DC -- Natl Museum of American History -- Exhibit: Landmark Object: George Washington Statue, 1841:
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SIAHGW_120212_32.JPG: George Washington Statue, 1841 -- The nation's first Washington monument:
In 1832, the US Congress commissioned American sculptor Horatio Greenough to create a monument to George Washington for the Capitol rotunda. Gleenough envisioned the work as a symbolic representation of Washington as a great exemplar of liberty. When he unveiled this twelve-ton marble statue atop a towering pedestal in 1841, many viewers appreciated the artist's attempt to create a timeless masterpiece. Others saw only an inappropriately dressed Washington. A friend of the artist noted: "This magnificent production of genius does not seem to be appreciated at its full value in this metropolis."
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Description of Subject Matter: Landmark Object: George Washington Statue, 1841
When the Museum reopens November 21, 2008, each wing of its three exhibition floors will be anchored by a Landmark object—large, compelling artifacts that will highlight the theme of that wing. The exhibitions in the west wing of the second floor are focused on American lives and include “Within These Walls…” and “Communities in a Changing Nation: The Promise of 19th-Century America.” The George Washington statue is the signature artifact for this section of the museum.
In 1832 the U.S. Congress commissioned sculptor Horatio Greenough to create a statue of George Washington on the occasion of the centennial of the first president’s birthday. Installed in the Capitol Rotunda after its completion, Greenough envisioned the statue to be a symbolic representation of Washington as a great exemplar of liberty.
The completed 12-ton marble statue atop a granite pedestal and base depicted the first president wearing a chest-baring toga. While many viewers appreciated the artist’s attempt to create a timeless masterpiece, others saw only an inappropriately dressed Washington. A friend of the artist noted: “This magnificent production of genius does not seem to be appreciated at its full value in this metropolis.”
Greenough’s sculpture is enriched with symbols: Washington’s figure is modeled on the classic statuary of ancient Greece, seat of the world’s first democracy. Carvings on the sides depict the Greek god Apollo and an infant Hercules. Small flanking figures of an American Indian and Christopher Columbus represent the New and Old Worlds. The most important symbol, however, is the sword in Washington’s outstretched hand: this celebrates the fact that after he led the country to victory in the American Revolution, he selflessly relinquished his power to the people.
The statue was on display in the Capitol Rotunda from 1841 to 1843 when it was relocated to the east lawn. In 1908 Congress transferred the statue to the Smit ...More...
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2012 photos: Equipment this year: My mainstays were the Fuji S100fs, Nikon D7000, and the new Fuji X-S1. I also used an underwater Fuji XP50 and a Nikon D600. The first three cameras all broke this year and had to be repaired.
Trips this year:
three Civil War Trust conferences (Shepherdstown, WV, Richmond, VA, and Williamsburg, VA),
a week-long family reunion cruise of the Caribbean,
another week-long family reunion in the Wisconsin Dells (with lots of in-transit time in Ohio and Indiana), and
my 7th consecutive San Diego Comic-Con trip (including side trips to Zion, Bryce, the Grand Canyon, etc).
Ego strokes: I had a picture of Miss DC, Ashley Boalch, published in the Washington Post. I had a photograph of the George Segal San Francisco Holocaust memorial used as the cover of Quebec Francais (issue 165). Not being able to read French, I'm not entirely sure what the article is about but, hey! And I guess what could be considered to be a positive thing, my site is now established enough that spammers have noticed it and I had to block 17,000 file description postings for Viagra and whatever else..
Number of photos taken this year: just below 410,000.
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