GA -- Savannah -- Bonaventure Cemetery:
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- Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
- BONA_030826_21.JPG: All of Mercer's family has a song lyric attached to their grave. His mother has "My momma done fed me"
- BONA_030826_22.JPG: Johnny Mercer's grave says "And the angels sing."
- BONA_030826_24.JPG: Mercer's wife's grave says "You must have been a beautiful baby."
- BONA_030826_63.JPG: A stone tablet here identifies this as:
Little Gracie
Little Gracie Watson was born in 1883, the only child of her parents. Her father was manager of the Pulaski House, one of Savannah's leading hotels, where the beautiful and charming little girl was a favorite with the guests. Two days before Easter, in April 1889, Gracie died of pneumonia at the age of six. In 1890, when the rising sculptor, John Walz, moved to Savannah, he carved from a photograph this life-sized, delicately detailed marble statue, which for almost a century has captured the interest of all passersby.
- Wikipedia Description: Bonaventure Cemetery
From Wikipedia, the free encyclopedia
Bonaventure Cemetery is a public cemetery located on a scenic bluff of the Wilmington River, east of Savannah, Georgia. The cemetery became famous when it was featured in the 1994 novel Midnight in the Garden of Good and Evil by John Berendt, and in the movie, directed by Clint Eastwood, based on the book. It is the largest of the city's municipal cemeteries, containing nearly 160 acres.
The entrance to the cemetery is located at 330 Bonaventure Road.
History:
The cemetery is located on the site of a plantation originally owned by John Mullryne. On March 10, 1846, Commodore Josiah Tattnall III, sold the 600-acre Bonaventure Plantation and its private cemetery to Peter Wiltberger. Major William H. Wiltberger, the son of Peter, formed the Evergreen Cemetery Company on June 12, 1868. Evergreen Cemetery Company was purchased by the City of Savannah on July 7, 1907, making the cemetery public and changing the name to Bonaventure Cemetery.
In 1867 John Muir began his Thousand Mile Walk to Florida and the Gulf. In October he sojourned for six days and nights in the Bonaventure cemetery, sleeping upon graves overnight, this being the safest and cheapest accommodation that he could find while he waited for money to be expressed from home. He found the cemetery even then breathtakingly beautiful and inspiring and wrote a lengthy chapter upon it, "Camping in the Tombs."
"Part of the grounds was cultivated and planted with live-oak, about a hundred years ago, by a wealthy gentleman who had his country residence here But much the greater part is undisturbed. Even those spots which are disordered by art, Nature is ever at work to reclaim, and to make them look as if the foot of man had never known them. Only a small plot of ground is occupied with graves and the old mansion is in ruins. The most conspicuous glory of Bonaventure is its noble avenue of live-oaks. They are the most magnificent planted trees I have ever seen, about fifty feet high and perhaps three or four feet in diameter, with broad spreading leafy heads. The main branches reach out horizontally until they come together over the driveway, embowering it throughout its entire length, while each branch is adorned like a garden with ferns, flowers, grasses, and dwarf palmettos. But of all the plants of these curious tree-gardens the most striking and characteristic is the so-called Long Moss (Tillandsia usneoides). It drapes all the branches from top to bottom, hanging in long silvery-gray skeins, reaching a length of not less than eight or ten feet, and when slowly waving in the wind they produce a solemn funereal effect singularly impressive. There are also thousands of smaller trees and clustered bushes, covered almost from sight in the glorious brightness of their own light. The place is half surrounded by the salt marshes and islands of the river, their reeds and sedges making a delightful fringe. Many bald eagles roost among the trees along the side of the marsh. Their screams are heard every morning, joined with the noise of crows and the songs of countless warblers, hidden deep in their dwellings of leafy bowers. Large flocks of butterflies, flies, all kinds of happy insects, seem to be in a perfect fever of joy and sportive gladness. The whole place seems like a center of life. The dead do not reign there alone. Bonaventure to me is one of the most impressive assemblages of animal and plant creatures I ever met. I was fresh from the Western prairies, the garden-like openings of Wisconsin, the beech and maple and oak woods of Indiana and Kentucky, the dark mysterious Savannah cypress forests; but never since I was allowed to walk the woods have I found so impressive a company of trees as the tillandsia-draped oaks of Bonaventure. I gazed awe-stricken as one new-arrived from another world. Bonaventure is called a graveyard, a town of the dead, but the few graves are powerless in such a depth of life. The rippling of living waters, the song of birds, the joyous confidence of flowers, the calm, undisturbable grandeur of the oaks, mark this place of graves as one of the Lord’s most favored abodes of life and light."
"Camping in the Tombs," from A Thousand Mile Walk
Operations:
Citizens of Savannah and others may purchase interment rights in Bonaventure.
The cemetery is open to the public daily from 8:00 a.m. to 5:00 p.m. There is no admission fee.
Department of Cemeteries:
The main office of the City of Savannah's Department of Cemeteries is located on the Bonaventure Cemetery grounds in the Bonaventure Administrative Building at the entrance.
Bonaventure Historical Society:
The cemetery became the subject of a non-profit group, the Bonaventure Historical Society, in May 1997. The group has compiled an index of the burials at the cemetery.
The Bird Girl:
The cover photograph of Midnight in the Garden of Good and Evil, taken by Jack Leigh, featured an evocative sculpture of a young girl that had been in the cemetery, essentially unnoticed for over 50 years. After the publication of the book, the sculpture was donated to Savannah's Telfair Museum of Art to avoid disturbances by visitors to the cemetery.
Notable burials:
* Conrad Aiken, novelist and poet
* Edythe Chapman, actress
* Hugh W. Mercer, Civil War Army officer and Confederate general
* Johnny Mercer, singer/songwriter
* James Neill, actor
* Edward Telfair, governor
* Jack Leigh, photographer, author
* Claudius Charles Wilson (1831-1863), Civil War Confederate brigadier General
* Bartholomew Zouberbuhler (1719-1766), minister
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