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Description of Pictures: Parks & Passages: Inspirations from Berlin for Washington’s Dupont Underground
Rediscovering Berlin
Thursday, 13 September 2012 - Friday, 2 November 2012
Parks & Passages is an investigation of relics, ruins and reconstruction in the capital cities of Berlin and Washington, DC.
This summer, Provisions Library sent an interdisciplinary team of Washington-based artists and researchers to Berlin to study urban transformation in repurposed places such as Spreepark (an abandoned amusement park built by the GDR) and Tempelhof Airport (famous for the Candy Bombers supplying Berlin during the Cold War). They met Berlin’s artists and activists, gaining insight into what makes Berlin one of the most fascinating creative cities in the world. They returned to Washington with a rooms’ worth of ideas and contexts to contribute to the redevelopment vision of Dupont Underground, an abandoned streetcar tunnel beneath DC’s Dupont Circle.
Berlin is rife with abandoned structures which have been continually re-formed by social activation and creative revitalization. The Washington team compared approaches of how historic grounds are turned into new public spaces such as memorials, playgrounds, community gardens, parks, and places for social experiments and art exhibitions.
Parks & Passages initiates a creative dialogue between Washington and Berlin and serves as a point of reference for workshops engaging questions of how Dupont Underground could be a creative catalyst for DC.
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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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PARKSP_121023_132.JPG: Parks & Passages
Only 1-1/2 miles West from where you stand lies a modern ruin -- a former streetcar station and 75,000 sq. ft. tunnel directly beneath Dupont Circle. Built to alleviate circle traffic in 1949, this underground passage functioned only until 1961, sealed up along with the collapse of DC's unwieldy streetcar system. Since then, attempts to re-open the Dupont Underground have revealed the pitfalls and possibilities of re-purposing this infrastructure, and today it has once again captured Washington's imagination through a culturally-driven revitalization effort.
Meanwhile, in Berlin, artists, designers, and developers have brought an experimental ethos to the resurrection of a formerly divided city -- adapting modern ruins for creative ends. Public and private initiatives are re-claiming abandoned spaces, outmoded bureaucratic complexes, and industrial voids as social landscapes -- growing culture from places where collective histories can neither be wholly preserved nor quickly forgotten. Pioneering sustainable design, temporary use, and progressive intent, Berlin's adapted architectures provide a common space for remembrance, sharing, and play, layering pasts and futures to heal a torn city.
In summer 2012, Provisions Library sent a group of DC-based researchers to Berlin to source inspiration for reviving the Dupont Underground. Artists Edgar Endress and James Huchenpahler, architect Pam Jordan, and scholar Paul Farber witnessed two capitals in parallel transformation, two cities full of parks and passages, two expressions of urban reclamation, state power, and human intervention. They found where the plaza meets the labyrinth, where lost time meets the now, where amusement becomes transportation without destination. In uncanny reverberations of politics, economic, and cultural exchanges, they saw each capital revealed in the other.
This display of creative research, and accompanying public events, investigates the subliminal architectures, mythical stories, and urban destinies of modern ruins. Join us in imagining future movements from the underground.
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2012 photos: Equipment this year: My mainstays were the Fuji S100fs, Nikon D7000, and the new Fuji X-S1. I also used an underwater Fuji XP50 and a Nikon D600. The first three cameras all broke this year and had to be repaired.
Trips this year:
three Civil War Trust conferences (Shepherdstown, WV, Richmond, VA, and Williamsburg, VA),
a week-long family reunion cruise of the Caribbean,
another week-long family reunion in the Wisconsin Dells (with lots of in-transit time in Ohio and Indiana), and
my 7th consecutive San Diego Comic-Con trip (including side trips to Zion, Bryce, the Grand Canyon, etc).
Ego strokes: I had a picture of Miss DC, Ashley Boalch, published in the Washington Post. I had a photograph of the George Segal San Francisco Holocaust memorial used as the cover of Quebec Francais (issue 165). Not being able to read French, I'm not entirely sure what the article is about but, hey! And I guess what could be considered to be a positive thing, my site is now established enough that spammers have noticed it and I had to block 17,000 file description postings for Viagra and whatever else..
Number of photos taken this year: just below 410,000.
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