BGuthrie Photos: CA -- San Francisco -- Asian Art Museum of San Francisco -- South Asia Collection

CA -- San Francisco -- Asian Art Museum of San Francisco -- South Asia Collection:

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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. AAMSFS_110728_013.JPG: What Asia Is (and Isn't) "Asia" is a term invented by the Greeks and Romans, and developed by Western geographers to indicate the land mass east of the Ural Mountains and Ural River, together with offshore islands such as Japan and Java. Culturally, no "Asia" exists, and the people who inhabit "Asia" often have little in common with each other. Recognizing the diversity of the huge area conventionally designated "Asia," the Asian Art Museum has arranged its collections into seven general groupings: South Asia, the Persian World and West Asia, Southeast Asia, the Himalayas and the Tibetan Buddhist World, China, Korea, and Japan. The museum celebrates the artistic accomplishments -- in all their variety -- of the many different peoples of Asia.
2. AAMSFS_110728_025.JPG: South Asia
3. AAMSFS_110728_331.JPG: Window frame, c 1650-1750 Northern India or Pakistan Several stone blocks make up this window frame, which is equipped with wooden shutters and an overhanging eave for the runoff of rainwater. The vegetal forms of the half-columns, in addition to the floral and decorative motifs on the shutters and the frame, are typical of architecture created under the Mughal dynasty (1526-1858). Red sandstone, quarried near the early Mughal capital of Fatehpur Sikri, was a favorite building material, as it recalled the color of imperial tents. It was also fairly easy to carve. The court historian for the emperor of Akbar (reigned 1556-1605) wrote of the stone: "Clever workmen chisel it so skillfully, as no turner could do with wood." Imperial styles were adopted throughout the Mughal empire. This window was probably made for the urban home (haveli) of a wealthy patron.
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Wikipedia Description: Asian Art Museum of San Francisco
From Wikipedia, the free encyclopedia

The Asian Art Museum of San Francisco is a museum in San Francisco, California, United States. It has one of the most comprehensive collections of Asian art in the world.

Until 2003 the museum shared a space with the de Young Museum in Golden Gate Park; during its last year in the park it was closed for the purpose of moving to its new location, and it re-opened on March 20, 2003 in the former San Francisco city library building opposite the San Francisco Civic Center, renovated for the purpose under the direction of Italian architect Gae Aulenti. Lord Cultural Resources, a cultural professional practice, was also commissioned to undertake a three-part sequence of planning studies for the relocation of the Museum.

The collection has approximately 17,000 works of art and artifacts from all major Asian countries and traditions, some of which are as much as 6,000 years old. Major galleries are devoted to the arts of South Asia, West Asia (including Persia), Southeast Asia, the Himalayas, China, Korea and Japan. There are 2,500 works on display in the permanent collection.

The museum owes its origin to a donation to the city of San Francisco by Chicago millionaire Avery Brundage, who was a major collector of Asian art. The Society for Asian Art, incorporated in 1958, was the group that formed specifically to gain Avery Brundage's collection. The museum opened in 1966 as a wing of the M. H. de Young Memorial Museum in Golden Gate Park. Brundage continued to make donations to the museum, including the bequest of all his remaining personal collection of Asian art on his death in 1975. In total, Brundage donated more than 7,700 Asian art objects to San Francisco.

The museum has become a focus for special and traveling exhibitions, including: the first major Chinese exhibition to travel outside China since the end of World War II (in 1975); an archaeological exhibition which attracted 800,000 visitors over an eight week period; an exhibition on Wisdom and Compassion opened by the Dalai Lama in 1991.

Re-Location:

As the museum’s collection grew, the facilities in Golden Gate Park were no longer sufficient to display or even house the collection. In 1987 Mayor Diane Feinstein proposed a plan to revitalize Civic Center which included relocating the museum to the Main Library. In 1995, Silicon Valley entrepreneur Chong-Moon Lee made a $15 million donation to launch the funding campaign for a new building for the museum.

The old Main library was a Beaux Arts-style building designed by George Kelham in 1917. The new $160.5 million project, designed by Gae Aulenti, introduced an indoor sky-lit court to provide a dramatic central core to the museum. Removing some interior walls, Aulenti created a sense of openness to facilitate visitor movement and the display of the artwork. The new 185,000-square-foot (17,200 m2) museum increased the exhibition space by approximately 75 percent compared to the former Golden Gate Park location.
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