DC -- German-American Heritage Museum -- Exhibit: Germany and its Costumes:
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Description of Pictures: From the Mountains to the Sea - Germany and its Costumes - Dirndl & Lederhosen:
Many German-American festivals are opportunities to see Dirndl and Lederhosen fashions in all varieties. But it is the dance groups who can verge at the annual Steuben Parade or at many local and regional "Oktoberfests" that illustrate the multitude of traditional costumes. While native dresses prescribe who wears what, when and how, the Dirndl and Lederhosen dresses are not native dresses but folklore fashion. They are subject to fashion changes and have created a whole fashion industry.
What our Museum shows are "Trachten" - German costumes - generally limited in design to their traditional form for a given region or necessity. We have 15 colorful and wonderfully embroidered and decorated tradtional costumes on display. Their origins reach from Bavaria to Westphalia, from Fresia to the Blackforest and from former German settlements in Rumania to the Zipser Germans of the high Tatra in Slovakia.
Even though traditional costumes today have lost most of their importance and do not play a major role in their globalized and leveled society, people still wear them in many places and on special occasions. That is especially true for German-Americans who successfully are trying to keep their ethnic, culture and identities alive. With our exhibit, we are trying to support their activities and inform and educate a larger audience about the still existing varieties of German traditions and cultures living amongst German-Americans in the United States.
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GAHMCO_121107_087.JPG: From the Mountains to the Sea:
Germany and Its Costumes:
The German word "Tracht" goes back to the Old German word "traht(a)," simply meaning "that which is being worn." It refers to traditional, historical costumes and accessories of certain occupational and regional groups, which convey a multitude of information to the beholder.
Distinctions are made between occupational costumes, guild costumes, official attire and regional costumes. Although traditional costumes were prevalent all over Europe, they were predominant in Germany.
The first peasant costumes had emerged as early as the 15th century, but they did not become popular in Germany until the 19th century. It was during the Romantic era that artists and scholars became aware of the regional diversity and beauty of native dress. Typically worn during special occasions, the costumes most of all signified provenance but also age, martial status, religion, level of grief, social background and the extent of wealth of the owner.
Within village society, a person's Tracht assigned the individual to his or her place in the community according to his or her social status. Everyone knew who you were and what was expected of you.
Generally -- but not always -- single young women wore red and young married wives wore green. Middle aged women, often after the first child was born, changed to violet, later to blue and finally to black.
"Tracht" was not a theatre costume, waitress uniform or masquerade. "Tracht" is the clothing that identifies who we are, where we belong and how we relate to our communities. "Tracht" ties us to a place and a time.
Today we use the term to describe the distinctive regional clothing of the rural populations.
GAHMCO_121107_093.JPG: Dirndl & Lederhosen:
The Costumes of German-Americans:
When Americans trace their roots, they usually reach for the colorful clothes of their immigrant ancestors as a quick and visible symbol of ethnic affiliation. Although the costumes worn by German groups in America are as diverse as the places from which their ancestors immigrated, the universal Dirndl fashion, together with the Lederhose, have become the most widely recognized form of German costume to German-Americans.
The Dirndl fashion dress was born at the end of the 19th century when young Germans adapted the traditional dress of the Alpine areas. It was comfortable, becoming, easy to care for and epitomized to its wearer the simple, wholesome country life. Men followed by giving up their stiff collars and tight vests, reaching for the short leather pants -- the Lederhose -- which was originally the traditional garment of the Alpine lumber worker.
Although any German-American festival is an opportunity to see Dirndl fashions in all varieties, it is the dance groups that illustrate the multitude of traditional costumes. While native dress prescribes who wears what, when and how, the Dirndl dress is not native dress (or Tracht) but folklore fashion; it is subject to fashion changes and has spawned a whole industry.
Tracht is generally limited in design to the traditional form for a given region. On the other hand, folklore fashion design is limited only by the designer's taste and imagination. Tracht needs to be nurtured and cultivated, but folklore fashions are promoted by the manufacturers. Most importantly, a given Tracht exists in many forms according to the wearer's status in life while folklore fashions make no such distinctions.
Even though traditional costumes today have lost most of their importance and do not play a major role in globalized and leveled society, people still wear them in many places on special occasions. The traditional Bavarian Dirndl and the Lederhose have also become important fashion garments for many visitors to the Oktoberfest in Munich. Both folklore costumes have achieved worldwide cult status, as can be seen in many fashion and entertainment magazines where movie and sport stars pose in Dirndl and Lederhosen.
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2012 photos: Equipment this year: My mainstays were the Fuji S100fs, Nikon D7000, and the new Fuji X-S1. I also used an underwater Fuji XP50 and a Nikon D600. The first three cameras all broke this year and had to be repaired.
Trips this year:
three Civil War Trust conferences (Shepherdstown, WV, Richmond, VA, and Williamsburg, VA),
a week-long family reunion cruise of the Caribbean,
another week-long family reunion in the Wisconsin Dells (with lots of in-transit time in Ohio and Indiana), and
my 7th consecutive San Diego Comic-Con trip (including side trips to Zion, Bryce, the Grand Canyon, etc).
Ego strokes: I had a picture of Miss DC, Ashley Boalch, published in the Washington Post. I had a photograph of the George Segal San Francisco Holocaust memorial used as the cover of Quebec Francais (issue 165). Not being able to read French, I'm not entirely sure what the article is about but, hey! And I guess what could be considered to be a positive thing, my site is now established enough that spammers have noticed it and I had to block 17,000 file description postings for Viagra and whatever else..
Number of photos taken this year: just below 410,000.
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