DC -- Donald W. Reynolds Center (SAAM) -- Modern Art:
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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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SIPGMA_121103_38.JPG: Electronic Superhighway: Continental U.S., Alaska, Hawaii, 1995
Nam June Paik
When Nam June Paik came to the United States in 1964, the interstate highway system was only nine years old, and superhighways offered everyone the freedom to "see the U.S.A. in your Chevrolet." Walking along the entire length of this installation suggests the enormous scale of the nation that confronted the young Korean artist when he arrived. Neon outlines the monitors, recalling the multicolored maps and glowing enticements of motels and restaurants that beckoned Americans to the open road. The different colors remind us that individual states still have distinct identities and cultures, even in today's information age.
Paik augmented the flashing images "seen as though from a passing car" with audio clips from The Wizard of Oz, Oklahoma, and other screen gems, suggesting that our picture of America has always been influenced by film and television. Today, the Internet and twenty-four-hour broadcasting tend to homogenize the customs and accents of what was once a more diverse nation. Paik was the first to use the phrase "electronic superhighway," and this installation proposes that electronic media provide us with what we used to leave home to discover. But Electronic Superhighway is real. It is an enormous physical object that occupies a middle ground between the virtual reality of the media and the sprawling country beyond our doors.
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2012 photos: Equipment this year: My mainstays were the Fuji S100fs, Nikon D7000, and the new Fuji X-S1. I also used an underwater Fuji XP50 and a Nikon D600. The first three cameras all broke this year and had to be repaired.
Trips this year:
three Civil War Trust conferences (Shepherdstown, WV, Richmond, VA, and Williamsburg, VA),
a week-long family reunion cruise of the Caribbean,
another week-long family reunion in the Wisconsin Dells (with lots of in-transit time in Ohio and Indiana), and
my 7th consecutive San Diego Comic-Con trip (including side trips to Zion, Bryce, the Grand Canyon, etc).
Ego strokes: I had a picture of Miss DC, Ashley Boalch, published in the Washington Post. I had a photograph of the George Segal San Francisco Holocaust memorial used as the cover of Quebec Francais (issue 165). Not being able to read French, I'm not entirely sure what the article is about but, hey! And I guess what could be considered to be a positive thing, my site is now established enough that spammers have noticed it and I had to block 17,000 file description postings for Viagra and whatever else..
Number of photos taken this year: just below 410,000.