MA -- Boston -- Boston Common -- Shaw Memorial:
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- Specific picture descriptions: Photos above with "i" icons next to the bracketed sequence numbers (e.g. "[1] ") are described as follows:
- SHAWM_020831_01.JPG: This and the next picture are of the Shaw Memorial, which commemorates the attack made by black soldiers under Robert Gould Shaw during the Civil War. The attack, by the 54th Massachusetts Colored Regiment, was against the fortifications of Battery Wagner, on Morris Island protecting Charleston harbor. The soldiers' charge, on July 18 1863, was hopeless. The soldiers killed during the attack were buried with Shaw in a pit after the battle. The monument sits outside of the state capitol building. The plaster mold for it is in the National Gallery of Art in Washington DC.
- Wikipedia Description: Robert Gould Shaw Memorial
From Wikipedia, the free encyclopedia
The Memorial to Robert Gould Shaw and the Massachusetts Fifty-Fourth Regiment is a bronze relief sculpture by Augustus Saint-Gaudens opposite 24 Beacon Street, Boston (at the edge of the Boston Common). It depicts Colonel Robert Gould Shaw leading the 54th Regiment Massachusetts Volunteer Infantry as it marched down Beacon Street on May 28, 1863. It was unveiled May 31, 1897.
History
According to The Monument to Robert Gould Shaw: Its Inception, Completion, and Unveiling, 1865-1897, Joshua Bowen Smith – a Massachusetts state legislator – was the "prime mover" in establishing the monument; others participating in its early planning included Governor John Albion Andrew, Samuel Gridley Howe, and Senator Charles Sumner. Their goal was
not only to mark the public gratitude to the fallen hero, who at a critical moment assumed a perilous responsibility, but also to commemorate that great event, wherein he was a leader, by which the title of colored men as citizen-soldiers was fixed beyond recall. In such a work all who honor youthful dedication to a noble cause and who rejoice in the triumph of freedom should have an opportunity to contribute.
An inscription on the relief itself reads OMNIA RELINQVIT / SERVARE REMPVBLICAM ("He left behind everything to save the Republic"). The pedestal below carries lines from James Russell Lowell's poem "Memoriae Positum":
Right in the van of the red rampart's slippery
swell with heart that beat a charge he fell
foeward as fits a man: but the high soul burns
on to light men's feet where death for noble
ends makes dying sweet.
On the rear are the words of Charles W. Eliot:
The White Officers taking life and honor in their hands cast in their lot with men of a despised race unproven in war and risked death as inciters of servile insurrection if taken prisoners besides encountering all the common perils of camp march and battle. The Black rank and file volunteered when disaster clouded the Union Cause. Served without pay for eighteen months till given that of white troops. Faced threatened enslavement if captured. Were brave in action. Patient under heavy and dangerous labors. And cheerful amid hardships and privations. Together they gave to the Nation and the World undying proof that Americans of African descent possess the pride, courage and devotion of the patriot soldier. One hundred and eighty thousand such Americans enlisted under the Union Flag in MDCCCLXIII–MDCCCLXV.
A plaster cast, which exhibited at the 1901 Pan-American Exposition, is at the National Gallery of Art, on loan by the Saint-Gaudens National Historic Site, Cornish, New Hampshire. The inscription running along the bottom of the plaster cast incorrectly states that the assault on Fort Wagner and Shaw's death in 1863 occurred "JULY TWENTY THIRD," five days later than the actual events.
In popular culture
* William Vaughn Moody describes Shaw and the monument in the poem "An Ode in Time of Hesitation."
* The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment), is the first movement of Three Places in New England (1903-1929), by Charles Ives.
* Robert Lowell's famous poem For the Union Dead (1964) mentions the monument and presents a drawing of the relief on the cover of the first edition of the book by the same name.
* The memorial was depicted in the ending credits scene of the 1989 film, Glory.
* The memorial was used as the background for the U.S. postage stamp honoring author and poet Stephen Vincent Benet on the 100th anniversary of his birth in 1998.
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