You can turn off all of this text by clicking this link: [Thumbnails Only]
Photo Contact: [Email Bruce Guthrie].