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Description of Pictures: Speakers in sequence:
-- Adrian Spencer (AFI)
-- Michael C. Ruppert
COLLAPSE: In Person: Michael C. Ruppert, the subject of the film.
"Not just sobering; it's a full-on assault." - The New York Times
"There are many layers to the man and the movie, and it's hard not to leave the theater shaken." - A.V. Club
"A grueling peek at a doomsday prophet's rigorous mind but in a sly way also a compassionate look at the strain Ruppert endures from knowing he has only ever been right." - L.A. Times
Meet Michael Ruppert, a different kind of American. A former Los Angeles police officer turned independent reporter, he predicted the current financial crisis in his self-published newsletter, From the Wilderness, at a time when Wall Street and Washington analysts were still in denial. Sitting in a room that looks like a bunker, Ruppert recounts his career as a radical thinker and spells out the crises he sees ahead. He draws upon the same news reports and data available to any Internet user, but he applies a unique interpretation. While other experts debate this issue in measured tones, Ruppert doesn't hold back at sounding an alarm, portraying an apocalyptic future. Over the years, Ruppert has stood up for what he believes in despite fierce opposition; while other observers analyze details of the economic crisis, Ruppert views it as symptomatic of nothing less than the collapse of industrial civilization itself.
DIR Chris Smith; PROD Kate Noble. US, 2009, color, 82 min. NOT RATED
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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.
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Bigger photos? To save server space, the full-sized versions of these images have either not been loaded to the server or have been removed from the server. (Only some pages are loaded with full-sized images and those usually get removed after three months.)
I still have them though. If you want me to email them to you, please send an email to guthrie.bruce@gmail.com
and I can email them to you, or, depending on the number of images, just repost the page again will the full-sized images.
2009_MD_Eisner_091206: Washington Jewish Film Festival (2009) @ AFI -- "Will Eisner: Portrait of a Sequential Artrist" (w/Andrew D. Cooke) (34 photos from 2009)
2009_MD_MandM_091207: Washington Jewish Film Festival (2009) @ AFI -- "Mary and Max" (15 photos from 2009)
2009_MD_Marcel_091209: Washington Jewish Film Festival (2009) @ AFI -- "Marcel Reich-Ranicki -- Author of Himself" (w/Dror Zahavi and Katharina Trebitsch) (81 photos from 2009)
2009_MD_Zombie_091024: AFI -- Silver Spring Zombie Walk (2009) descends on "Shaun of the Dead" (135 photos from 2009)
2009_MD_Nosferatu_091030: AFI -- Silent Cinema -- "Nosferatu, a Symphony of Horror" (w/Silent Orchestra and James White) (46 photos from 2009)
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2009 photos: Equipment this year: I mostly used the Fuji S100fs. I've also got a Nikon D90 and a newer Fuji -- the S200EHX -- both of which are nice but I still prefer the flexibility of the Fuji.
Overnight trips this year:
Niagara Falls, NY,
New York City,
Civil War Trust conferences in Gettysburg, PA and Springfield, IL, and
my 4th consecutive San Diego Comic-Con trip (including Los Angeles, Yosemite, Death Valley, Kings Canyon, Joshua Tree, etc).
Ego strokes: I had a picture of a Lincoln-Obama cupcake sculpture published in Civil War Times and WUSA-9, the local CBS affiliate, ran a quick piece on me. A picture that I took at the annual Abraham Lincoln Symposium appeared in the National Archives' "Prologue" magazine. I became a volunteer with the Smithsonian American Art Museum.
Number of photos taken this year: 417,000.
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