BGuthrie Photos: DC -- Natl Gallery of Art -- East Wing -- Permanent Galleries

DC -- Natl Gallery of Art -- East Wing -- Permanent Galleries:

Bruce Guthrie Photos Home Page: [Click here] to go to Bruce Guthrie Photos home page.

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. NGAEWG_111203_002.JPG: Chuck Close Fanny/Fingerpainting, 1985
2. NGAEWG_111203_075.JPG: Andy Warhol Green Marilyn, 1962
3. NGAEWG_111203_080.JPG: Alice Neel Loneliness, 1970
4. NGAEWG_111203_086.JPG: Horace Pippin Interior, 1944
5. NGAEWG_111203_122.JPG: Alexander Calder Cheval Rouge (maquette), c 1973
6. NGAEWG_111203_180.JPG: Calder Mobiles: "Just as one can compose colors, so one can compose motions," Alexander Calder observed. This scintillating room traces the evolution of Calder's definitive invention: the hanging, freely moving sculpture that the artist Marcel Duchamp dubbed mobile. As a boy, Calder crafted objects of metal, string, wood, and wire. After attending engineering and art schools, he moved to Paris (1926), where he made wire sculptures of circus performers, animals, Calvin Coolidge, and the dancer Josephine Baker. Wire, Calder noted, let him draw in three dimensions. A visit in 1930 to Piet Maondrian's studio, whose walls were filled with colored cardboard rectangles, "shocked" Calder (as he put it) into working more abstractly. Soon the mobile was born. During World War II, when sheet metal became scarce, Calder returned to wire, wood, and other materials. In Finny Fish, shards of glass, a spoon, and a sardine-can opener are suspended in a net that a fish seems to have swallowed, rather than vice versa. In the 1960s, Calder was sought after as a sculptor of works of monumental scale, both mobiles and "stabiles" (without moving parts). "Model for East Building Mobile," 1972, is a tiny study for the work in the atrium of this building, the artist's last and largest commission.
7. NGAEWG_111203_189.JPG: George Segal Wendy with Chin on Hand, 1982
8. NGAEWG_111203_202.JPG: Robert Rauschenberg Wall-Eyed Carp/ROCI JAPAN, 1987
9. NGAEWG_111203_206.JPG: Edward Ruscha Lisp, 1968
10. NGAEWG_111203_219.JPG: Roy Lichtenstein Look Mickey, 1961
11. NGAEWG_111203_230.JPG: Andy Warhol Let Us Now Praise Famous Men (Rauschenberg Family), 1963
12. NGAEWG_111203_241.JPG: Jasper Johns Field Painting, 1963-1964
13. NGAEWG_111203_247.JPG: Jasper Johns Perilous Night, 1982
14. NGAEWG_111203_253.JPG: Jasper Johns Dancers on a Plane, 1979
15. NGAEWG_111211_02.JPG: Mark Rothko Untitled (Seagram Mural sketch), 1959
16. NGAEWG_111211_25.JPG: Bradley Walker Tomlin Maneuver for Position, 1947
17. NGAEWG_111211_30.JPG: Arshile Gorky One Year the Milkweed, 1944
18. NGAEWG_111211_38.JPG: Jackson Pollock Number 1, 1950 (Lavender Mist), 1950
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