BGuthrie Photos: VA -- Norfolk -- Chrysler Museum of Art -- Paintings

VA -- Norfolk -- Chrysler Museum of Art -- Paintings:

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Copyrights: All pictures were taken by amateur photographer Bruce Guthrie (me!) who retains copyright on them. Free for non-commercial use with attribution. See the [Creative Commons] definition of what this means. "Photos (c) Bruce Guthrie" is fine for attribution. (Commercial use folks including AI scrapers can of course contact me.) Feel free to use in publications and pages with attribution but you don't have permission to sell the photos themselves. A free copy of any printed publication using any photographs is requested. Descriptive text, if any, is from a mixture of sources, quite frequently from signs at the location or from official web sites; copyrights, if any, are retained by their original owners.

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Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
1. CHRYP1_060504_217.JPG: Claudio Coello, Spanish, Madrid (1642-1693) "The Vision of Saint Anthony of Padua," 1663.
2. CHRYP1_060504_252.JPG: David Teniers the Younger, Flemish, Brussels (1610-1690) "The Surgeon", 1670s. In "The Surgeon," Teniers crafts a beautifully detailed, yet sharply satiric genre scene of a country barber-surgeon at work. The practitioner of this lowly profession -- barber-surgeons were widely dismissed as charlatans -- can be seen tending to a peasant's back, perhaps lancing a boil. At right, his young apprentice bends over a dish of glowing coals, warming a plaster that will be applied to the wound. Behind him, the surgeon's next victim is prepared for blood letting. Arrayed in the foreground in jugs and bottles, the doctor's various potions compose a flawlessly executed still life. The painting's numerous allusions the surgeon's ineptitude would have been readily appreciated by Tenier's contemporaries. The fish skeleton and globe suspended from the ceiling, for example, are alchemical props that point to the doctor's ignorant reliance on the pseudo-science of alchemy. The chained monkey at lower right carries the sharpest satirical bite of all. In contemporary northern European art, monkeys appear as symbols of foolishness. This small creature "apes" the pose of the patient behind him, suggesting that the man is senselessly seeking a cure from the doctor when instead he should be tending to the health of his eternal soul. In short, the patient is chained to his ignorance as the monkey is tied to his iron ball.
AAA "Gem": AAA considers this location to be a "must see" point of interest. To see pictures of other areas that AAA considers to be Gems, click here.
Wikipedia Description: Chrysler Museum of Art
From Wikipedia, the free encyclopedia

The Chrysler Museum of Art is an art museum in the Ghent district of Norfolk, Virginia. The museum was originally founded in 1933 as the Norfolk Museum of Arts and Sciences. In 1971, automotive heir, Walter P. Chrysler, Jr. (whose wife, Jean Outland Chrysler, was a native of Norfolk), donated most of his extensive collection to the museum. This single gift significantly expanded the museum's collection, making it one of the major art museums in the Southeastern United States. From 1958 to 1971, the Chrysler Museum of Art was a smaller museum consisting solely of Chrysler's personal collection and housed in the historic Center Methodist Church in Provincetown, Massachusetts. Today's museum sits on a small body of water known as The Hague in the Ghent district, near downtown Norfolk.

The Collection:

The New York Times described the Chrysler collection as "one any museum in the world would kill for." Comprising over 30,000 objects the collection spans over 5000 years of world history. American and European paintings and sculpture from the middle ages to the present day form the core of the collection.

The museum's most significant holdings include works by Tintoretto, Veronese, Peter Paul Rubens, Diego Velazquez, Salvator Rosa, Gianlorenzo Bernini, John Singleton Copley, Thomas Cole, Eugene Delacroix, Edouard Manet, Paul Cezanne, Gustave Dor�, Albert Bierstadt, Auguste Rodin, Mary Cassatt, Paul Gauguin, Georges Rouault, Henri Matisse, Georges Braque, Edward Hopper, Jackson Pollock, Andy Warhol, Richard Diebenkorn, and Franz Kline.

The Chrysler Museum is home to the final sculpture of the Baroque master Gianlorenzo Bernini, a marble bust of Jesus created as a gift for the artist's benefactor, Queen Christina of Sweden.The Museum also houses one of the world's greatest collections of glass (including outstanding works by Louis COmfort Tiffany), distinguished holdings in the decorative arts, and a fine and growing collection of photography. The arts of the ancient world, Asia, Africa, and Pre-Columbian America are also well represented.

Programs and Exhibitions:

The Museum recognizes a responsibility to assist its visitors in getting the most out of their visit. A full range of guided tours, lectures, films, concerts, family days, travel programs, and publications are designed both to make the Museum a lively and engaging place to provide information on the works displayed and their historical context. The Chrysler is particularly proud of its school tour program. Each year over 100 volunteer docents welcome over 60,000 students from Hampton Roads for tours at the Museum itself and for living history experiences at the historic houses.

Each year the Chrylser presents an average of 15 special exhibitions. These bring to Norfolk outstanding artworks from around the world. Recent offerings have ranged from Myth, Magic, and Mystery: One Hundred Years of American Children's Book Illustration, to Rembrandt and the Golden Age of Dutch Painting: Works from the National Gallery of Art, the Art of Andy Warhol, Photographs of the Civil Rights Movement, M.C. Escher, Ancient Gold Jewelry from the Dallas Museum of Art, Art of Glass, A Fair Wind: Maritime Paintings by WInslow Homer, and Rodin: Sculpture from the Iris and B. Gerald Cantor Collection.

The Jean Outland Chrysler Library:

With a collection of 80,000 volumes, the Jean Outland Chrysler Library is one of the largest and most important art libraries in the South. The collection covers the entire history of world art, with special emphasis on material relevant to the Chrysler's Permanent Collection. The library subscribes to several hundred art-related journals, has an extensive collection of current and historical auction catalogues, and exchanges publications with 400 art museums world wide. There are also extensive vertical files on artists and art-related topics.

The library named in honor of Jean Outland Chrysler, wife of the late Walter P. Chrysler, Jr., who played a leading roled in its formation and expansion. The collection is based on the original holdings of the Norfolk Museum of Arts and Sciences library. In 1977, the library of the London art dealer M. Knoedler & Co. was purchased, adding major historical reference volumes, periodicals, and rare annotated slaes catalogues. The Library also houses the Museum archives, a rich source of local history that includes Mark Twain's original typescript of a speech he delivered at the Jamestown Tricentennial Exposition of 1907. A collection of papers from the Moses Myers family provides unique insights into the life of an important Tidewater merchant during the nation's early history.

The A. Kempton d'Ossche Art Video Collection is a fast-growing Library resource. The collection covers a variety of artists and art topics.

Historic Houses:

In addition to its main building in downtown Norfolk, the Chrysler Museum of Art also administers two important Historic Houses.

The Moses Myers House in downtown Norfolk is not only an unusually elegant example of Federal period architecture, but almost unique in America as it retains 70% of its original contents. The house and its furnishings provide a wonderful opportunity for visitors to experience first-hand the life of a prosperous Jewish merchant and his family during the early years of the 19th century. Moses Myers moved to Norfolk in 1787 with his wife Eliza. Five years later he purchased a large lot, where he erected a home for his family. Today the house contains an important collection of American, English, and French furniture, along with glass, silver, and ceramics, and portraits by Gilbert Stuart, Thomas Sully and John Wesley Jarvis. All were commissioned or acquired by members of the Myers family.

The Norfolk History Museum at the Willoughby-Baylor House: The Norfolk History Museum at the newly-refurbished WIlloughby-Baylor House (ca. 1794) illuminates the wide range and richness of the history of the entire region by providing enganging thematic offerings and surveys, including the decorative arts of Norfolk, the story of Norfolk at various stages in its long history as an international port and maritime center, the area's impressive naval and military heritage, and the area's historic building and residences at different periods in history.
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