BGuthrie Photos: DC -- Natl Museum of the American Indian -- Interior Areas Not Elsewhere Shown (such as Main Lobby)

DC -- Natl Museum of the American Indian -- Interior Areas Not Elsewhere Shown (such as Main Lobby):

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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[1] AMINT_101011_06.JPG Medium (Email) (Bigger?)	[2] AMINT_101011_11.JPG Medium (Email) (Bigger?)	[3] AMINT_101011_23.JPG Medium (Email) (Bigger?)
[4] AMINT_101011_25.JPG Medium (Email) (Bigger?)	[5] AMINT_101011_34.JPG Medium (Email) (Bigger?)	[6] AMINT_101011_37.JPG Medium (Email) (Bigger?)

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. AMINT_101011_11.JPG: Blanket, 2005. James Lavadour (Walla Walla), b. 1951. Oil on board. Museum purchase with funds donated by Robert Jon Grover, 2007 (26/6079). The images comprising Lavadour's Blanket represent not the physical appearance of the Umatilla reservation, which he has walked daily for years, but the natural forces -- geological and meteorological -- that shaped the land. Lavadour draws parallels between these processes and his work as an artist as he pushes and scrapes pigments across the panel. James Lavadour (Walla Walla, b. 1951), long inspired by the landscape of eastern Oregon, cites the influence of Chinese painting, Abstract Expressionism, and the music of John Coltrane on recent paintings. His work has been collected by the Heard Museum, Indian Arts and Crafts Board, Qwest Corporation, Seattle Arts Commission, and the Washington State Arts Commission, as well as exhibited internationally. In 1992, Lavadour and friends incorporated the Crow's Shadow Institute of the Arts, a printmaking studio, gallery, and venue for traditional arts of the Plateau.
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AAA "Gem": AAA considers this location to be a "must see" point of interest. To see pictures of other areas that AAA considers to be Gems, click here.
Bigger photos? To save server space, the full-sized versions of these images have either not been loaded to the server or have been removed from the server. (Only some pages are loaded with full-sized images and those usually get removed after three months.) I still have them though. If you want me to email them to you, please send an email to guthrie.bruce@gmail.com and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
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- 2009_DC_AmerInd_Int: DC -- Natl Museum of the American Indian -- Interior Areas Not Elsewhere Shown (such as Main Lobby) (21 photos from 2009)
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Same Subject: Click on this link to see coverage of items having the same subject: [(Smithsonian) American Indian Museum] [Display ALL (Smithsonian) American Indian Museum photos] [Indians] [Museums (History)]
2010 photos: Equipment this year: I mostly used the Fuji S100fs until the third one broke and I started sending them back for repairs. Then I used either the Fuji S200EHX or the Nikon D90 until I got the S100fs ones repaired. At the end of the year I bought a Nikon D5000 but I returned it pretty quickly. Trips this year: Civil War Trust conferences (Lexington, KY and Nashville, TN), and my 5th consecutive San Diego Comic-Con trip (including Los Angeles). My office at the main Commerce Department building closed in October and I was shifted out to the Bureau of the Census in Suitland Maryland. It's good to have a job of course but that killed being able to see basically any cultural events during the day. There's basically nothing of interest that you can see around the Census building. Number of photos taken this year: about 395,000..
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Photo Contact: [Email Bruce Guthrie].