BGuthrie Photos: DC -- Donald W. Reynolds Center (NPG) -- Exhibit: Civil War -- Detail: OIe Peter Hansen Balling's "Grant and His Generals"

DC -- Donald W. Reynolds Center (NPG) -- Exhibit: Civil War -- Detail: OIe Peter Hansen Balling's "Grant and His Generals":

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[1] SIPGGG_090221_059.JPG	[2] SIPGGG_090221_065.JPG	[3] SIPGGG_090221_076.JPG
[4] SIPGGG_090221_081.JPG	[5] SIPGGG_090221_086.JPG	[6] SIPGGG_090221_088.JPG
[7] SIPGGG_090221_096.JPG	[8] SIPGGG_090221_101.JPG	[9] SIPGGG_090221_111.JPG
[10] SIPGGG_090221_118.JPG	[11] SIPGGG_090221_124.JPG	[12] SIPGGG_090221_127.JPG
[13] SIPGGG_090307_04.JPG	[14] SIPGGG_090307_12.JPG	[15] SIPGGG_090307_17.JPG
[16] SIPGGG_090307_25.JPG	[17] SIPGGG_090307_27.JPG	[18] SIPGGG_090307_44.JPG
[19] SIPGGG_090307_48.JPG	[20] SIPGGG_090307_55.JPG	[21] SIPGGG_090307_68.JPG
[22] SIPGGG_090307_75.JPG	[23] SIPGGG_090307_81.JPG	[24] SIPGGG_090307_86.JPG

Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. SIPGGG_090221_059.JPG: Grant and His Generals: After the Norwegian artist Ole Peter Hansen Balling had sketched President Lincoln at the White House in the fall of 1864, he obtained permission to paint life portraits of leading Union generals. Balling joined General Grant at City Point, Virginia, during the campaign against Richmond and spent five weeks there sketching officers in the field. Philip H. Sheridan was painted while in the Shenandoah Valley; the portraits of William T. Sherman and George H. Thomas were done in Washington after the end of the war. The image of George A. Custer, second from the left, is thought to be the only life portrait painted of him. Old Peter Hansen Balling (1823-1906) Oil on canvas, 1865 Left to right: Thomas C. Devin (1822-1878), George A. Custer (1839-1876), Huge J. Kilpatrick (1836-1881), William H. Emory (1811-1887), Philip H. Sheridan (1831-1888), James B. McPherson (1828-1864), George Crook (1830-1890), Wesley Merritt (1834-1910), George H. Thomas (1816-1870), Gouverneur Kemble Warren (1830-1882), George G. Meade (1815-1872), John G. Parke (1827-1900), William T. Sherman (1820-1891), John A. Logan (1826-1886), Ulysses S. Grant (1822-1885), Ambrose E. Burnside (1824-1881), Joseph Hooker (1814-1879), Winfield Scott Hancock (1824-1886), John A. Rawlins (1831-1869), Edward O.C. Ord (1818-1883), Francis Preston Blair (1821-1875), Alfred H. Terry (1827-1890), Henry W. Slocum (1827-1894), Jefferson C. Davis (1828-1879), Oliver O. Howard (1830-1909), John M. Schofield (1831-1906), Joseph A. Mower (1827-1870).
2. SIPGGG_090307_04.JPG: A tour group discusses the Grant and His Generals mural
AAA "Gem": AAA considers this location to be a "must see" point of interest. To see pictures of other areas that AAA considers to be Gems, click here.
Description of Subject Matter: Two of the threads running through the United States before the Civil War were the principle of union and the reality of slavery. In the North, Americans insisted on union above all else; in the South, Americans insisted on slavery above all else; and in the great American West, pioneers and sellers were left to choose between the two.
The Americans represented in this gallery felt strongly about these issues of liberty, union, and slavery. One of them, John Brown, did as much as any single person could do to push the divided nation to the brink of secession and civil war.

Abraham Lincoln's election to the presidency in November of 1860 enraged radical southern leaders, who fiercely defended the institution of slavery. As the Republican Party candidate, Lincoln wholly endorsed his party's platform to ban the extension of slavery into the western territories. Although he clearly stated his intention not to interfere with slavery where it already legally existed, southern extremists did not trust the new president-elect. In response, southerners enacted their doctrine of states' rights: "The Union Is Dissolved!" proclaimed the Charleston Mercury on December 20, 1860, when South Carolina became the first of eleven states to secede. A call to arms on both sides followed on the heels of secession. "Both parties deprecated war," President Lincoln reflected four years later in his second inaugural address, "but one of them would make war rather than let the nation survive; and the other would accept war rather than let it perish. And the war came."

Lincoln and His Cabinet:
Upon entering the office of the presidency, Abraham Lincoln had every reason to feel skeptical about the ultimate success of his administration. Faced with a civil war, responsibility rested on his angular shoulders as it had done with no other American president before or since. Moreover, Lincoln had to win control over his cabinet, which at the start was at odds with him and with itself: three of the seen members had been Lincoln's rivals for the party's nomination, and four of the seven had at one time belonged t the Democratic Party. In selecting men who were his political equals, Lincoln was putting his leadership ability to an early and critical test. His successful management of this "team of rivals" for the good of the nation was a supreme test of his self-confidence and mastery of men.

Winslow Homer's Civil War Engravings:
In 1861 and 1862, Winslow Homer made sketches of camp life and skirmishes between Union and Confederate soldiers. His sketches captured the homesickness, numbing routine, and sudden violence of the conflict. The engravings made from his sketches and published in newspapers and magazines often romanticized the realities of the war, but eager readers welcomed these glimpses of the conflict. Homer also made wood engravings of events at home during the war, often focusing on absent soldiers and the war effort in New York.
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