BGuthrie Photos: DC -- Embassy of Mexico -- Mexican Cultural Institute

DC -- Embassy of Mexico -- Mexican Cultural Institute:

Bruce Guthrie Photos Home Page: [Click here] to go to Bruce Guthrie Photos home page.

Recognize anyone? If you recognize specific folks (or other stuff) and I haven't labeled them, please identify them for the world. Click the little pencil icon

underneath the file name (just above the picture). Spammers need not apply.

Slide Show: Want to see the pictures as a slide show? [Slideshow]

Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

Help? The Medium (Email) links are for screen viewing and emailing. You'll want bigger sizes for printing. [Click here for additional help]

Share: Facebook Twitter Digg
[1] MEXCI_120204_002.JPG Medium (Email) (Bigger?)	[2] MEXCI_120204_006.JPG Medium (Email) (Bigger?)	[3] MEXCI_120204_010.JPG Medium (Email) (Bigger?)
[4] MEXCI_120204_015.JPG Medium (Email) (Bigger?)	[5] MEXCI_120204_019.JPG Medium (Email) (Bigger?)	[6] MEXCI_120204_031.JPG Medium (Email) (Bigger?)
[7] MEXCI_120204_037.JPG Medium (Email) (Bigger?)	[8] MEXCI_120204_047.JPG Medium (Email) (Bigger?)	[9] MEXCI_120204_048.JPG Medium (Email) (Bigger?)
[10] MEXCI_120204_055.JPG Medium (Email) (Bigger?)	[11] MEXCI_120204_059.JPG Medium (Email) (Bigger?)	[12] MEXCI_120204_070.JPG Medium (Email) (Bigger?)
[13] MEXCI_120204_072.JPG Medium (Email) (Bigger?)	[14] MEXCI_120204_080.JPG Medium (Email) (Bigger?)	[15] MEXCI_120204_090.JPG Medium (Email) (Bigger?)
[16] MEXCI_120204_098.JPG Medium (Email) (Bigger?)	[17] MEXCI_120204_104.JPG Medium (Email) (Bigger?)	[18] MEXCI_120204_112.JPG Medium (Email) (Bigger?)
[19] MEXCI_120204_117.JPG Medium (Email) (Bigger?)	[20] MEXCI_120204_123.JPG Medium (Email) (Bigger?)	[21] MEXCI_120204_129.JPG Medium (Email) (Bigger?)
[22] MEXCI_120204_135.JPG Medium (Email) (Bigger?)	[23] MEXCI_120204_139.JPG Medium (Email) (Bigger?)	[24] MEXCI_120204_143.JPG Medium (Email) (Bigger?)
[25] MEXCI_120204_149.JPG Medium (Email) (Bigger?)	[26] MEXCI_120204_154.JPG Medium (Email) (Bigger?)	[27] MEXCI_120204_158.JPG Medium (Email) (Bigger?)
[28] MEXCI_120204_161.JPG Medium (Email) (Bigger?)	[29] MEXCI_120204_171.JPG Medium (Email) (Bigger?)	[30] MEXCI_120204_176.JPG Medium (Email) (Bigger?)
[31] MEXCI_120204_181.JPG Medium (Email) (Bigger?)	[32] MEXCI_120204_184.JPG Medium (Email) (Bigger?)	[33] MEXCI_120204_187.JPG Medium (Email) (Bigger?)
[34] MEXCI_120204_192.JPG Medium (Email) (Bigger?)	[35] MEXCI_120204_201.JPG Medium (Email) (Bigger?)	[36] MEXCI_120204_207.JPG Medium (Email) (Bigger?)
[37] MEXCI_120204_217.JPG Medium (Email) (Bigger?)	[38] MEXCI_120204_223.JPG Medium (Email) (Bigger?)	[39] MEXCI_120204_231.JPG Medium (Email) (Bigger?)
[40] MEXCI_120204_234.JPG Medium (Email) (Bigger?)	[41] MEXCI_120204_238.JPG Medium (Email) (Bigger?)	[42] MEXCI_120204_244.JPG Medium (Email) (Bigger?)
[43] MEXCI_120204_248.JPG Medium (Email) (Bigger?)	[44] MEXCI_120204_255.JPG Medium (Email) (Bigger?)	[45] MEXCI_120204_259.JPG Medium (Email) (Bigger?)
[46] MEXCI_120204_262.JPG Medium (Email) (Bigger?)	[47] MEXCI_120204_264.JPG Medium (Email) (Bigger?)	[48] MEXCI_120204_266.JPG Medium (Email) (Bigger?)
[49] MEXCI_120204_270.JPG Medium (Email) (Bigger?)	[50] MEXCI_120204_274.JPG Medium (Email) (Bigger?)	[51] MEXCI_120204_278.JPG Medium (Email) (Bigger?)
[52] MEXCI_120204_290.JPG Medium (Email) (Bigger?)	[53] MEXCI_120204_295.JPG Medium (Email) (Bigger?)	[54] MEXCI_120204_301.JPG Medium (Email) (Bigger?)
[55] MEXCI_120204_306.JPG Medium (Email) (Bigger?)	[56] MEXCI_120204_309.JPG Medium (Email) (Bigger?)	[57] MEXCI_120204_315.JPG Medium (Email) (Bigger?)
[58] MEXCI_120204_321.JPG Medium (Email) (Bigger?)	[59] MEXCI_120204_325.JPG Medium (Email) (Bigger?)	[60] MEXCI_120204_333.JPG Medium (Email) (Bigger?)
[61] MEXCI_120204_339.JPG Medium (Email) (Bigger?)	[62] MEXCI_120204_343.JPG Medium (Email) (Bigger?)	[63] MEXCI_120204_356.JPG Medium (Email) (Bigger?)
[64] MEXCI_120204_370.JPG Medium (Email) (Bigger?)	[65] MEXCI_120204_376.JPG Medium (Email) (Bigger?)	[66] MEXCI_120204_380.JPG Medium (Email) (Bigger?)
[67] MEXCI_120204_384.JPG Medium (Email) (Bigger?)	[68] MEXCI_120204_388.JPG Medium (Email) (Bigger?)	[69] MEXCI_120204_398.JPG Medium (Email) (Bigger?)
[70] MEXCI_120204_403.JPG Medium (Email) (Bigger?)	[71] MEXCI_120204_407.JPG Medium (Email) (Bigger?)	[72] MEXCI_120204_410.JPG Medium (Email) (Bigger?)
[73] MEXCI_120204_415.JPG Medium (Email) (Bigger?)	[74] MEXCI_120204_418.JPG Medium (Email) (Bigger?)	[75] MEXCI_120204_421.JPG Medium (Email) (Bigger?)
[76] MEXCI_120204_433.JPG Medium (Email) (Bigger?)	[77] MEXCI_120204_438.JPG Medium (Email) (Bigger?)	[78] MEXCI_120204_441.JPG Medium (Email) (Bigger?)
[79] MEXCI_120204_446.JPG Medium (Email) (Bigger?)	[80] MEXCI_120204_449.JPG Medium (Email) (Bigger?)	[81] MEXCI_120204_453.JPG Medium (Email) (Bigger?)
[82] MEXCI_120204_461.JPG Medium (Email) (Bigger?)	[83] MEXCI_120204_466.JPG Medium (Email) (Bigger?)	[84] MEXCI_120204_469.JPG Medium (Email) (Bigger?)
[85] MEXCI_120204_475.JPG Medium (Email) (Bigger?)	[86] MEXCI_120204_483.JPG Medium (Email) (Bigger?)	[87] MEXCI_120204_488.JPG Medium (Email) (Bigger?)
[88] MEXCI_120204_493.JPG Medium (Email) (Bigger?)	[89] MEXCI_120204_504.JPG Medium (Email) (Bigger?)	[90] MEXCI_120204_517.JPG Medium (Email) (Bigger?)
[91] MEXCI_120204_525.JPG Medium (Email) (Bigger?)	[92] MEXCI_120204_541.JPG Medium (Email) (Bigger?)	[93] MEXCI_120204_546.JPG Medium (Email) (Bigger?)
[94] MEXCI_120204_553.JPG Medium (Email) (Bigger?)	[95] MEXCI_120204_558.JPG Medium (Email) (Bigger?)	[96] MEXCI_120204_567.JPG Medium (Email) (Bigger?)
[97] MEXCI_120204_571.JPG Medium (Email) (Bigger?)	[98] MEXCI_120204_578.JPG Medium (Email) (Bigger?)	[99] MEXCI_120204_582.JPG Medium (Email) (Bigger?)

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. MEXCI_120204_161.JPG: The Murals The Panamerican Mural: The Panamerican mural symbolize friendship among North, Central, and South American countries, with notable historic hemispheric leaders (clockwise from upper right): Washington (US), Hidalgo (Mexico), Bolivar (Venezuela), Marti (Cuba), Lincoln (US), and Juarez (Mexico). Panamericanism became associated with the Good Neighbor Policy, by which the US, under President Herbert Hoover and Franklin Roosevelt, tried to reassure Latin American governments that it would not intervene in their affairs. The Landing of Columbus: This scene portrays a heroic Christopher Columbus planting the Spanish flag in the New World, backed by the Church and Spanish military might. We learn, for example, that Cueva's heroic portrait of Columbus (at the top of the stairway leading to the third floor) was originally planned as a portrait of the Spanish Conquistador Hernan Cortes. Cortes historic reputation had fared poorly after the Mexican Revolution, whose ideals emphasized the achievements of the pre-Conquest native civilizations, and Columbus, at the time, may have seemed a less controversial figure. Pre-Columbian Mexico: This scene is dominated by the mythological founding of the Aztec capital of Tenochtitian, now Mexico City, where an eagle with a serpent in its beak perched on a cactus, with the towering temple-pyramids of the city in its heyday in the background and the bearded God Quetzalcoati in the upper left.
2. MEXCI_120204_187.JPG: Carlos Fuentes in Washington DC (1934-1939) The great Mexican writer Carlos Fuentes lived in DC when his father, Rafael Fuentes, was assigned to the Embassy as Counselor from 1934 to 1939. The Fuentes family lived in a residential hotel on 16th Street facing Meridian Park. Young Carlos attended Henry D. Cooke Elementary School on 17th Street in those years. Carlos Fuentes used to visit the Embassy. He and his father were portrayed at the Mural of Robert Cueva del Rio.
3. MEXCI_120204_217.JPG: The Murals: "The painting depicts a festival that is celebrated each year in the city of Tehuantepec, which is very near the Pacific Coast. It is [a] harvest festival of flowers. Gaily dressed girls and women can be seen, with gorgeous gold chains around their necks and decked in festive garb. There are dancers and musicians, girls holding great wreaths of flowers, horsemen holding standards and candles of delicate workmanship which are taken to church as votive offerings. Over the center of the fresco a dancer of pagan origin moves rhythmically, dressed in brilliant colors with a headgear of feathers and shining metal." -- The Washington Post, October 12, 1941 Tehauntepec Festival: This scene representing the annual Festival of the Flowers in Tehuantepec, Mexico portrays women and men dancing with garlands of flowers, a family enjoying traditional food and drink, and in the center a male dancer with a dramatic Pre-Columbian mask and headdress. Rural Scene -- Ixtacchihuarti: This rural scene forms a pair with a similar mural on the other side of the doorway to the drawing room, with the great volcanoes of the Valley of Mexico looming over them, Ixtacchihuarti, in the case of this group of somewhat elegantly, traditionally costumed country people. Rural Scene -- Popocatepetl: This rural scene portrays typical agricultural activities, in the foreground, a small town with a Colonial church and government building in the middle ground, and the conical Popocatepetl volcano in the distance. Industrial Mexico: This scene is intended to contrast with the previous two: it celebrates modern, industrialized Mexico, with its airplanes, tractors, factories a hydroelectric plant in an urban setting in the middle ground, with the rows of men and women on horseback in the foreground intended to symbolize the continuity of Old Mexico with the new.
4. MEXCI_120204_234.JPG: Roberto Cueva Del Rio: The Heritage of Mexican Muralism in Washington DC: Robert Cueva del Rio (1908-1988) was born in Puebla, Mexico. At age 15, he became an illustrator at the newspaper Excelsior. His newspaper caricatures won him a scholarship to the prestigious San Carlos Academy of Fine Arts in Mexico City, which permitted him to travel through Mexico. In January 1930, Diego Rivera, then Director of the Academy, gave him an effusive letter of recommendation to travel to the United States. Cueva del Rio started painting the Embassy murals in 1933, but left them unfinished when he returned to Mexico in 1935. In 1941 [he] came back to complete the murals. Cueva del Rio's public murals tend to deal with historical scenes and portraits of heroes. He expresses his nationalism by portraying the uniqueness and diversity of Mexican culture, the dignity of ordinary men and women, the beauty of the countryside, the great events and heroes of Mexico's long history, and the progress of modern Mexico. Cueva del Rio's painting style is very much in the Rivera tradition: strongly modeled figures, bold colors, and heavy symbolism. We can see in a photo of the artist at work that he achieved these bold, simplified shapes by using a black outline technique. Water colors were applied al fresco, that is, on wet plaster. Cueva del Rio worked with his left hand only, as his right hand was disabled. The Models of the Mural: Some of the characters of the murals were generic ethnic or social types; others were individuals who lived at the Embassy or visited it frequently, such as six year old Carlos Fuentes. We can also recognize the smiling face of the young Aztec mother (left) at the top of the third floor stairs, just to the left of the doorframe, as Lupe Davile (above), niece of Ambassador Francisco Najera, seen descending the Embassy stairs with her schoolbooks in an article that appeared in the January 15, 1944, Christian Science Monitor. Erma Najera (above right), Ambassador's daughter, as she appeared in her bridal gown in an announcement of her wedding to Capt. Manuel Casto in the December 6, 1942, Washington Star. ... She appears on horseback on the right side of the Industrialization of Mexico mural.
5. MEXCI_120204_238.JPG: The Mansion and Its History, 2829 16th Street, NW: The remarkable building that houses the Mexican Cultural Institute, was commissioned by Mrs. Emily MacVeagh (wife of Franklin MacVeagh, a Chicago businessman turned Treasury Secretary under President Taft Administration) to be designed by Nathan Wyeth, distinguished architect of the West Wing of the White House. The mansion was built in 1910-1911. Wyeth employed a variety of styles in its design. The exterior facade, combines Italian, English and French architectural traditions. The house originally contained 26 rooms, 9 bathrooms and 2 terraces. The interiors were decorated mostly in Renaissance Revival styles made popular in the U.S. by the World's Columbian Exposition of 1893 in Chicago. While the overall appearance of the buff-colored brick facade has been described as resembling an Italian Renaissance palace, architectural details on the second and third stories are considered English Palladian, and the hip-roofed upper facade to be French-inspired. Highlights: 1910-1911: Construction of the mansion. Builder: George Fuller. Architect: Nathan Wyeth (who designed the West Wing of the White House). Cost: $120,000 (1910 dollars). 1911: The MacVeaghs offered a ball in honor of Miss Helen Taft, attended by President Taft and his wife. 1916: Mrs. MacVeagh passed away. The mansion was rented to Lord Balfour, Head of the British Mission to the White House. 1918: The mansion was rented to Breckenridge Long, U.S. Assistant Secretary of State. 1919: King Albert and Queen Elizabeth of Belgium were guests of the mansion. 1921: Under the Presidency of Alvaro Obregon, he mansion was purchased by the Government of Mexico for $330,775.50. The Mansion housed the Residency of the Ambassador (1976) and the Chancillery (1989). In 1990 the Mexican Cultural Institute opened its doors. The mansion throughout time.
6. MEXCI_120204_356.JPG: It was a very rainy night
Multi Column: Number of columns of thumbnails to appear per page (normally defaults to 3): [1 col] [2] [3] [4] [5] [6] [7] [8] [9] [10]
Bigger photos? To save server space, the full-sized versions of these images have either not been loaded to the server or have been removed from the server. (Only some pages are loaded with full-sized images and those usually get removed after three months.) I still have them though. If you want me to email them to you, please send an email to guthrie.bruce@gmail.com and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
Directly Related Pages: Other pages with content (DC -- Embassy of Mexico -- Mexican Cultural Institute) directly related to this one: [Display ALL photos on one page]:
- 2022_DC_Emb_MexicoCI: DC -- Embassy of Mexico -- Mexican Cultural Institute (99 photos from 2022)
- 2021_DC_Emb_MexicoCI: DC -- Embassy of Mexico -- Mexican Cultural Institute (29 photos from 2021)
- 2019_DC_Emb_MexicoCIVw: DC -- Embassy of Mexico -- Mexican Cultural Institution -- View from... (11 photos from 2019)
- 2019_DC_Emb_MexicoCI: DC -- Embassy of Mexico -- Mexican Cultural Institute (91 photos from 2019)
- 2017_DC_Emb_MexicoCI: DC -- Embassy of Mexico -- Mexican Cultural Institute (73 photos from 2017)
- 2016_DC_Emb_MexicoCI: DC -- Embassy of Mexico -- Mexican Cultural Institute (1 photo from 2016)
- 2014_DC_Emb_MexicoCI: DC -- Embassy of Mexico -- Mexican Cultural Institute (46 photos from 2014)
- 2013_DC_Emb_MexicoCI: DC -- Embassy of Mexico -- Mexican Cultural Institute (57 photos from 2013)
- 2010_DC_Emb_MexicoCI: DC -- Embassy of Mexico -- Mexican Cultural Institute (79 photos from 2010)
- 2009_DC_Emb_MexicoCI: DC -- Embassy of Mexico -- Mexican Cultural Institute (6 photos from 2009)
Sort of Related Pages: Still more pages here that have content somewhat related to this one :
- 2015_DC_Emb_MexCIX_25YrsO_150224: DC -- Embassy of Mexico -- Mexican Cultural Institute -- Exhibit: 25 Years/25 Artists -- Opening Event (119 photos from 2015)
- 2012_DC_Emb_MexCIX_Suit_120204: DC -- Embassy of Mexico -- Mexican Cultural Institute -- Event: "Mexican Suitcase" film (5 photos from 2012)
- 2019_DC_Emb_MexCIX_SacalT_190619: DC -- Embassy of Mexico -- Mexican Cultural Institute -- Event: Curator's Talk for "Sacal: Un Mexicano Universal" (31 photos from 2019)
- 2022_DC_Emb_MexCIX_5May_220505: DC -- Embassy of Mexico -- Mexican Cultural Institute -- Event: Cinco de Mayo (160th anniversary) (34 photos from 2022)
- 2012_DC_Emb_MexCIX_Photo: DC -- Embassy of Mexico & FotoWeek DC -- Mexican Cultural Institute -- Exhibit: Photo exhibits (15 photos from 2012)
- 2022_DC_Emb_MexCIX_Sonora: DC -- Embassy of Mexico -- Mexican Cultural Institution -- Exhibit: Sonora A Treasure to Discover (63 photos from 2022)
- 2022_DC_Emb_MexCIX_Mascaras: DC -- Embassy of Mexico -- Mexican Cultural Institution -- Exhibit: M�SCARAS De Juana Collection (110 photos from 2022)
- 2021_DC_Emb_MexCIX_Loteria: DC -- Embassy of Mexico -- Mexican Cultural Institute -- Fence Exhibit: The Mexican Loteria (11 photos from 2021)
- 2021_DC_Emb_MexCIX_Dream: DC -- Embassy of Mexico -- Mexican Cultural Institute -- Fence Exhibit: Dream of a Sunday Afternoon in Alameda Central Park (10 photos from 2021)
- 2019_DC_Emb_MexCIX_Array: DC -- Embassy of Mexico -- Mexican Cultural Institute -- Exhibit: Voice Array by Rafael Lozano-Hemmer (6 photos from 2019)
- ...More (List all 21 pages)...
Same Subject: Click on this link to see coverage of items having the same subject: [Embassies] [Mexican Cultural Institute] [Display ALL Mexican Cultural Institute photos]
2012 photos: Equipment this year: My mainstays were the Fuji S100fs, Nikon D7000, and the new Fuji X-S1. I also used an underwater Fuji XP50 and a Nikon D600. The first three cameras all broke this year and had to be repaired. Trips this year: three Civil War Trust conferences (Shepherdstown, WV, Richmond, VA, and Williamsburg, VA), a week-long family reunion cruise of the Caribbean, another week-long family reunion in the Wisconsin Dells (with lots of in-transit time in Ohio and Indiana), and my 7th consecutive San Diego Comic-Con trip (including side trips to Zion, Bryce, the Grand Canyon, etc). Ego strokes: I had a picture of Miss DC, Ashley Boalch, published in the Washington Post. I had a photograph of the George Segal San Francisco Holocaust memorial used as the cover of Quebec Francais (issue 165). Not being able to read French, I'm not entirely sure what the article is about but, hey! And I guess what could be considered to be a positive thing, my site is now established enough that spammers have noticed it and I had to block 17,000 file description postings for Viagra and whatever else.. Number of photos taken this year: just below 410,000.
Connection Not Secure messages? Those warnings you get from your browser about this site not having secure connections worry some people. This means this site does not have SSL installed (the link is http:, not https:). That's bad if you're entering credit card numbers, passwords, or other personal information. But this site doesn't collect any personal information so SSL is not necessary. Life's good!
Limiting Text: You can turn off all of this text by clicking this link: [Thumbnails Only]
Photo Contact: [Email Bruce Guthrie].