Art Museum of the Americas -- Exhibit: Constellations:
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Description of Pictures: CONSTELLATIONS -- Constructivism, Internationalism, and the Inter-American Avant-Garde
An exhibit of the permanent collection. Curated by Abigail McEwen.
June 21 - September 23, 2012
Drawn from the permanent collection of the Art Museum of the Americas, Constellations surveys the dynamic, inter-American history of geometric abstraction across the twentieth century. The works on display illustrate the rich cultural and visual history of geometric abstraction as it evolved into a range of expressive and divergent practices across the region. The universal and timeless structures of geometric forms and colors took on specific local meanings, and Constellations suggests the different values – modern, utopian, collective, transformative – that abstraction embodied at critical moments across the Americas. In line with the broader mission of AMA and the Organization of American States, Constellations recognizes the socially constructive role that the arts have played in fostering democracy and freedom of expression at intense historical moments of social and political change.
Taking its cue from the work of Joaquín Torres-García, the Uruguayan constructivist who pioneered abstraction in the Southern Cone, Constellations shows the evolution of the geometric impulse through four complementary movements. These interrelated “constellations” – Constructivist Americas, Figuring Geometry, Constructive Geometries, and Geometry in Motion – explore the visual and ideological versatility of abstraction from the 1930s through the 1950s and ‘60s. The four constellations resist linear chronologies and national paradigms, instead describing a history of synergies and encounters across time and space. From the Taller Torres-García and the Argentine Madí group to Colombian Constructivism, Cuban Concretismo, and Venezuelan Kineticism, abstraction encompassed optics and technology, political activism and dissent, and inter-American dialogue and exchange. As interest in geometric abst ...More...
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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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2012 photos: Equipment this year: My mainstays were the Fuji S100fs, Nikon D7000, and the new Fuji X-S1. I also used an underwater Fuji XP50 and a Nikon D600. The first three cameras all broke this year and had to be repaired.
Trips this year:
three Civil War Trust conferences (Shepherdstown, WV, Richmond, VA, and Williamsburg, VA),
a week-long family reunion cruise of the Caribbean,
another week-long family reunion in the Wisconsin Dells (with lots of in-transit time in Ohio and Indiana), and
my 7th consecutive San Diego Comic-Con trip (including side trips to Zion, Bryce, the Grand Canyon, etc).
Ego strokes: I had a picture of Miss DC, Ashley Boalch, published in the Washington Post. I had a photograph of the George Segal San Francisco Holocaust memorial used as the cover of Quebec Francais (issue 165). Not being able to read French, I'm not entirely sure what the article is about but, hey! And I guess what could be considered to be a positive thing, my site is now established enough that spammers have noticed it and I had to block 17,000 file description postings for Viagra and whatever else..
Number of photos taken this year: just below 410,000.
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